Every fingerprint fits a hand and if you’re willing to understand that protocol says— you must get a ticket to see the only mainstage show at Infinity Theatre Company this 2018 season! Making its regional area premiere, Murder For Two settles into the Broadway-quality professional summer theatre of Annapolis under the direction of the company’s co-producing Artistic Director Alan Ostroff. With zany Book & Music by Joe Kinosian and Book &
It’s 1965 and your music career hasn’t quite turned out the way you thought, the pope’s come to town, your freshly drafted son has gone AWOL, your mistress is trying to drag you down to the street side to see his holiness, and your wife has gone bananas, or rather is Bananas. And then the nuns arrive. It sounds like a zany barrel of laughs, but there’s a much deeper and unsettling darkness happening inside the walls of Artie Shaughnessy’s apartment in Sunnyside,
There’s a place for you. At Shenandoah Summer Musical Theatre— there’s a seat for you. To celebrate Leonard Bernstein’s 100th birthday, they’re holding a seat for you— at their production of West Side Story. Directed by Jacob Brent with Musical Direction by Thomas Albert and Choreography recreated from the original Robbins’ choreography by Michael Jablonski, the SSMT production of this ‘musical Romeo & Juliet’ seems more relevant now than ever,
The JCS Summer Community Theatre is here to show you the humor of the nun! That’s right, they’re back in the habit— well, some habits are returning to the stage at any rate (remember two summers ago and all the nuns from their great production of The Sound of Music?)— and the JCSSCT is thrilled to be debuting Nunsense as their summer show. Directed and Choreographed by Dickie Mahoney,
They can dance! They can jive! They’re having the time of their life! And you will too when you come to see Toby’s Dinner Theatre of Columbia present the professional regional premiere of the world famous production Mamma Mia! Available for the first time since the infamous Abba-based production ended its seemingly endless tour, Toby’s Dinner Theatre of Columbia has all your favorite Abba songs, all of the flashy costumes and marvelous dancing,
There’s a brand new sound goin’ ‘round the world and it’s going to ‘altar’ your mind! It’s the Altar Boyz live in living color at the Annapolis Summer Garden Theatre and they’re going ‘altar’ your mind for sure! Directed by Mark Briner with Musical Direction by Ken Kimble and Choreography by Becca Vourvoulas, this poppy, enthusiastic musical will spin your head right round, get your feet stomping on the ground,
Close your eyes and try to conceive, the most outrageous story to ever be believed! If you can just believe, it’s beautifully bizarre, a story about a boy— and a giant peach, and that’s just the way things are! Right before your eyes— James and The Giant Peach is now appearing on stage at The Heritage Players as their summer engagement. Directed by Elizabeth Tane Kanner with Musical Direction by Emily Taylor &
Are you ready to go back in time? It’s not about history or geography (though it’s important to note the current dates— through July 29, 2018— and the exact location— The Audrey Herman Spotlighters Theatre—) it’s really just about a he and a she, but don’t get caught up in the details. Because the big important detail is that this show— this world premiere musical— is the closer of Season56 at Spotlighters. Judy and The General,
You can achieve many successes in the music industry. You can climb to the top, you can enjoy the view from the top once you get there, but to be the top? There’s only group in the history of rhythm & blues that has been touted continually, through to this very moment, as the best group in the entire history of rhythm & blues: The Temptations didn’t climb to the top they became the top.
What’s in the papes today? Who made the headlines? Above the fold?!? Why it’s Shenandoah Summer Music Theatre with their real swell production of Disney’s Newsies. Directed by Edward Carignan, with Musical Direction by Rick Edinger, and Choreography by Dionysia Williams, this charming tale based on the 1992 film of the same name, will catch your eye like a bold and sassy headline on the morning paper. Filled with heart and some incredibly impressive moments,
In a smoky club they let the record spin…only it isn’t a smoky club, but rather an enchanting distillery…and they aren’t spinning a record so much as a four-person rock band, stirring up sound from the back corner of the unique space…From New York to Berlin— to Frederick, MD— comes stories of true love gone awry. Making its debut production, Free Range Humans, a new theatre company based in Frederick, presents Murder Ballad,
Your entire future depends upon you finding a voice for your comedy! And there’s no truer a statement when it comes to Neil Simon’s Laughter on the 23rd Floor opening the cabaret series at Cockpit in Court this summer. Directed by John D’Amato, this zany, albeit dated, comedy finds purchase in today’s society with its striking relevance to the bullying process of censorship in media and entertainment.
