Tale as old as— wait. No. That’s not right. The seaweed is always greener— no. That’s not it either. The cow as white as milk, the slipper as pure as— oh. Definitely not. With the flurry of various and sundry fairytale musicals being done here, there, and everywhere, who can keep them all straight? What about a lesser known fairytale? Or at least a lesser produced one? Artistic Synergy swoops in to save the day in that department,
You can try to stop the seasons, hon, but you know you never will! As the season of summer gets hot underway in Baltimore, Toby’s Dinner Theatre of Columbia sets to open their production of Hairspray. Entering the second part of the “You Can’t Stop the Beat” interview series, TheatreBloom sits down with two of the show’s Dynamites, Samantha McEwen Deininger and Renata Hammond, for a chitchat about the production and just what it’s been like to be a part of the show.
Hear ye! Hear ye! The royal proclamation has been set down by Prince George, and his little theatre, that those interested in a most fanciful retelling of a treasured fairytale find their way by foot, horse, hired carriage, fairy godmother, and any other means necessary to the quaint little playhouse in the woods and witness the whimsically enchanting production of Once Upon a Mattress, being performed by the aforementioned Prince George’s Little Theatre.
A genuine princess is exceedingly rare. A genuine fairytale is exceptionally brilliant. Having both together on one stage for a musical is nothing short of a miracle. The Saint Gabriel Miracle Players have found such a miracle with the tremendously talented cast and design team of their current production of Once Upon a Mattress. A rare treat to have such a silly story told with such stellar vocal quality; the music and lyrics of Mary Rodgers and Marshall Barer come to whimsical fruition against Jay Thompson and Dean Fuller’s book— there’s a happily ever after waiting for theatergoers who enjoy sparkling singers and gorgeous costumes.