Who, precisely, is the title character in Brave Spirits Theatre’s production of The Changeling, by Thomas Middleton and William Rowley, is left open to interpretation. The text of the play speculates on the question but does not provide a definitive answer. Director Charlene V. Smith takes that tone of ambiguity and plays with it brilliantly in her approach to the script. She takes a late-Renaissance play that features violence, misogyny, and sexual assault as major plot elements,
The real King John of England has a murky reputation. We know him for the Magna Carta. We know him as a villain from the tales of Robin Hood. And, at a stretch, we know him as Shakespeare’s earliest monarch, chronologically. Folger Theatre capitalizes on a chance to tell the rarely-told tale of this questionable king in its current production of Shakespeare’s King John, directed by Aaron Posner.
As the Folger describes,
Silver Spring Stage’s production of Arthur Miller’s The Crucible, directed by Craig Allen Mummey, tells the story of a fictionalized Salem, Massachusetts in 1692 as a stark fear of witchcraft spreads through the town. Miller’s story, famously an allegory for 1950’s McCarthyism, steps audiences through the dark pervasiveness of paranoia.
Standout performances include Melanie A. Lawrence as Tituba, Sophia Stringer as Mary Warren, Lennie Magida as Rebecca Nurse, Omar LaTiri as Reverend Hale,
Macbeth at the Folger Theatre is unlike any production you will have seen before. That’s a guarantee the Folger can make as they stage for the first time since its origination Macbeth by William Davenant, a Restoration-era adaptation of Shakespeare’s text. Director Robert Richmond, in a collaboration with scholars and the Folger Consort musicians, presents a production that is the result of years of research and work to present something unseen by a modern audience.
“When someone in your social circle becomes so melancholic that they stop moving, it is your duty as a human being to go find them.” So proclaims Tilly, the lead character in Sarah Ruhl’s Melancholy Play: A Contemporary Farce, currently being produced by Constellation Theatre Company. Directed by Nick Martin, the play takes the audience on an abstract dive through sadness, happiness, and the social contract. Constellation’s production perfectly captures the spirit of melancholy,
Shakespeare Theatre Company is in its 28th year of presenting the annual Free for All program, offering free productions every summer. This year features Romeo & Juliet, the STC’s most often-produced play, as directed by STC Associate Artistic Director Alan Paul. STC’s Free for All emphasizes accessible, relatable Shakespeare, and in that goal, this production excels. For those who have never seen Romeo &
Quotidian Theatre Company’s An Irish Twist on Shakespeare’s A Midsummer Night’s Dream, directed by Leah Mazade and Stephanie Mumford, and set in 1817 Galway, Ireland, embraced the fun in the original text while putting a uniquely, playfully Irish spin on the setting. This creative re-imagining is a delight to watch, and the talented cast, crew, and musicians create an engaging, uplifting revival of Shakespeare’s classic fairytale.
Midsummer follows the plight of two young women,
For first-time audience members, it is hard to predict just what you’re getting into with Off the Quill’s new staging of Violent Delights: A Shakespearean Brawl-esque Sideshow. An original production created first for the 2013 Capital Fringe Festival by company members Patrick Mullen, Leanne Dinverno, J. Peter Langsdorf, Katie Wanschura, as well as William Shakespeare, and directed by Mullen, the show bills itself as a blend of stage combat, dance, clowning,