Three blind mice…three blind mice…see how they run…to The Woodbrook Players in the Brown Memorial Woodbrook Presbyterian Church this autumn to see the infamous Agatha Christie play The Mousetrap. Critically acclaimed as The West End’s longest running live theatrical show, The Mousetrap is filled with spine-tingling chills that only Agatha Christie can pen properly for the stage. Directed by Ron Oaks, the show is making its Towson area appearance just in time to put the post-Halloween shivers in the air.
Moriarty was dead to begin with.
Not exactly your average Dickensian start to A Christmas Carol is it?
But these are the facts:
- Moriarty was dead to begin with
- Sherlock Holmes was in a mood most foul
- The Saint Gabriel Miracle Players are producing a most splendid holiday production right now
As luck or good holiday fortune might have it,
Archeology is not a science, but an art. It is the art of knowing where to look and what to look for and going to find it. Put on your Doctor Jones hat and join the archeological excursion for extraordinary women’s theatre this fall as The Strand Theatre delves into the ancient past with Bryony Lavory’s Origin of the Species. Directed by Erin Riley, this thought-provoking tale puts a new spin on history and how we as humans,
You are not defined by where you start but by where you end up. And if you end up like Leo Clark and Jack Gable you’re going to need an entire Webster’s dictionary to define just exactly where you’ve ended up. Or how you’ve ended up. Or as whom! The Salem Players present to audiences all over the 21228 (and beyond!) zip-code their fall production of Ken Ludwig’s zany farce, Leading Ladies.
Did you know that it’s less than 50 days until Christmas? It is. It is… And did you know that The Bowie Community Theatre is putting on their very own holiday production of A Tuna Christmas? They are! They are, yes they are. Directed bey Ken Kienas, this redneck holiday classic has some wild stereotypes that’ll give you the jingles all over your funny bone and just in time for the coming holiday season!
The haunting may be over, at least Halloween has passed us by. Another year, another spooktacular evening of trick-or-treating, costumes, and all the spooky outings you can handle. But for those who aren’t quite ready to let go of the chilling holiday spirit, for all you ghoulish guys and gals who aren’t ready to dive headlong into the green-and-red sing-a-long of Christmas, Fluid Movement has a treat for you! Why Baltimore’s unique performance art company is stirring up a spooktacular event to help preserve the spirit of Halloween all year through!
You spend your time seated in the audience, looking through the camera lens of your own two eyes every time you watch a show; you almost disappear into the magic that is the portrait of theatre, if the company putting the show on is doing it right. With the ephemeral beauty and ethereal magic that only musical theatre can provide, Kensington Arts Theatre produces a quality production of The Bridges of Madison County— the show’s DC Area community theatre premiere— almost as breathtaking as one of Robert Kincaid’s photographs.
Beauty, truth, and rarity, grace and all simplicity; but what happens when Shakespeare is displaced in favor the sex-worker industry where beauty becomes filth, truth becomes the cold, hard reality of drugs and prostitution, and rarity is the kindness of a stranger from a world outside of unending night? In a visually poetic and evocatively moving new work, The Ravens— making its United States premiere— opens as script number 62 and the final production of Season17,
Tis the season to be inclined toward mischief and mayhem. Even if Halloween itself be over, and November freshly fallen upon us, who among us is really ready for that other holiday— the one with the elves and the singing and the snow? Settle back into the autumnal enchantments of a Baltimore classic, Poe’s Last Stanza, a yearly running and returning tradition produced by Do or Die Productions and hosted at their resident venue,
Ding Dong! Hello! My name is Elder Gunther and I would like to share with you— the most amazing musical. Ding Dong! Hello! My name is Elder Bloom; it’s a musical about America a long, long time ago— dating all the way back to 2011! It has so many awesome parts you won’t believe how much this musical can change your life! Ding Dong! Hello— we’re all going to die someday,
There is a show running in Frederick.
WHAT SHOW. YOU MUST BE PRECISE.
There is a production of George Orwell’s 1984 as adapted to the stage by Michael Gene Sullivan running at a theatre in Frederick.
WHERE. YOU MUST BE PRECISE.
