In an overzealous, albeit admirable, attempt to commit to producing their previously announced season, The Baltimore Theatre Collective— one of Baltimore’s most recent live-theatre incarnations pre-Global-Covid-19-Pandemic— Artistic Director Tommy Malek alongside four talented area actors set their sights on delivering their production of Stephen Karam’s Speech and Debate. Directed by Tommy Malek and featuring Seth Fallon, Amanda Matousek, Pamela Northrup, and Max Wolf, this show is the mark of a true effort in the “keeping the faith” movement of theatres all across the world whose stages have been darkened by the Covid-19 Pandemic.
The sun on Columbia is summery warm. It’s shining on a
theatre gem. So gather together and see their show. Tomorrow belongs— to them.
Silhouette Stages mounts the production of the season— Kander & Ebb’s Cabaret as Directed by Stephen Foreman,
with Musical Direction by Michael Tan and Choreography by Aime Bell. Truly not
your momma’s Cabaret, this heady and
intoxicating production doesn’t just showcase the darkness burbling readily
beneath the surface of the iconic Kander &
The Toxic Avenger, directed by Jeffery Lesniak, is a musical based on the movie of the same name and both a playful parody of the superhero genre and of conventional musical theatre sensibilities. The plot revolves around a toxic dump of a fictional New Jersey town called Tromaville and its dark knight—Melvin Ferd the Third, a sweet, stereotypical nerd with a crush on his pretty (and blind—beware there are a lot of blind jokes that get old quickly) librarian friend Sarah and deep-seated convictions about cleaning up the town and calling out the corrupt mayor Babs Belgoody.
It’s 1965 and your music career hasn’t quite turned out the way you thought, the pope’s come to town, your freshly drafted son has gone AWOL, your mistress is trying to drag you down to the street side to see his holiness, and your wife has gone bananas, or rather is Bananas. And then the nuns arrive. It sounds like a zany barrel of laughs, but there’s a much deeper and unsettling darkness happening inside the walls of Artie Shaughnessy’s apartment in Sunnyside,
A long, long time ago, in a galaxy far, far away, there was a young man named William Shakespeare who was a huge science fiction playwright. No, wait. That’s not right. Let’s try that again. There was once a man named Bob Carlton, who penned a science fiction play called Return to the Forbidden Planet, an homage to the classic works of William Shakespeare – and of course the classic 1956 film,
“Love recognizes no barriers. It jumps hurdles, leaps fences, penetrates walls to arrive at its destination full of hope.”
– Maya Angelou
What is love? Why does it happen? How does it grow? When does it end? The residents of a little area way up north – Almost, Maine – have the same questions, and Director Bob Kleinberg brings their stories to the Greenbelt Arts Center just in time for Valentine’s Day.
Misery. Grief. Despair. These are the ailments with which English housewife Charlotte Wilson finds herself plagued in the suffocating confines of dreary, rainy London. She needs a break. She needs to bring purpose into her life, which she feels like she is fast losing. One day, as she is contemplating this, she reads an advertisement in the paper, and Charlotte Wilton finds herself swept up in the enchantment of an up-for-rent village on the coast of Italy,