It was a white dress with pink floral patterns all over it, A-frame and 50’s vintage style cut with a singular crinoline layer that peaked out from the bottom. I wore it with a pink hat dotted in flowers and pearls, the hat that my partner calls “…that flower bucket on your head…” I got the dress in Vegas, at a retro-chic wannabe vintage shop called Rockin’ Betty’s over in the Arts District— that’s off the strip— on the last Sunday of our family trip there.
Pretty things are rare in this life; they’re like billboards telling us life is good. There’s a ‘life is good billboard’ rising up in Rising Sun, Maryland this summer with Showcase On Main’s latest theatrical endeavor. Away from their usual Minihane’s location, they’ve popped up in the black box of Street Lamp Productions to present William Inge’s Picnic. Directed and Designed by S. Lee Lewis with original score composition by A.J.
Pride is a luxury a woman in love cannot afford. And the devilish lengths a woman in love will go to in order to maintain that love is unseemly and unsightly to the modern feminist. But in the world of Clare Booth Luce’s The Women, where the utmost priority for the women of society was maintaining a marriage and quashing scandals before they could rise, it’s quite a different story. Directed by Fuzz Roark,
Madhouse doesn’t begin to describe the utter shenanigans happening in William Gillette’s New England mansion on Christmas Eve. Scandal! Mystery! Murder! For god’s sake, there are actors present! What else could be expected from Ken Ludwig’s bitingly humorous and boisterously bloody play The Game’s Afoot? Directed by Fuzz Roark, this scintillating madcap comedy with just a dandy drop of blood for the murder mystery enthusiast in us all is the perfect way to ring in the holiday season.
Ambition seduces. Power corrupts. Milburn Stone Theater delivers. For a one weekend exclusive engagement, MST takes on the scandalously charged political thriller Farragut North at the Elkton Station found-space location. Written by Beau Willimon and Directed by Andrew John Mitchell, this edgy political chaser keeps you enthralled with the backroom politics as the race for the big house unfurls in backwoods Des Moines, the biggest political victory a candidate can hope to make in their campaign.