You better— tellin’ you, you better— tell your mama! Something’s gonna get her! You better— everybody better— be aware! Something’s gonna get ya! Look out. Look Out! LOOKOUT! It’s Little Shop of Horrors! At Purple Light! Purple Light Theatre Company! Don’t wait— dates are gonna pass you— right by— don’t let this show pass you— right by! It’s Little Shop of Horrors— it’s one-weekend-o-o-only-y-y! You won’t want to m-i-ii-s-s-s it!
On the 16th day
Of the month of August
In an early year of a decade
Not too long before our own
The Baltimore Theatre Scene
A vivacious resurgence
To its very existence!
And this nearly-forgotten company surfaced
As such companies often do
With the seemingly most innocent
And unlikely of productions…
Come on and— ease on down, ease on down the road! Pick up your left foot when your right foot’s down, and head to the Mt. Vernon side of Charm City Town. You’ve got to— ease on down, ease on down the road! It’s time to ease on down, ease on down the road! Pick up your tickets— for this show that is— come on down to Spots and see their show of The Wiz!
Styles keep a changing, the world’s rearranging, but Toby’s Dinner Theatre is timeless as can be! Welcoming in the 60’s with their superior production of Hairspray, the summer stage-blockbuster is marching in through the front door in Columbia and is ready to shimmy and shake-up all of the theatergoers in the area. Directed and Choreographed by Mark Minnick with Musical Direction by Ross Scott Rawlings, this sensational production is the must-see musical of Baltimore’s hot season!
You can try to stop the seasons, hon, but you know you never will! As the season of summer gets hot underway in Baltimore, Toby’s Dinner Theatre of Columbia sets to open their production of Hairspray. Entering the second part of the “You Can’t Stop the Beat” interview series, TheatreBloom sits down with two of the show’s Dynamites, Samantha McEwen Deininger and Renata Hammond, for a chitchat about the production and just what it’s been like to be a part of the show.
“Giving the nation a new syncopation, the people called it Ragtime!” Ragtime at Memorial Players in Baltimore is an outstanding production that takes the audience on a journey of diversity, racial tensions, and an inspiring yet tragic love story. The book, written by Terrance McNally (Music by Stephen Flaherty, and Lyrics by Lynn Ahrens) is based on the 1975 novel by E. L. Doctorow. Ragtime tells the story of three socially disparate groups set in New York during the early 20th century: African Americans,
Growing up in the 80’s I had several heroes, one of whom was Dolly Parton. I saw every movie, had every album and knew everything I could about her; I was a fanboy before the term fanboy was used in normal conversation. So getting the opportunity to see one of my favorite movies turned into a musical was extremely exciting for me and overall after leaving the theatre I was not disappointed. Silhouette Stages’ production of 9 to 5: the musical,
You can’t stop the beat as it bursts open in all the glory of the 60’s at the Purple Light Theatre Company this summer! Hairspray, the musical of Baltimore, is making a rampant return to the stage with this summer-based company, and bringing the nicest kids in town to the stage. Directed by the company’s Artistic Director, Tommy Malek, with Musical Direction by Benjamin Nabinger and Nathan Scavilla, the well-loved musical is shaking up local audiences with its spectacular dance routines,
A genuine princess is exceedingly rare. A genuine fairytale is exceptionally brilliant. Having both together on one stage for a musical is nothing short of a miracle. The Saint Gabriel Miracle Players have found such a miracle with the tremendously talented cast and design team of their current production of Once Upon a Mattress. A rare treat to have such a silly story told with such stellar vocal quality;
Murder. Madness. Mayhem. It’s all there awaiting you behind the façade. A darkened alleyway; a decent down stone stairs to the underbelly of Saint Paul Street and you shall find yourself amid the most diabolical musical mastery The Audrey Herman Spotlighters Theatre has offered up on its stage in a great many years. Jekyll & Hyde sets to the stage with relentless power; a beast of a musical under the refined Direction of Fuzz Roark and superb resplendence of Musical Director Michael Tan,
How do you document real life when real life’s getting more like fiction each day? The Phoenix Festival Theatre is documenting the musical that captures that essential message with spectacular brilliance in their current production of Jonathan Larson’s Rent. Directed by Laurie Starkey with Musical Direction by Terri Mathews, this timeless musical of life, love, and humanity comes roaring to life straight off the stage in Harford County with punch,