How does it start? With a meet-cute little musical number featuring the cast of seven. How does it last? Those same seven sing and dance and talk and laugh and cry for 100 minutes every Friday night, Saturday night, and Sunday afternoon* so that audiences all over Charm City can have an adorable feel-good alternative to the Christmas season’s traditional musical theatre offerings. Despite an unsuccessful run Off-Broadway, the current cast of the Spotlighters Theatre production of First Date is finding second life,
You got love and you got death; it’s all you got. And death will find you, but you’ve gotta find love. And believe you me, you’re going to find it when you fall in love with this stellar production of August Wilson’s Two Trains Running at The Audrey Herman Spotlighters Theatre this fall. Kicking off their 56th season— A Place Where We Belong— this 7th play of the 10-play Pittsburgh Cycle by the renowned and award-winning playwright,
11 July and the question is shame. Will you feel shame if you don’t go and see Spring Awakening at The Audrey Herman Spotlighters Theatre this summer? The answer is yes. Shame is a product of education, but do not remain ignorant to this impressively evocative and intimate piece of highly charged sensual musical theatre. Directed by Jillian Bauersfeld with Musical Direction by Michael W. Tan, this gripping and moving musical drama traverses the controversial plains of adolescence blossoming into maturity despite the deliberate ignorance engrained from the religious and parental rule that governs the time.
Come on and— ease on down, ease on down the road! Pick up your left foot when your right foot’s down, and head to the Mt. Vernon side of Charm City Town. You’ve got to— ease on down, ease on down the road! It’s time to ease on down, ease on down the road! Pick up your tickets— for this show that is— come on down to Spots and see their show of The Wiz!
Pride is a luxury a woman in love cannot afford. And the devilish lengths a woman in love will go to in order to maintain that love is unseemly and unsightly to the modern feminist. But in the world of Clare Booth Luce’s The Women, where the utmost priority for the women of society was maintaining a marriage and quashing scandals before they could rise, it’s quite a different story. Directed by Fuzz Roark,
Madhouse doesn’t begin to describe the utter shenanigans happening in William Gillette’s New England mansion on Christmas Eve. Scandal! Mystery! Murder! For god’s sake, there are actors present! What else could be expected from Ken Ludwig’s bitingly humorous and boisterously bloody play The Game’s Afoot? Directed by Fuzz Roark, this scintillating madcap comedy with just a dandy drop of blood for the murder mystery enthusiast in us all is the perfect way to ring in the holiday season.
Is there anything more outrageous than an honest critic? It might be the way that The Audrey Herman Spotlighters Theatre is kicking off their 55th season with Howard Zinn’s Marx in Soho. Directed by Sherrionne Brown, with Phil Gallagher in the titular role, this evening of socialist banter is an engaging theatrical endeavor that will grip the audience and give them pause to think about whether or not society is going in any direction at all,
Stop the clock. Take time out. Hear the Tick Tick BOOM! as it explodes on the stage of The Audrey Herman Spotlighters Theatre to close out their 54th season. Jonathan Larson’s pre-Rent musical arrives under the Direction of Jillian Locklear Bauersfeld with Musical Direction by Michael W. Tan and features an intimate cast of three just living the real life of 1990 New York City. Big dreams,
A year lasts forever and a day when you’re on top of the world. The Audrey Herman Spotlighters Theatre production of Evita will only last five weekends but will strike a chord in the hearts of theatergoers across Charm City that will easily resonate for a year. The music of Andrew Lloyd Webber and lyrics of Tim Rice come together under the Direction of Fuzz Roark and Musical Direction of Michael Tan in a pure and sublime performance of one of the most dizzying historical tales ever told in musical theatre.
Oh what a circus! Oh what a show! It’s quite a sunset, but don’t cry for the Argentinians just yet, Charm City! Not until you’ve read this riveting TheatreBloom exclusive interview with the actors in the lead roles at the upcoming production of Evita The Audrey Herman Spotlighters Theatre. With a wealth of knowledge on their characters, and great opinions on how this “old school” musical is surging with relevance today’s audiences,
Everybody has their truth. Yours may be different from mine, but there’s only one way to the promised land…of theatre…and for the moment that way is through the gates of Spotlighters Theatre as they warm up the winter with their production of Southern Baptist Sissies. Written by Del Shores and Directed by Fuzz Roark, this evocative, heartbreaking tale of reconciling religious truth with reality tugs the heartstrings hard and doesn’t let go until the show’s stirring conclusion.
