![[title of show] at Spotlighters Theatre. đź“·Matthew Peterson](http://www.theatrebloom.com/wp-content/uploads/2023/01/DSC_3671.jpg)
Fierce! Original! Hysterical! All adjectives that one could use to describe [title of show] at Spotlighters Theatre. Written by Jeff Bowen and Hunter Bell with Music & Lyrics by Jeff Bowen, and the Book by Hunter Bell, this show creates a world in which a theater patron can see the time, blood, sweat, and tears that it takes for an original musical to make it all the way to the Great White Way.
Attend the tale of Sweeney
Todd. The opening line should be enough to entice anyone to visit this dark
and bloody Sondheim event at The Heritage Players. The second in their annual “musical
theatre concert” series, this year’s devious stage offering is none other than
the bloody demon barber of fleet street. Sweeney
Todd, Directed by John Gary Pullen with Musical Direction by David Zajic,
and Vocal Direction by Sharen Camille,
Ladies and gentlemen! Boys and girls! Children of all ages! Step right up to The Heritage Players and see The Greatest Show on Earth! Why it’s a miracle! Of course, miracle is a pretty fancy word for humbug, or so Mrs. Barnum will tell you. But a bit of brass and humbug is just as good as silver and gold, Mr. P.T. Barnum will tell you than himself! Barnum, the musical of the circus legend tumblesaults its way up the aisles of the Thomas Rice Auditorium at the Spring Grove Hospital Campus and onto the stage of The Heritage Players,
Let’s not talk about anything else but love! It’s worth repeating, let’s not talk about anything else but love? Why? Life is fleeting, because pleasures come, pleasures go, love can come and go in one throw! Let’s not talk about anything else but love! Love that launched a thousand ships! Love that causes war and famine! Love is love is love is love is love. Love of the theatre— is certainly what The Audrey Herman Spotlighters Theatre has going on with their unexpected production of I Love You,
Die Bart Die! Probably not exactly what Kelsey Grammer thinks he’ll be remembered for when his time is up. Side Show Bob, that loveable nefarious evil-doer spawned inside the depraved animator’s brain of Matt Groening, father of the indomitable prime time animated series, The Simpsons. Of course, what will any of us really be remembered for once we’re gone? What about once the world as we know it is gone? What becomes important,
It takes a lot of Joes to make a sound you can hear. Iron Crow Theatre and it’s almost 20 Joes are making sounds, but the question is— do you hear the people sing? Is it the song of angry men? We’re not marching through France, and this ain’t Russia. It’s Steeltown, USA (temporarily residing in Baltimore, of course) and it’s time to speak up and make your voices heard. The Cradle Will Rock kicks of the 2017/2018 “Season of Identity” for Iron Crow Theatre,
What is life without taking a few risks? How could you pass up this rare opportunity to see a theatre for young audiences’ dramatization of the classic story Robin Hood? Now appearing at Pumpkin Theatre to close out their mainstage 2016/2017 season, Robin Hood, adapted to the stage by Cathryn Pisarski and Directed by Bobby Harris, is galloping and gallivanting onto the stage to entice young audiences and audiences young at heart for an afternoon of daring swordfights,
Hidden in the winding back roads of Owings Mills lies one of the oldest and only theatres in the Baltimore area specifically geared towards young audiences. Pumpkin Theatre is currently in its 49th year of producing child-friendly performances and educational outreach. It is clear from their current production that their mission to introduce young audiences to the stage is still going strong.
The Dancing Princesses written by Jimi Kinstle with music composed by Mandee Ferrier Roberts opens with a singing Chancellor played by Roberts and a very perplex King played by Derek Cooper.
Be anybody, anyplace, anytime! Truer and more inspirational words would be hard-pressed to come by if they hadn’t been uttered straight from the mouth of Beatrix Potter! In a delightfully imaginative stage production that nestles itself cozily into the opening slot of Pumpkin Theatre’s 49th season, Peter Rabbit and Me, by Aurand Harris, is a fantastical adventure for young audiences and those audience members who are young of heart. Directed by Jeremy Scott Blaustein,
One voice have I, one task to tell, but I shall need to borrow your breath to tell my story. Breathe in…breathe out…and prepare yourself for a fantastical journey the likes of which one could never imagine. The Missing Peace, a new musical with Music and Lyrics by Ron Melrose, is making a three-performances-only whirlwind reprise in the home space of Stillpointe Theatre. After a successful run at the 2016 Capital Fringe Festival,
Let’s get down to business! We’ll defeat the Huns! But only if we band together and write our own destiny! Pumpkin Theatre is doing exactly that with their second annual “For-Kids-By-Kids” production. This time it’s Disney’s Mulan Jr. coming to the stage with all the wonderful things a Disney musical entails. Directed by Erin Confair, with Music and Lyrics by Matthew Wilder, David Zippel, Stephen Schwartz, Jeanine Tesori, and Alexa Junge, this children’s adaptation of the classic film brings honor to all at Pumpkin Theatre.
Follow me to a place where enchantment is real and fairytales thrive and grow. The stories are familiar and the characters are a squeal, it’s the only place you can go— Pumpkin Theatre for a full season of princes and princesses in this their 47th season. Starting off with the classic tale of magic and a princess, Pumpkin Theatre is proud to present their production of Aladdin. Directed by Stacey Needle,