Sacrifice Your Sour Outlook and Enjoy Rapid Lemon’s Variations on Sacrifice at Theatre Project
Rapid Lemon Productions presents the annual “Variations” collection; this year’s production is directed by Lance Bankerd. The theme this year, chosen by last year’s audiences, is Sacrifice. Baltimore Theatre Project is housed in a building that is 125 years old, and we find it significantly more comfortable on a summer evening than on a winter afternoon.
There’s a face that we hide till the nighttime appears…and what’s hiding inside behind all of our fears— is our true self— locked inside the façade! Who knew that Third Wall Productions’ true self was an astonishing masterpiece of brilliance locked behind the façade of community theatre? In their finest and most extraordinary production since the company’s inception in 2015, Third Wall Productions brings you the stuff of legends, the stuff of nightmares, their true inner workings…with their production of Jekyll &
Palindrome by Max Garner holds a special element of history with two important men of music in the two plays he wrote. With each one act play explaining the fantastic yet tragic stories of Thelonious Monk and Marvin Gaye. With subtle touches of musical aspects in each play, the audience’s ears ring with the smooth sounds of jazz and other genres that were produced by the focused artists.
Allan Sean Weeks who took the responsibility of lighting director really took on the “less is more” saying for each play.
Jesus Christ Superstar— is exactly what they say you are: a superstar… production, that is. Unfathomably brilliant in its modern conceptualization, Director and Choreographer Bambi Johnson brings this game-changing, classical Andrew Lloyd Webber musical theatre sensation to the intimate black box stage of Street Lamp Productions and creates superb divinity in the theatrical experience that is Jesus Christ Superstar. At the risk of sounding repetitive, it’s a superstar theatrical engagement that is presented with an incredible deal of talent,
Rapid Lemon Production’s production of Love is a Blue Tick Hound found a beautiful way to touch and create an intimate environment for the audience to grow a connection with each character on stage. Audrey Cefaly wrote four different plays that are displayed long enough to grow a bond with each character, whether that would be a waitress laying on the floor of an Italian restaurant or a man on his second date receiving an ear piercing with a potato in his hand.
Die Bart Die! Probably not exactly what Kelsey Grammer thinks he’ll be remembered for when his time is up. Side Show Bob, that loveable nefarious evil-doer spawned inside the depraved animator’s brain of Matt Groening, father of the indomitable prime time animated series, The Simpsons. Of course, what will any of us really be remembered for once we’re gone? What about once the world as we know it is gone? What becomes important,
Suit the action to the word and the word to the action! The word is shows without intermission are the new trend and the action is to apply it Shakespeare. Susquehanna Shakespeare Ensemble is boldly running an endurance test— for both audience and ensemble— with the Bard’s most renowned tragedy, Hamlet. Directed by company founder and Artistic Head Marshall B. Garrett, this DIY-Fringe style production of the Danish Prince’s woe is surprisingly accurate in both delivery and conceptualization,
Something is taking its course. I don’t know how I feel today. There is no one else. There is nowhere else. It must be an absurdist cycle. Rapid Lemon Productions, under producer Max Garner, presents an evening of absurdism at The Motor House in the Station North Arts District of Charm City. A double-bill of two one-acts that are threaded loosely together in their absurdism roots, the classic Samuel Beckett’s Endgame is paired with the American premiere of Darren Donohue’s Voices in the Rubble.
The papas! The mammas! The daughters! The sons! They’re all there as tradition would dictate— but! This isn’t your grandfather’s Fiddler on the Roof happening as Third Wall Productions approaches its one-year anniversary! Directed by Lance Bankerd, with Musical Direction by Edward Berlett, this reimagined production of a time-weathered classic is an innovative look at how the flower that blooms in adversity is the rarest and most beautiful of all. Pulling the production out of the dreary,
Jellicle cats come out tonight! Jellicle cats come one, come all! Jellicle cats at Milburn Stone— Jellicle cats have a Jellicle Ball! And you too will find yourself among the feline fantasy world of Andrew Lloyd Webber’s Cats if you dare to venture to the Milburn Stone Theatre for a sensational production of Broadway’s second-longest running musical. Directed and Choreographed by Bambi Johnson with Musical Direction by Shane Jensen, this phenomenally enchanting evening is whimsy incarnate and invites you to a wildly wondrous world of feline fantasy that will delight every family this holiday season.