Well yeehaw, y’all! It’s a rootin’ tootin’ Christmas time down in ol’ Tuna, Texas, yes it is, why yes it is! And for a limited holiday engagement you too can visit with Aunt Pearl, Didi and RR, Vera Carp, and all the rest of those zany southern characters from the lone star state at The Audrey Herman Spotlighters Theatre as they take up residence to celebrate the festive season through December 20th.
Something sensational is cooking up over at The Audrey Herman Spotlighters Theatre. Gilbert before Sullivan! Unheard of, right? This fascinating work marks the American premier of A Sensation Novel: A Musical Play in Three Acts, that was previously lost to time. In Volume III of the TheatreBloom exclusive interview series, we sit down with Director Michael Blum and Musical Director Erica Rome, conceptual artists who have worked to reconstruct the missing pieces of Gilbert’s work and get it up on its feet as the opening show of the Spotlighters 2015/2016 season.
Piece together, for a moment if you can imagine, all of the fancy finery that floats to mind when you utter the words Victorian London. Let those images of haughty parlors, high cinched collars, and stodgy outfits with miles of lace drift dreamily through your mind along the delectable operetta-style story telling of W. S. Gilbert. Add the accompaniment of Music by Michael Nash, T. German Reed, and a little hint of Arthur Sullivan.
Peace be with you, Baltimore! Are you ready to raise the praise with this funky fresh new sound? It’s Mary Magdalicious and it’s dropping down faster than Sunday morning parishioners on their knees in the pews over at Spotlighters Theatre this summer! That’s right, fathers, sons, and holy ladies— appearing for an extremely limited engagement in the halls of the St. Paul sanctuary— Altar Boyz are live for your praying pleasure!
When theatre is evocative and moving, audience members can’t help but wonder what it’s like for the actors who help to make it so, particularly when the subject matter is intensely poignant and relevant to the outside world. Spotlighters Theatre’s current production of Dog Sees God, addresses a great many issues that plague today’s adolescent culture, everything from homophobia and bullying in the LGBT+ community, to teenage substance abuse and mental health.
Laugh and the world laughs with you. Cry and the world laughs harder. A tough but true learning lesson of life that all too often gets brushed by the wayside in favor of a more optimistic approach to finding the bright side of existence. The Audrey Herman Spotlighters Theatre is tackling its most evocative and poignantly moving drama to date with their current production of Burt V. Royal’s Dog Sees God.
Bienvenue sur le carnaval! Where the broken sands of time and fairy floss floats o’er the fairgrounds of The Audrey Herman Spotlighters Theatre. You won’t recognize a single song in this flash of 21 vignettes, at least not by their lyrics, but the iconic melodies of Jacque Brell tinkle blissfully under each song inviting the audience into a cantering calliope of romanticism, cynicism, and jingly jaunts of whimsy. Directed by Timoth David Copney with Musical Direction by Michael Tan,
The more insane a man is, the more powerful he becomes. To experience the ultimate theatrical power in action join the Psychoceramics— humanity’s crackpots— at The Audrey Herman Spotlighters Theatre for their production of Dale Wasserman’s One Flew Over the Cuckoo’s Nest. Directed by Greg Bell, this gripping off-kilter psycho drama, adapted from the novel by Ken Kesey, delves deep into the human psyche and confronts the inner pollutions of the minds of society’s outcasts: the insane.
Murder. Madness. Mayhem. It’s all there awaiting you behind the façade. A darkened alleyway; a decent down stone stairs to the underbelly of Saint Paul Street and you shall find yourself amid the most diabolical musical mastery The Audrey Herman Spotlighters Theatre has offered up on its stage in a great many years. Jekyll & Hyde sets to the stage with relentless power; a beast of a musical under the refined Direction of Fuzz Roark and superb resplendence of Musical Director Michael Tan,
Everyone dies; it is a fact of life. Fortune’s Child, a new work by Baltimore area playwright Mark Scharf has made its debut at the Baltimore Theatre Project this winter season of 2015. In a TheatreBloom exclusive interview, I’ve sat down with the playwright to discuss the work and what it is meant to tell the audiences who see it about living life.
Thank you for taking the time to sit down with the readers of TheatreBloom for this interview,
During this festive season the overwhelming urge to invite friends and family around to the house for dinner creeps up out of nowhere, much like the sharp biting winter chill of the season. The Audrey Herman Spotlighters Theatre reminds people everywhere why dinner guests are an atrocious idea, especially at this time of year with their zany and highly amusing production of George S. Kaufman and Moss Hart’s The Man Who Came to Dinner.