Articles Tagged With: Sweeney Todd

Sweeney Todd at The Heritage Players

Attend the tale of Sweeney
Todd
. The opening line should be enough to entice anyone to visit this dark
and bloody Sondheim event at The Heritage Players. The second in their annual “musical
theatre concert” series, this year’s devious stage offering is none other than
the bloody demon barber of fleet street. Sweeney
Todd
, Directed by John Gary Pullen with Musical Direction by David Zajic,

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Sweeney Todd at Kensington Arts Theatre

God, that’s good! Yum…is that a pie fit for a king? A wondrous sweet— a most delectable thing! Well, I am no king (nor have I shaved the faces of any) but the pies in Kensington Arts Theatre’s production of Sweeney Todd: The Demon Barber of Fleet Street are to die for. Sit yourself at one of the rustically ill-sanded picnic tables just at the foot of the stage and if you dare (and are very lucky) you might just sneak a snack during the opening of Act II!

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Sweeney Todd: The Demon Barber of Fleet Street at Rep Stage

“The history of the world, my love, is those below serving those up above.” The daunting lyrics of Stephen Sondheim seem to echo through our world at present, where at the top are seated those privileged few making mock of the vermin in the lower zoo, and what better way to exemplify this than to take one of Sondheim’s darker musical classics and spin it on its head in a modern vent? Rep Stage is giving you Sweeney Todd: The Demon Barber of Fleet Street with this concept firmly in mind.

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Sweeney Todd at Beth Tfiloh Community Theatre

“Attend the tale of Sweeney Todd… his skin was pale and his eye was odd… he shaved the faces of gentlemen who never thereafter were heard of again. He trod a path that few have trod, did Sweeney Todd, The Demon Barber of Fleet Street”.”

The opening lines to the haunting and delightfully disturbing Sweeney Todd: The Demon Barber of Fleet Street still have the power to chill and unsettle audiences,

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She’s Not Good, She’s Not Bad, She’s the Witch: An Interview with Kristen Zwobot for Reisterstown Theatre Project’s Into the Woods

She’s the hitch…she’s what no one believes…she’s the witch! Kristen Zwobot sits down in a TheatreBloom exclusive interview to discuss tackling a Sondheim Bucket-List role as she takes on The Witch in the Reisterstown Theatre Project production of Into the Woods.

If you could give us a brief introduction of who you are and what of your work the readers might recognize, we can get started.

Kristen Zwobot: So I’m Kristen Zwobot and I’m playing the witch.

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Review: Sweeney Todd at Milburn Stone Theatre

I have sailed the world, beheld it’s wonders, from the regions of the west to the regions of the east— and there’s no place like Milburn Stone Theatre. Devilishly embodying the holiday spirit of darkness, and continuing on their unyielding path to produce a season of Sondheim, under the skillful and edgy Direction of Artistic Director S. Lee Lewis, Sweeney Todd: The Demon Barber of Fleet Street takes to the stage for a limited two-weekend engagement.

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Attend the Tale of Sweeney Todd: An Interview with Director Lee Lewis

Attend the tale of Sweeney Todd! He served a dark and a vengeful God! What happens there— well that’s the play! And he wouldn’t want us to give it away…not Sweeney…not Sweeney Todd, the demon barber of Fleet Street! But in an exclusive TheatreBloom interview Director Lee Lewis gives away all the details that the Demon Barber will allow about the upcoming production at Milburn Stone Theatre, reminding us all that this isn’t your mom and pop’s spooky Sondheim musical.

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Sweeney Todd: A Prog Metal Introspective Interview with the Women Behind the Show

Attend the tale of Sweeney Todd, who served a prog and a metal god! With the blessing of the mastermind himself, The Landless Theatre Company has taken Stephen Sondheim’s musical thriller to new heights with their prog metal rendition of the notoriously grim show. Reinventing the classic orchestrations with a self-proclaimed ‘nerd metal’ vibe, the company has created a hybrid performance that lives up to their slogan— “theatre for the theatre-challenged.” This production has caused quite the stir around the Washington DC Theatre scene— being the first of its kind as well as providing a strong voice for female directors in both the theatrical ring as well as the metal scene.

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