Hayden Muller is at the top of his game with simplistic Scenic and Lighting Design (except for one slightly mis-angled overhead light which casts somewhat of a blinding beam of irritation into just one small section of the in-the-round spacing) for this production.
Neither a borrower nor a lender be. While The Rude Mechanicals aren’t currently producing Hamlet, there’s logic in that quote that could and should be readily applied to The Merchant of Venice, which The Rude Mechanicals are currently producing. Said advice would go far for both Antonio and Shylock and save everyone the trouble of their various plights fraught with woe and unfortunate circumstances.
There are moments that the words don’t reach. Seeing the musical sensation that’s sweeping the nation with its razzle-dazzle rhyme in Lin-Manuel Miranda’s prime is supposed to be one of them, and not just one of them, but the biggest one of them, all the people coast to coast begging for the musical with the most finally have their shot— and they are not throwing away their shot— not this summer— because Hamilton has arrived.
They are not throwing away their shot! Maryland Ensemble Theatre may not be producing Hamilton for their 2018/2019 season (though they are raffling off a pair of tickets to see the highly sought-after show through August 4, 2018— click here to not throw away your shot!) but they are certainly bringing a fantastical new line-up to their stage for the coming season. With three regional premieres and a little something for everybody from classics to new and edgy,
Well it’s been a long— been a long— been a long— been a long time…since How To Succeed in Business Without Really trying has seen boards the likes of a Broadway-style stage. Six years may not seem that long ago to some, when Harry Potter film legend Daniel Radcliffe teamed up with Emmy-star John Larroquette as the big-name duo starring in the 2012 Broadway revival. Landing in The Kennedy Center’s Eisenhower Theatre as a part of the 2017/2018 Broadway Center Stage Concert Series initiative,
Well the world keeps spinning round and round and my heart’s keeping time to the speed of sound— I was lost ‘til I heard the drums and I found my way— all the way down to Fort Washington where the Tantallon Community Players to see their current production of Hairspray. Directed and Choreographed by Jonathan Jackson with Musical Direction by Paul Rossen, the Tantallon Community Players are going to shake and shimmy it the best that they can to really shake up this production of the iconic Baltimore musical.
The best friends show up unannounced, terrified for no reason whatsoever to continuing living in their own home, so they’re moving into yours. The alcoholic live-in sister is at the brandy again and has learned how to yodel and play the accordion. The only child is returning home after her fourth failed marriage. And the wife is bent on going mad, intentionally or otherwise. It must be an episode of The Twilight Zone,
- Chad Deity is extremely muscular. Tim German has guns for miles.
- Chad Deity has a winning smile. Tim German exercises it liberally all show long.
- The Elaborate Entrance of Chad Deity is a mind-blowing, surefire knockout theatrical experience happening in Baltimore right now. Cohesion Theatre Company has it on their stage as we speak.
What else could you possibly need to know about the facts of Chad Deity?
It’s bad and beautiful; it’s bawdy and bizarre! For just who is who and what is what is quite the question at— well— Harvey Fierstein’s other smash-hit show, Casa Valentina, making its community theatre area debut at Colonial Players. Directed by Mickey Lund, this edgy, inspiring, and potently poignant dramedy will give you, as the modern phrasing goes, “all the feels.” Despite its early 1960’s setting, the show’s relevance to the world of 2018 is remarkable;
Most people ain’t people. Because people strive to treat each other with dignity and respect. Of course, that was the point Arthur Miller might have been trying to make when he scribbled down A View From the Bridge. Horrifically relevant and strikingly topical in today’s political climate, this intense family-driven drama is an exacting fit for the style of ensemble performance work which the Maryland Ensemble Theatre prides themselves on and does exceedingly well.
