Articles Tagged With: William Shakespeare

Aparna Sri (left) as Lady Macbeth and Jaki Demarest (right) as Macbeth 📷 Constantia Rioux

Macbeth at The Rude Mechanicals

“Such welcome and unwelcome things at once ‘tis hard to reconcile.” Macduff, ActIVsc.iii

I spent hours trying to find the way I felt about the current Rude Mechanical’s production of Shakespeare’s Macbeth only to have Billy Bard having already wrapped it up for me more than halfway through the show. This particular production is a balancing act of strong performances, questionable conceptualizations, impressive technological inclusions, mismatched aesthetics, and a barrage of death,

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Chesapeake Shakespeare Company presents As You Like It 📷 Kiirstn Pagan

As You Like It at Chesapeake Shakespeare Company

It was a bright and cold day in September and the clocks were striking 13.  No, that’s not quite right.

We that are true lovers run into strange capers. That’s more like it. Or rather, Shakespeare’s As You Like It, as directed by Ian Gallanar now appearing on the stages of Chesapeake Shakespeare Company’s boards for their fall-opening of the 2023/2024 season. Though one could readily meet the confusion of “Am I watching George Orwell’s 1984 (or even L.

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Mecca Verdell, Keri Anderson, and Jordan Stanford as the Three Weird Sister in Macbeth 📷 Kiirstn Pagan Photography

Macbeth at Chesapeake Shakespeare Company

“By the pricking of my thumbs, something wicked this way comes”

“Now is the Winter of our discontent”…. No wait, nevermind.  That’s a different Shakespeare show, and a different season entirely. But Summer is here in Maryland and when it comes to the Macbeths, “discontent” is an apropos word to define their predicament, but the exact opposite to describe how you will feel as you enjoy this timeless production of the Scottish Play;

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Scott Alan Small, Kathryne Daniels and Shaquille Stewart in The Complete Works of William Shakespeare (abridged).📷 Kiirstn Pagan Photography

The Complete Works of William Shakespeare (Abridged) [Revised] [AGAIN] at Chesapeake Shakespeare Company

What do you get when you mix three actors clad in colored and patterned tights, a giant prop box filled with an assortment of goodies, and a script full of comic gold?  Hilarity, that’s what.  Baltimore’s Chesapeake Shakespeare Company’s (CSC) production of The Complete Works of William Shakespeare (Abridged) [Revised] [Again] opened to a boisterous house, complete with a swanky after-party in their upstairs lounge. 

The Complete Works of William Shakespeare (Abridged) was conceived and written by Adam Long,

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Twelfth Night at Spotlighters Theatre. 📷 Matthew Peterson

Twelfth Night at Spotlighters Theatre

In a modern context, the production of William Shakespeare’s works largely hangs upon the performers’ ability to voice these verses in such a way that the audience not only instantly and instinctually understands their meaning, but may also benefit from their specific notes of humor, tragedy, etc. In this sense, Spotlighters Theatre’s Twelfth Night – the classic gender-bending romantic comedy – is a decidedly mixed bag.

The older generation of performers seem to know exactly what they’re doing here,

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Twelfth Night at Chesapeake Shakespeare Company

What great ones do the less will prattle of— and here be the great ones: Chesapeake Shakespeare Company, in their 20th Anniversary season, presenting to you something certainly worth prattling about! Twelfth Night, directed by the company’s founding Artistic Director, Ian Gallanar, is arguably one of The Bard’s more sensible comedies and CSC does it a great justice with excellent performances, lively music, and a charming aesthetic that would float anyone’s boat.

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Romeo & Juliet at The Bard’s Wagon Players

Ay, me! What’s in a name? Would a show by any other name still be so tragic? Probably. The Bard’s Wagon Players have surfaced for their annual summertime “Shakespeare in the Park” production! And this year— the sizzling summer of 2022— it’s none other than the infamous tragedy, Romeo & Juliet. Directed by Nathan Rosen, Produced by Bob Frank, and Stage Managed by Liana Olear, this outdoor offering has two different locations— Hannah More Park in Reisterstown and Catonsville Community Park in Catonsville— over the course of two different weekends,

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Much Ado About Nothing at Chesapeake Shakespeare Company

“Friendship is constant in all other things, Save in the office and affairs of love.”

Love is in the air; but some may need a little meddling, I mean “help,” from their friends to realize it.  As for the audience, it is easy to feel the love in Chesapeake Shakespeare Company’s Much Ado About Nothing.  Playing under the open sky and in the ruins at the PFI Historic Park in Ellicott City now through July 24th,

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Cymbeline at The Rude Mechanicals

Hello.

My name is Amanda Gunther.

You killed all 37.

Prepare to be reviewed.

Going out with a rather impressive bang— though by no means are they finished producing or existing— The Rude Mechanicals, now in full-time residence at The Greenbelt Arts Center, have attained one of their coveted company goals: Produce all 37 of Shakespeare’s plays. Cymbeline, Directed by Erin Nealer, completes the quest of all 37.

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1 Henry IV at The Folger Theatre

“The heavens were all on fire, the earth did tremble.”