Join us. Joooiiin usss….JOOOOIIIN USSS! Well, join them— Milburn Stone Theatre that is— as Ash of S-Mart braves the cabin in the woods and attempts to fight for his life and fend off the evil Candarian Demons that have been wakened from the Necronomicon! You heard it here first— Evil Dead: The Musical (rising from the beyond in the spooktacular Halloween repertory alongside The Toxic Avenger) has possessed The Milburn Stone Theatre’s mainstage and is coming after you!
Her heart got broken. The car was totaled. He’s wildly out of control. Who’s to blame? In a world of helicopter parents, disasters beyond our imagination, catastrophe around every corner, isn’t the question always who’s to blame? Appearing on the stages of Baltimore City for its 12th Annual Production the Variations Project, produced by Rapid Lemon Productions, takes up residency for a limited run-performance in the Wright Theatre of the University of Baltimore. 11 short,
Don’t want to be an American Idiot? Then you’re going to have to travel up to Milburn Stone Theatre to see their visceral production of Green Day’s American Idiot. But before you do, we’ll put you in the know and keep you informed by presenting you with a TheatreBloom exclusive interview with the show’s Director Lance Bankerd. Hear what Lance has to say regarding the production and what it means to today’s audiences.
It’s something unpredictable, but in the end it’s right, you will definitely have the time of your life if you come see the Milburn Stone Theatre’s production of Green Day’s American Idiot. Directed by Lance Bankerd with Musical Direction by J. Andrew Dickenson, this viscerally emotional and hyper-sensationalized production of Green Day’s concept-album-turned musical does not shy away from the traumas encountered by the characters within. A jaw-dropping, fist-pumping, rage-bleeding experience,
I’m reviewing the situation; can Baltimore sustain one more community theatre that popped-up overnight? The answer is yes, as Third Wall Productions makes their inaugural production of Oliver! snap jauntily to life in the found-space stage of the Episcopal Church of the Messiah in Hamilton. Produced by Jerry Gietka (who has commemorated producing the show in loving memory of his late sister Bernie) and Directed by Ed Higgins, with Kathryn Weaver as Musical Director,
At the end of the day it’s another show over. And that show it has surely been making its rounds. From Broadway to touring and finally released to the public— Les Miserables settles down for one show more at The Milburn Stone Theatre in North East Maryland. Broadway’s biggest musical is live in Cecil County for a three weekend limited engagement run and may be the last time that any area theatre is given the rights to perform the show for quite some time to come.
Aye, if ye be in the mood for a poitìn bit o’ good theatre, ‘specially the dark and funny like— now mind you, not the haha out loud sort o’ funny, but the ‘oh…’ sort o’ funny— then The Spotlighters is the place to be goin’. Though bundle up, ye’ll be needin’ th’ heat once ya’ get there. Despite several setbacks, the Martin McDonagh black comedy The Beauty Queen of Leenane carries on upon the stage-in-the-square with a vigorous shake that’ll light a fire in your belly.
Life is very long. Incidentally Tracey Letts’ work August: Osage County only takes up roughly three hours of said life as it is trafficked across the Milburn Stone Theatre stage this winter season. Directed by S. Lee Lewis, Letts’ compelling familial drama addresses afflictions and ailments to the dysfunctional degree of existence. It’s not a party until something gets spilled and family secrets are spilling out all over the place in this poignant timely production.
Living. Dead. Or undecided. Family is still family, and when you’re an Addams, you’re obligated to the clan! It’s time to catch a case of the creepies and the kookies up at the Milburn Stone Theatre as they present the North East Maryland premier of The Addams Family the musical. Directed by S. Lee Lewis with Musical Direction by Shane Jensen, this all-too familiar musical with Music and Lyrics by Andrew Lippa and Book by Marshall Brickman and Rick Elice is pleasing audiences up and down the coast.