Artistic Synergy of Baltimore (ASoB) presents a splendid rendition of Much Ado About Nothing, one of Shakespeare’s most well-known classic comedies. Most are probably familiar with the material already through literature class, seeing it performed elsewhere, or from the various movie versions (most notably the 1993 version directed by Kenneth Branagh), but for those who are not familiar, it can be summed up briefly as two love stories intertwining with misdirection,
Tis the bloody business which informs thus to mine eyes: a theatre company hath sprung up afresh in Reisterstown. But not just any theatre company, nay, but The Gypsy Wagon Theatre Company, whose full intention is to be mobile. At first appearing to be little more than a tin can on wheels, do not be deceived, this collapsible trailer-esque stage is purporting a tall order of theatrical design— when it comes to lighting especially— and currently presenting a mighty solid production of Shakespeare’s very own Macbeth.
Madhouse doesn’t begin to describe the utter shenanigans happening in William Gillette’s New England mansion on Christmas Eve. Scandal! Mystery! Murder! For god’s sake, there are actors present! What else could be expected from Ken Ludwig’s bitingly humorous and boisterously bloody play The Game’s Afoot? Directed by Fuzz Roark, this scintillating madcap comedy with just a dandy drop of blood for the murder mystery enthusiast in us all is the perfect way to ring in the holiday season.
There’s a suggestion of gunpowder in the air, one small spark might set off an explosion upstairs in the Theatre Building this season at Cockpit in Court as they present what is quickly becoming an annual tradition of murder mystery on their stage. Agatha Christie’s Towards Zero is the latest play to fall victim to this yearly tradition and although there’s nary a gun in the show (not even so much as mentioned!),