Shakespeare’s tale of the roles and
duties of fathers and sons is brought to life with energy and thoughtfulness in
director Rosa Joshi’s 1 Henry IV at the Folger Theater. The second
installment of the Henriad tetralogy, the play deftly balances the personal and
political consequences of the deposition of Richard II.

The cast of Folger Theatre's 1 Henry IV (Peter Crook as King Henry IV at center) C. Stanley PhotographyC. Stanley Photography The cast of Folger Theatre’s 1 Henry IV (Peter Crook as King Henry IV at center) C.

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A Midsummer Night’s Dream at Endangered Species (theatre) Project

This green plot shall be their stage! And by this, tis meant
the Hodson Outdoor Theatre of Hood College, unless of course it rains, and then
there’s an indoor option, but speak not, yet mortals, of tempests— that’s
another Shakespeare altogether! Think instead upon the season, the season of
midsummer, and attend ye well to the first-annual Frederick Shakespeare
Festival, presenting productions by Endangered Species (theatre) Project, and
in this case the production be A Midsummer Night’s Dream.

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A Midsummer Night’s Dream at The Bard’s Wagon Players

I am amazed; I know not what to say. Though the words be but
borrowed from The Bard, the sentiment bares much troth for feelings in my left
pap, where heart doth hop, in regard to The Bard Wagon Players. Striking up
against adversity— both of weather foul and ill-sentiment to their company’s
original namesake— the little mobile wagon full of Shakespeare doth enter its
third season upon the grassy fields of performing outdoor* Shakespeare here in
Maryland.

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Hamlet (Free For All) at Shakespeare Theatre Company

Shakespeare Theatre Company brings its
Summer Free For All program to life for a 29th season, this year reviving its
2018 production of Hamlet, originally directed by Michael Kahn and
remounted by Artistic Associate Craig Baldwin, and starring Michael Urie as the
title role. The show is a power-packed run at over 3 hours, but a scattered
performance from the cast and an incohesive design leaves the audience feeling
every minute of it.

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Love’s Labors Lost at The Folger Theater

For fans of Shakespeare’s comedies, Love’s
Labour’s Lost
should not be overlooked. Often brushed off as a draft for
Shakespeare’s later hits, there is joy and humor in this play that would be
criminal to dismiss. The performers in the Folger Theatre’s current production,
directed by Vivienne Benesch, rise to the challenge at every turn and carry the
audience along for a raucous and heartfelt ride.

The men of Navarre (l to r: Matt Dallal, Jack Schmitt, Joshua David Robinson, Zachary Fine) celebrate a momentous decision in Folger Theatre’s Love’s Labor’s Lost. On stage April 30 – June 9, 2019. Photo by Brittany Diliberto.Amanda N.

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The Merry Wives of Windsor at Colonial Players

The
Colonial Players of Annapolis have decided to mount a production of Shakespeare
for the first time in over 20 years and after seeing the production the one
question to ask is why have they waited so long? The Merry Wives of Windsor, running now through March 23rd
at the Colonial Players, is a fresh take on a classic Shakespearian Comedy and
a thrilling joy of a night of theatre!

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King John at Folger Theatre

The real King John of England has a murky reputation. We know him for the Magna Carta. We know him as a villain from the tales of Robin Hood. And, at a stretch, we know him as Shakespeare’s earliest monarch, chronologically. Folger Theatre capitalizes on a chance to tell the rarely-told tale of this questionable king in its current production of Shakespeare’s King John, directed by Aaron Posner.

As the Folger describes,

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I Hate Shakespeare! at Children’s Playhouse of Maryland

Oh, God! I Hate Shakespeare! That’s right! I said it! I do! I really hate Shakespeare! I just don’t get it! How a mediocre actor from a measly little town is suddenly the brightest jewel in England’s royal crown! Oh, God, I HATE SHAKESPEARE! His plays are wordy— ooh. Wait. Maybe I shouldn’t sing all about it. Something is rotten in the state of— Essex!? Actually that’s sort of funny (Essex is in Shakespeare somewhere…isn’t it?) No,

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Macbeth at Folger Theatre

Macbeth at the Folger Theatre is unlike any production you will have seen before. That’s a guarantee the Folger can make as they stage for the first time since its origination Macbeth by William Davenant, a Restoration-era adaptation of Shakespeare’s text. Director Robert Richmond, in a collaboration with scholars and the Folger Consort musicians, presents a production that is the result of years of research and work to present something unseen by a modern audience.

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Romeo & Juliet at Shakespeare Theatre Company

Shakespeare Theatre Company is in its 28th year of presenting the annual Free for All program, offering free productions every summer. This year features Romeo & Juliet, the STC’s most often-produced play, as directed by STC Associate Artistic Director Alan Paul. STC’s Free for All emphasizes accessible, relatable Shakespeare, and in that goal, this production excels. For those who have never seen Romeo & Juliet,

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Macbeth at 4615 Theatre Company

If it were done when ‘tis done, then ‘twere well it were done quickly. With expedience and precision one can readily say 4615 Theatre Company’s production of Shakespeare’s Macbeth were done both well and quickly. Directed by Jordan Friend, this intimate production unfolds in the laps of the audience, shaking tremors of terror and raw Shakespearean storytelling into the minds of 30 individuals at a time, ensuring that they shall burn for dreams restlessly and indeed sleep no more.