Proposition: A show consisting of little more than pageantry and sentimental idealism can still find sturdy footing in the modern world with potent relevance to the happenings of today’s society in the hands of the right director.
Proposition: The right director, in this case Alan Paul, can take Lerner and Loewe’s Camelot, which is filled with pageantry and sentimental idealism, and transform it into something relevant and intriguing which reaches modern audiences on a relatable and interesting level.
It was a white dress with pink floral patterns all over it, A-frame and 50’s vintage style cut with a singular crinoline layer that peaked out from the bottom. I wore it with a pink hat dotted in flowers and pearls, the hat that my partner calls “…that flower bucket on your head…” I got the dress in Vegas, at a retro-chic wannabe vintage shop called Rockin’ Betty’s over in the Arts District— that’s off the strip— on the last Sunday of our family trip there.
Tonight is the eve of humanity’s reckoning! Because The Baltimore Rock Opera Society is absolutely going to raise some hell— quite literally— in what could arguably be the most fantastic sendup to B-grade horror films of yesteryore with their latest original creation: Incredibly Dead! The B-Horror Rock Opera. Co-Directed by Michael Ziccardi and Sarah Gretchen Doccolo, with Musical Direction by Paul Joyce, and Choreography by Caitlin Rife, this zany,
You cannot know where you are going until you know where you have been; those who are ignorant of history are bound to repeat it. Never have words felt truer; the times in which we live call for a drastic examination of history to give us hope for moving forward as a society. A true historical event, recognized nationally in 1968 put 21228— the great community of Catonsville— on the map. Daniel Berrigan, a priest turned playwright,
There’s a face that we hide till the nighttime appears…and what’s hiding inside behind all of our fears— is our true self— locked inside the façade! Who knew that Third Wall Productions’ true self was an astonishing masterpiece of brilliance locked behind the façade of community theatre? In their finest and most extraordinary production since the company’s inception in 2015, Third Wall Productions brings you the stuff of legends, the stuff of nightmares, their true inner workings…with their production of Jekyll &
We’re getting a new deal for Christmas! And its only May! Why— who’d’ve thunk that Annie the Christmas musical would make a great mid-may production? Why— leapin’ lizards— The St. Gabriel Miracle Players! That’s who! They know that the sun’ll come out— tomorrow! And they’re production of Annie will set you smiling, and keep you grinning all through the well-worn, time-honored classic. Directed by Heidi Toll with Musical Direction by Mary Beth Bunting and Choreography by Jillian Arnold,
Hello, Possums! Welcome to The Kensington Arts Theatre— the drag capitol of the world! Because they have the most dragulous show all lined up for you over these next few weekends! That’s right, Possums! It’s— *GASP* Priscilla Queen of the Desert! Directed by John Nunemaker with Musical Direction by Valerie A. Higgs and Choreography by Rikki Howie Lacewell, this area community theatre premiere has lots of dragtastic potential and a heart-warming story about embracing yourself no matter who you are!
A recipe for perfection— that’s what’s cooking up at The National Theatre in Washington DC as the national tour of Waitress makes stops over in the nation’s capital for a three-week engagement. The Broadway sensation that was inspired by the film, written by Adrienne Shelly, has arrived— featuring book by Jessie Nelson and music & lyrics by Sara Bareilles.
Can you remember what you had for breakfast this morning? Do you recall what pair of shoes you wore out last Friday night? Or what you were doing three years ago on a Saturday afternoon? Most of us can’t. But on the morning of September 11, 2001— a Tuesday morning not quite 17 years in America’s past, everyone can remember exactly where they were and what they were doing when the news broke that planes had crashed into the twin towers.