Look at their set; isn’t it neat? Wouldn’t you think their set design is so sweet? Wouldn’t you think Michael Rasinski’s the guy— the guy who’s designed everything? Look at those lights— colors so bold! How many wonders can Lighting Designer Thomas Gardner behold? Looking around the stage you’d think— the creative team’s done everything! They’ve got James Hunnicutt designing the properties. They’ve got Brent Tomchik making splashes with sound. You want Choreography? That’s Karli Burnham.
They’re live in living color! Dundalk Community Theatre’s got something special on tonight! They’re live in living color— ‘cause life ain’t lived in black and white. Their production of Catch Me if You Can is live in living color and it’s something you should see! It’s God damn and gumbo fabulous— it won’t fit in your TV! Directed by Robert W. Oppel, with Musical Direction by Cecile Audette, and smashing choreography by Vincent Musgrave,
The extreme always seems to make an impression, so color me impressed that How Do You Like Me Now Productions, as the theatrical producing entity of Erase Hate Through Art, is producing Heathers: The Musical this Halloween season! It’s a real scream! And totally an extreme example of what both HDYLMN and EHTA stand for, when it comes to creating a world that’s free of hate and bullying. Produced by Grant Meyers and Directed by Ed Higgins with Musical Direction by Andrew Zile and Choreography by Kristin Rigsby,
To swim? Or not to swim! THAT is the question! And Fluid Movement has the answer with their annual summertime Water Ballet: SHARKESPEARE! Written collaboratively by Lynda Del Genis, Todd Gardner, Rachel Kassman, and Justin Sabe, with Kassman and Sabe serving as the show’s primary producers, this laugh-out-loud watery dorsal-fin approach to the Bard will have you in stitches with laughter over the terrible puns, the brilliant ideas, and in absolute awe at some of the synchronized swimming routines the execute in the vein of the Bard’s more popular tales.
Hidden in the winding back roads of Owings Mills lies one of the oldest and only theatres in the Baltimore area specifically geared towards young audiences. Pumpkin Theatre is currently in its 49th year of producing child-friendly performances and educational outreach. It is clear from their current production that their mission to introduce young audiences to the stage is still going strong.
The Dancing Princesses written by Jimi Kinstle with music composed by Mandee Ferrier Roberts opens with a singing Chancellor played by Roberts and a very perplex King played by Derek Cooper.
Be anybody, anyplace, anytime! Truer and more inspirational words would be hard-pressed to come by if they hadn’t been uttered straight from the mouth of Beatrix Potter! In a delightfully imaginative stage production that nestles itself cozily into the opening slot of Pumpkin Theatre’s 49th season, Peter Rabbit and Me, by Aurand Harris, is a fantastical adventure for young audiences and those audience members who are young of heart. Directed by Jeremy Scott Blaustein,