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Ian Blackwell Rogers as Puck and Madie Kilner as Faery.

An Irish Twist on A Midsummer Night’s Dream at Quotidian Theatre Company

Quotidian Theatre Company’s An Irish Twist on Shakespeare’s A Midsummer Night’s Dream, directed by Leah Mazade and Stephanie Mumford, and set in 1817 Galway, Ireland, embraced the fun in the original text while putting a uniquely, playfully Irish spin on the setting. This creative re-imagining is a delight to watch, and the talented cast, crew, and musicians create an engaging, uplifting revival of Shakespeare’s classic fairytale.

Midsummer follows the plight of two young women,

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Twelfth Night at Storytellers: A Theater Arts Academy

I have unclasp’d to thee the book even of my secret soul. Where lies my text? In Storytellers: A Theater Arts Academy’s bosom! In what chapter of their bosom? To answer by the method, in their current production of Twelfth Night. Directed by Terry Sweet Bouma with Assistant Directors Alyssa Bouma and Alex Foley, this true comedy of errors and mistaken identities is a fine showcase of youth digesting and transforming Shakespeare.

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Much Ado About Nothing at Gypsy Wagon Theatre Company

All’s fair in love and war. Shakespeare said it. Well, he didn’t actually. In fact, he wrote a whole bunch of plays that seemed to prove the opposite of fairness in war and especially in love. Much Ado About Nothing, one of the less-troubled comedies, is one such that is now making its way to outdoor (and temporarily indoor) stages by way of Gypsy Wagon Theatre Company this summer. Directed by Bill Soucy,

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The Merchant of Venice at The Rude Mechanicals

Neither a borrower nor a lender be. While The Rude Mechanicals aren’t currently producing Hamlet, there’s logic in that quote that could and should be readily applied to The Merchant of Venice, which The Rude Mechanicals are currently producing. Said advice would go far for both Antonio and Shylock and save everyone the trouble of their various plights fraught with woe and unfortunate circumstances. But alas, Shakespeare didn’t pen it that way,

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Return to the Forbidden Planet at Greenbelt Arts Center

A long, long time ago, in a galaxy far, far away, there was a young man named William Shakespeare who was a huge science fiction playwright. No, wait. That’s not right. Let’s try that again. There was once a man named Bob Carlton, who penned a science fiction play called Return to the Forbidden Planet, an homage to the classic works of William Shakespeare – and of course the classic 1956 film,

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Violent Delights: A Shakespearean Brawl-Esque Sideshow at Off The Quill

For first-time audience members, it is hard to predict just what you’re getting into with Off the Quill’s new staging of Violent Delights: A Shakespearean Brawl-esque Sideshow. An original production created first for the 2013 Capital Fringe Festival by company members Patrick Mullen, Leanne Dinverno, J. Peter Langsdorf, Katie Wanschura, as well as William Shakespeare, and directed by Mullen, the show bills itself as a blend of stage combat, dance, clowning,

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John Stange as Coriolanus

Coriolanus at Brave Spirits Theatre

For a world turned upside down as 2018, Director Charlene V. Smith has crafted a riveting, provocative, explosive Coriolanus. “Are we even capable of not harming ourselves?” she asks in the director’s notes, echoing Tori Boutin as citizen of Rome: “We willingly consented to his banishment, yet it was against our will.” 

Smith’s Rome is not a pinnacle of civilization. It’s violent and dirty, its citizens easily provoked to engage every whim.

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The Tempest at Baltimore Shakespeare Factory

The Tempest should always open with a bang. It often brings out the high tech and the special effects. Baltimore Shakespeare Factory brings The Tempest back to its roots. Their space, inspired by Elizabethan theaters, holds what it needs to bring a storm inside: the imagination of the actors and the audience. It’s a high-energy opening to a high-energy show. It’s a great workout for the cast… and a bit for the audience.

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The Complete Works of William Shakespeare (Abridged) at Maryland Ensemble Theatre

What ho, Horatio! It is the east— west— Frederick! It is the MET! Alas, poor Shakespeare, I knew him, readers! And you thought you did too, until you ventured to Maryland Ensemble Theatre for the opening of their 2017/2018 season! With preeminence in stage chicanery, the MET invites you to sit back, unplug your brains, and enjoy three ridiculous men attempting to cover 38 plays, 1,122 roles, and 154 sonnets all in about two hours,

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Macbeth at The Gypsy Wagon Theatre Compay

Tis the bloody business which informs thus to mine eyes: a theatre company hath sprung up afresh in Reisterstown. But not just any theatre company, nay, but The Gypsy Wagon Theatre Company, whose full intention is to be mobile. At first appearing to be little more than a tin can on wheels, do not be deceived, this collapsible trailer-esque stage is purporting a tall order of theatrical design— when it comes to lighting especially— and currently presenting a mighty solid production of Shakespeare’s very own Macbeth.

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