There is a production of George Orwell’s 1984 as adapted to the stage by Michael Gene Sullivan running at The Maryland Ensemble Theatre.
Children are a blessing if you know where they are. Nothing’s so distressing though as when they keep you guessing so— be sure to get your ticket, and travel very far…all the way out to The Gaithersburg Arts Barn to see the first show of Kensington Arts Theatre’s “KAT SECOND STAGE” season— Into the Woods Jr. Directed by Fred Zirm with Musical Direction by Arielle Bayer, this abridged Sondheim production, which exclusively features the first half of the original full-length musical (minus a few racy and raunchy bits to make it appropriate for younger audiences— though it should be clear that the foot-maiming of Cinderella’s Step Sisters is still an active part of the performance),
A life lived fully can still change the universe. Surely that must mean your life has meaning, if it’s changing the universe. Of course, it’s not what we mean but that we mean. And your life too can mean something if you live it fully by going to see the area premier of Lauren Gunderson’s Emilie La Marquise Du Châtelet Defends Her Life Tonight currently playing at Avant Bard. Directed by Rick Hammerly,
Not a minute of our lives should stretch without some pleasure in it. The Folger Theatre is stretching nearly two and a half very deliberate minutes of theatrical pleasure into their current production of Shakespeare’s Antony and Cleopatra. One of the Bard’s tragic histories, or historical tragedies as it straddles both categories soundly, this alluring and tempting production is an enticing start for the 2017/2018 theatrical season at The Folger. Directed by Robert Richmond,
The extreme always seems to make an impression, so color me impressed that How Do You Like Me Now Productions, as the theatrical producing entity of Erase Hate Through Art, is producing Heathers: The Musical this Halloween season! It’s a real scream! And totally an extreme example of what both HDYLMN and EHTA stand for, when it comes to creating a world that’s free of hate and bullying. Produced by Grant Meyers and Directed by Ed Higgins with Musical Direction by Andrew Zile and Choreography by Kristin Rigsby,
How’d you do, I—
See you’ve met my— faithful area Burlesque Troupe, Bunns of Steele.
And they’re just a—
Little hyped up because
It’s that time of year when
Everyone starts to squeal!
Don’t get strung out! You’ve got your chance
To see a thrilling thing, but it won’t last!
So get your—
And enjoy the show—
The Rocky Horror Burlesque Dinner &
Beware of thinking too much; enjoy the little things. Beware of missing your opportunity to see Vanya and Sonia and Masha and Spike; enjoy the little theatre in Silver Spring that’s putting it on. Beware of Christopher Durang’s deranged approach to Chekhov; enjoy The Highwood Theatre’s interpretation of this edgy new dark comedy. Beware critics who spend too long opening their review; enjoy instead the actual production at The Highwood Theatre.
It’s a beautiful day for an anti-polio picnic! It’s a beautiful day to get a polio shot! And if you’re in for all that plus an insanely good production, well then at Silhouette Stage, you’ve come to the right spot! Watch your a$$ and do take care because there’s talent lurking everywhere all throughout Silhouette Stage’s production of Cry Baby: The Musical. Directed and Choreographed by Tommy Malek with Musical Direction by John Keister and Nathan Scavilla,
In the beginning God created the heavens and the earth. And somewhere between days two and six he created Signature Theatre way down in Shirlington, Virginia. And now, after thousands of years of watching the world filled with stupid humans do their worst, the almighty has deigned us meager mortals worthy of a visit— inside the Ark Theatre (because even God isn’t big enough to beat out A Little Night Music starring Bobby Smith next door in The Max)— because he’s come to set the record straight.
Suit the action to the word and the word to the action! The word is shows without intermission are the new trend and the action is to apply it Shakespeare. Susquehanna Shakespeare Ensemble is boldly running an endurance test— for both audience and ensemble— with the Bard’s most renowned tragedy, Hamlet. Directed by company founder and Artistic Head Marshall B. Garrett, this DIY-Fringe style production of the Danish Prince’s woe is surprisingly accurate in both delivery and conceptualization,
There are five college students jammed in a car— on spring break vacation and they’re going really far! join them. They are five college students on their way to an old abandoned cottage in the woods! Join Them. What could possibly go wrong? JOOOOIIIN THEEEEM!!! Deer in the Spotlight Productions is striking up its annual tradition of Evil Dead: The Musical, this year appearing in the black box stage space of Street Lamp Productions.
