God, that’s good! Yum…is that a pie fit for a king? A wondrous sweet— a most delectable thing! Well, I am no king (nor have I shaved the faces of any) but the pies in Kensington Arts Theatre’s production of Sweeney Todd: The Demon Barber of Fleet Street are to die for. Sit yourself at one of the rustically ill-sanded picnic tables just at the foot of the stage and if you dare (and are very lucky) you might just sneak a snack during the opening of Act II!
Hello, Possums! Welcome to The Kensington Arts Theatre— the drag capitol of the world! Because they have the most dragulous show all lined up for you over these next few weekends! That’s right, Possums! It’s— *GASP* Priscilla Queen of the Desert! Directed by John Nunemaker with Musical Direction by Valerie A. Higgs and Choreography by Rikki Howie Lacewell, this area community theatre premiere has lots of dragtastic potential and a heart-warming story about embracing yourself no matter who you are!
You spend your time seated in the audience, looking through the camera lens of your own two eyes every time you watch a show; you almost disappear into the magic that is the portrait of theatre, if the company putting the show on is doing it right. With the ephemeral beauty and ethereal magic that only musical theatre can provide, Kensington Arts Theatre produces a quality production of The Bridges of Madison County— the show’s DC Area community theatre premiere— almost as breathtaking as one of Robert Kincaid’s photographs.
The government doesn’t dole out hope. Hope is not an entitlement program. Resonating with surprising strength to the nation’s current political predicament, the prescience of despair in Lee Blessing’s Two Rooms is striking despite being penned over a quarter of a century ago for a war-torn time even further behind us. Appearing as the non-musical offering in the Kensington Arts Theatre’s 2016/2017 season, Two Rooms is a battlefield of emotional carnage,
Leave your troubles outside. Life is disappointing? Forget it! The Kensington Arts Theatre have no troubles here. Here…theatre is beautiful…their production of Cabaret is beautiful. Even the orchestra, conducted by Musical Director Stuart Y. Weich, is beautiful. And now presenting their 2016/2017 season opener, Directed by Craig Pettinati, the toast of Washington Community Theatre— Kander and & Ebb’s Cabaret! Willkommen, bienvenue, welcome— Im Cabaret! Au Cabaret!
Hate is not a Laramie value. And either the word is sufficient or it is not. It is a strong word, a word of intolerance, a word that cannot be ignored when addressing the heinous crimes that put Laramie, Wyoming on the map. On November 14, 1998 members of the Tectonic Theater Project traveled to the small town and conducted interviews with the people of Laramie, the result of which became a tragically beautiful play known as The Laramie Project.