War! Huh! Good God! What is it good for? The age old question that is as relevant now as it was 2400 years ago when Aristophanes took words to parchment and penned Lysistrata. The classic Greek comedy where women hole themselves up in the Acropolis and refuse sex to the men until they end the war finds a retooling with a new translation by Sarah Ruden. Opening the 57th Season— A Season of Strong Voices— at The Audrey Herman Spotlighters Theatre,
The epic quest for epic theatre in Baltimore City has been going for as long as theatergoers have been seeking it out: since the dawn of theatrical time! The holy grail of theatrical mother-loads has landed at The Audrey Herman Spotlighters Theatre and it’s slaying— literally! She Kills Monsters by Qui Nguyen and Directed by Stephanie Miller, is exactly what thespians of Charm City have been seeking! Under-produced and rarely seen productions?
Come on and— ease on down, ease on down the road! Pick up your left foot when your right foot’s down, and head to the Mt. Vernon side of Charm City Town. You’ve got to— ease on down, ease on down the road! It’s time to ease on down, ease on down the road! Pick up your tickets— for this show that is— come on down to Spots and see their show of The Wiz!
The line forms, on the right, babe— now that Macheath is back in town! The Audrey Herman Spotlighters Theatre is sending scarlet billowing all over the stage, kicking off 2017 with a flash of those pearly white sharks teeth as they bring the iconic Bertolt Brecht adaptation, The Three Penny Opera to the stage. Directed (with new editing, adapting, and translating) by Michael Blum with Musical Direction by Erica Rome,
Don’t want to be an American Idiot? Then you’re going to have to travel up to Milburn Stone Theatre to see their visceral production of Green Day’s American Idiot. But before you do, we’ll put you in the know and keep you informed by presenting you with a TheatreBloom exclusive interview with the show’s Director Lance Bankerd. Hear what Lance has to say regarding the production and what it means to today’s audiences.
Well yeehaw, y’all! It’s a rootin’ tootin’ Christmas time down in ol’ Tuna, Texas, yes it is, why yes it is! And for a limited holiday engagement you too can visit with Aunt Pearl, Didi and RR, Vera Carp, and all the rest of those zany southern characters from the lone star state at The Audrey Herman Spotlighters Theatre as they take up residence to celebrate the festive season through December 20th.
Atomic adolescent angst rears its radioactive righteousness in a teenage nuclear zombie! Not a catchy enough hook? Think Grease meets The Walking Dead, but with more dancing and you’ll have the hysterically campy and hell of a good time musical, Zombie Prom now shambling onto the stage of the Audrey Herman Spotlighters Theatre just in time for the spooktacular season of Halloween. Directed by Kristen Cooley with Musical Direction by Michael Tan,
Gin! When a woman sets her mind to it, she can accomplish great things, like beating Harry Brock at gin rummy for example. In a TheatreBloom exclusive interview, we sit down with Baltimore area actress Anne Shoemaker to discuss her first major lead role in Born Yesterday at Vagabond Players.
If you could give us a little introduction and familiarize the readers with who you are and what you’ve been up to as of late,
Whet your appetite a little further on this curious cuisine of surrealist normalcy in an absurdist reality. In Part 2 of #weirdfrance, TheatreBloom continues its quest to learn about all the crazy things happening in the Cohesion Theatre Company production of 13 Dead Husbands. This time we’ve gathered the three leading men, Thomas Sinn, Bobby Henneburg, and Matthew Payne, to hear their take on #weirdfrance.
If you fellas can give us a quick introduction,
During this festive season the overwhelming urge to invite friends and family around to the house for dinner creeps up out of nowhere, much like the sharp biting winter chill of the season. The Audrey Herman Spotlighters Theatre reminds people everywhere why dinner guests are an atrocious idea, especially at this time of year with their zany and highly amusing production of George S. Kaufman and Moss Hart’s The Man Who Came to Dinner.