Motherhood: sometimes a complete joy,
sometimes an utter pain… but either way, the ladies (and gentleman) at
Greenbelt Arts Center are taking us through ALL the motions; the good, the bad,
and the ugly of being a mom in Motherhood Out Loud by Leslie
Ayvazian, Brooke Berman, David Cale, Jessica Goldberg, Beth Henley, Lameece
Issaq, Claire LaZebnik, Lisa Loomer, Michele Lowe, Marco Pennette, Theresa Rebeck,
Luanne Rice, Annie Weisman and Cheryl L.
Motherhood: sometimes a complete joy,
Queenie was a blonde.
And Burrs will make you happy.
And Kate is the life of the party.
And maybe they like it that way.
They’re raising the roof over at The Greenbelt Arts Center with their wild, wild party. Not just any party, but Andrew Lippa’s The Wild Party, directed by Jeffrey Lesniak with Musical Direction by Elizabeth Alford, and Choreography by Rikki Lacewell.
review can practically write itself. Let’s face it, there is nothing disastrous
about Cockpit in Court’s current production. Of course, I am talking about Disaster! the 70’s disaster movie
musical written by Seth Rudetsky and Jack Plotnick and directed by Todd
Pearthree. Pearthree and his production team (Music Director Michael DeVito,
Technical Director Jason Randolph, Set Designer Michael Rasinski, Lighting
Designer Thomas Gardner, Costumer Designer Will Crowther, Sound Designer Corey
Sekulow, and Stage Manager John Chrzanowski) have put together THE smash hit of
Hello, Possums! Welcome to The Kensington Arts Theatre— the drag capitol of the world! Because they have the most dragulous show all lined up for you over these next few weekends! That’s right, Possums! It’s— *GASP* Priscilla Queen of the Desert! Directed by John Nunemaker with Musical Direction by Valerie A. Higgs and Choreography by Rikki Howie Lacewell, this area community theatre premiere has lots of dragtastic potential and a heart-warming story about embracing yourself no matter who you are!
Who is going to believe a con artist? Everyone, if she [he] is good. – Andy Griffith
In the 18th century, a grifter named Samuel Thompson tried to swindle people out of their money and watches by attempting to gain their confidence. Though in the end he was not highly successful, the New York Herald publicized the story, dubbing him the “Confidence Man.” The term took off and was eventually shortened to simply – “con man.” In 1988,
Ordinarily, the day after Thanksgiving consists of folks sitting around the house with still-loosened belts, eating delicious leftovers, perhaps catching up on missed episodes of favorite TV shows, and/or attempting to recover from the tryptophan-induced comas still plaguing them from the night before. But this year – at least for some – things unfolded a little differently. Instead of relaxing in their living rooms, dozens and dozens of people filled the seats at the Greenbelt Arts Center to watch a visually stunning,
Hallelujah for Sister Act at Cockpit In Court! CCBC Essex presents a family musical with sincerely praise-worthy voices and a lot of spirit in the F. Scott Black Mainstage Theatre. The stage musical of Sister Act is based on the Whoopi Goldberg movie of the same name, but while audiences loved hearing familiar Motown tunes used innovatively in the context of a cloister, the stage production got Alan Menken— you remember Alan Menken?
“Think and wonder, wonder and think.” Infamous children’s book author Dr. Seuss (Theodor Seuss Geisel) seemed to be a big fan of a good think. All throughout his books, he encouraged kids to think for themselves, find out and become who they are and fight for what they believe in. So, it’s no small wonder that a musical based on his books is all about characters trying to do just that. Seussical, The Musical,
Brush up your Shakespeare! You might need it to thoroughly enjoy each and every hysterical joke featured in 2nd Star Productions current performance of Kiss Me, Kate, the musical whose focus revolves around the Bard’s Taming of the Shrew. Directed by Roy Hammond with Musical Direction Joe Biddle, the show is a smash-hit sensation with an extraordinarily talented cast that makes an afternoon at the theatre thoroughly enjoyable.
Take a stroll through the square of Fells point any evening weekend this fall and you’ll hear the joint is truly jumpin’ over at The Vagabond Players. Their production of Ain’t Misbehavin’ has got the whole of Baltimore tappin’ its toes and stompin’ its feet! TheatreBloom took a quick break from doing the jitterbug waltz and sat down with Director Rikki Howie Lacewell to find out just what this crazy cool cat musical is all about!
When taking a chance on an evening out at the theatre just what one gets? Well, one never knows, do one? But one will certainly be having a toe-tappin’ foot-stompin’ swingin’ ringin’ good time down at The Vagabond Players as their 99th season continues on with Ain’t Misbehavin’, The Fats Waller Musical Show. Conceived by Murray Horwitz and Richard Maltby Jr. this jazzy swinging sensation of a musical revue hits the stage a stompin’ and has the whole joint jumpin’ before all is said and done.