Give one sentence that totally encapsulates who you are. Impossible. What if you’re an egomaniac? That’s simple. You don’t care what people say about you as long as they say something. What if you’re a deeply insecure and rapidly approaching middle-age writer whose rejection track record has kept your current literary prospects from being approachable? That’s a bit more complex. It might be best if you don’t try to find that sentence and instead venture to Colonial Players to see their production of Sex With Strangers.
Theme and Variations as defined by Merriam-Webster “a standard form of musical composition consisting of a simple usually harmonized melody presented first in its original unadorned form then repeated several or many times with varied treatment so based on the theme that at least some semblance of its general melodic or harmonic form is evident”. While the definition pertains to music it can also be thought that our lives are a variation on a theme or ideal of what we imagine and hope it will be.
We live in a time in history where it is almost impossible to find a new take or a new viewpoint on anything, especially something as talked about and scrutinized as the Civil War. But this is Shiloh and if you have the opportunity to head to downtown Annapolis this fall that is exactly what you will get and you will even get some laughs along the way! In a small 360° theater just off State Circle,
An actor knows his audience and what it wants. The actors of Colonial Players of Annapolis certainly know that their audiences want comedy. And they do deliver in the finale production of the 2016/2017 season. Directed by Steve Tobin, Colonial Players proudly presents Christopher Durang’s Tony Award-Winning play Vanya and Sonia and Masha and Spike. Beware of presentiments! Beware of Hootie Pie! Be a wild turkey!
Chock full of Chekhov,
Do people learn nothing from history? Not that there is nothing to learn but that people actively learn nothing, for surely somewhere in the annals of recorded time there are couples who engage in dark play, where not everyone in the game knows the rules. That’s exactly the mechanism that snaps to life in Edward Albee’s Who’s Afraid of Virginia Woolf? now appearing on stage at Colonial Players as the second selection in their 68th season.