Today is the day you’ve been waiting for forever. Are you ready to let this be the day that something happens? Then hello, Havre de Grace, Maryland! This year— 2017— this day— in the month of October— is going to be the day where everything you’ve ever waited for finally happens! Making its national community theatre debut, Tuck Everlasting, the musical, soars superbly into the main stage of The Historic Havre de Grace Opera House as the inaugural production of Scottfield Theatre Company.
You’ve been invited to a marvelous weekend! Aren’t you lucky to all be at Third Wall Productions’ Something’s Afoot? You’re stimulated by the music in the air, there’s murderous mayhem everywhere! Some dazzling costumes with flash and flare! And watch out you don’t get grabbed on your derrière! It’s a remarkably humorous and uplifting production, despite the fact that the bodies are piling up in the library by the dozen! Directed by Mea Holloway with Musical Direction by W.
Annapolis Shakespeare Company opens its main stage with a lavish, lush, magnificent Much Ado About Nothing, Shakespeare’s most genuinely romantic rom-com. Director Sally Boyett has given it a 50’s spin, with a rock-and-roll soundtrack and a spectacular Tuscan villa (by way of California), with a two-story stucco house and terra-cotta dance floor (by scenic designer Jack Golden).
Helena Farhi and Benjamin Russell play Shakespeare’s greatest lovers, Beatrice and Benedick.
People always find terrible ways to justify doing horrible things. But we enjoy watching horrible things; it gives us a feeling of immortality. We, however, are not immortal. Life is short. And the time that we spend with our loved ones is mostly behind us. Single Carrot Theatre opens their 11th season here in Baltimore with Young Jean Lee’s Lear, a peculiar exploration of familial dysfunction threaded loosely within the confines of Shakespeare’s King Lear.
Angry men don’t write the rules and guns don’t right the wrongs. America’s got a problem…Sondheim has a solution. Never a more poignant and relevant time in our current political climate than right now has it been so appropriate to produce a production of Stephen Sondheim’s Assassins. Pallas Theatre Collective is boldly daring to do so, and it draws striking attention to the world around us at present. Directed by Clare Shaffer with Musical Direction by Alex Thompson,
Welcome one. Welcome all! Welcome to the monster’s ball! See it here— beckoning and shimmering! All agleam— glistening and glimmering! In Charm City where every fantasy is set free…the Baltimore sun rising by the sea and showing us the beauty underneath Andrew Lloyd Webber’s much anticipated sequel to Broadway’s most haunting love story. After negative reviews in its West End debut, and a rigorous overhaul in the Australia, Webber’s masterpiece is here to dazzle the audience.
Just who is who and what is what? Who’s lying? Who’s telling the truth? Scandal, lovers, mistresses, and then some await eager audiences of Washington DC as Shakespeare Theatre Company opens the 2017/2018 season with a double-bill of Harold Pinter. Artistic Director Michael Kahn brings The Lover & The Collection together for an evening inside the darkly scandalous and peculiarly humorous world of Pinter’s somewhat dated characters. Overlooking the misogyny and general banality of the female character featured in each of these productions,
It takes a lot of Joes to make a sound you can hear. Iron Crow Theatre and it’s almost 20 Joes are making sounds, but the question is— do you hear the people sing? Is it the song of angry men? We’re not marching through France, and this ain’t Russia. It’s Steeltown, USA (temporarily residing in Baltimore, of course) and it’s time to speak up and make your voices heard. The Cradle Will Rock kicks of the 2017/2018 “Season of Identity” for Iron Crow Theatre,
If the human eye was a digital camera it would have 576 mega pixels. 30% of businesses in the U.S.A. are owned by women. McDonald’s opens a new restaurant every 14.5 hours. Swedish wasn’t made the official language of Sweden until 2009. Approximately 300 couples get married in Las Vegas, Nevada every day. Forum Theatre is producing the area premier of Caryl Churchill’s Love and Information. Is it better to know things or not know things?