There is so much light in the world. Light from the sun,
light from inside that glows out from the human spirit, there’s all kinds of
light. But what about artificial light that’s natural? The disturbing glow the
illuminates from a diabolically dangerous substance? Radium. Playwright D.W.
Gregory historically fantasizes a dark spot on American history, shining an
incandescent beam of harrowing truth, with dramatic flair, onto historical
events of the shadowy 20th century.
Now is the time to seize the day! Third Wall Productions are
staring down the odds— and everyone else who wants to tackle this bear of a
musical production— and seizing the day! Proudly carrying the banner of their
first major children’s inclusive production since 13: The Musical (their second-ever production as a company, almost
three full years ago!), TWP is thrilled to present Disney’s Newsies. Directed by Henry Cyr,
A real family helps each other when they stumble, not kick
each other when they’ve fallen; a paraphrase of just one of the profound
insights found inside Andrea Moon’s El
Viaje de Beatriz or Beatrice’s
Journey, now appearing at the MET FUN Company as a part of their 2018-2019
season. Maryland Ensemble Theatre and its familial branches— like the FUN Company—
uplift this message with great consistency in their work.
You may not understand every word, but if you listen deeply,
you will understand what they’re trying to see. This is a critical component to
the extraordinary and brilliant piece of children’s theatre being performed on
the Maryland Ensemble Theatre’s FUN Company stage this winter. El Viaje de Beatriz, written by Andrea
Moon, and Directed by Daniel Valentin-Morales, is a bilingual fairytale about
little Beatriz, a young girl who is struggling with the death of her
Everything’s coming up Toby’s! Everything’s coming up— TOBY’S!
Let them entertain you with their stunning, thrilling, exciting, and magical
production of Gypsy. Directed by Mark
Minnick and Toby Orenstein with Musical Direction by Ross Scott Rawlings, the
truth of a brilliant story is told in earnest, with the heart of that gripping
tale at the forefront of the show creating honest theatrical magic for everyone
who comes to the table and lets the cast and crew of Gypsy entertain them.
Right and wrong— who’s to say, which we should refuse? All
we know, love survives either way we choose. Where, you ask, do we go when the
world’s not right? The answer here won’t rhyme, because it’s really hard to
rhyme things with “Chesapeake Arts Center’s Black Box Theatre.” But when the
world’s not right— and there is so much not right in the world right now, Stand
Up For…Theatre has an answer. The theatrical arm of How Do You Like Me Now
In a world exploding with fake news, the facts often get
lost in the chaotic flurry of excitement fluttering all around the story. And
even when the facts are straight forward, they don’t tell the whole story. The
facts here are straight forward. On November 18, 1978 over 900 people died in
the Jonestown agricultural commune in Guyana; over 300 of them were aged 17 and
under. The murky story and history, swirling around what is often recognized
today as the Jonestown Massacre like an ominous and foreboding fog,
When one is in town, one amuses oneself. And if one is in Baltimore, one can amuse oneself by getting tickets to see an uproarious and smart production of Oscar Wilde’s The Importance of Being Earnest now appearing at Everyman Theatre for the holidays. Directed by Joseph W. Ritsch, this high-brow, tongue-in-cheek, comedy chestnut is a delightful romp through town, country, and all sorts of shenanigans. A pleasingly pleasant alternative to all of the elves,
Every Who out in Frederick liked Christmas a lot
So much that they rented Matthew Lombardo’s new plot
See, now the MET— they LOVE Christmas! The whole Christmas season!
So they’ve picked this irreverent comic gem, I can guess at the reason
To festively light up their holiday stage slot
Who’s Holiday, Directed by Gené Fouché, is the show that they got!
The winter woods are ripe with snow; there’s a crisp clear moonlight glow and the world is ready for winter’s end. The solstice! December 21st this year, but don’t wait until then to celebrate. Silver Spring Stage has a fabulous story all about hope in the bleakest darkness of winter right now upon their stage in the spirit of the season. Season of Light: A Winter Fairytale by Steph DeFerie makes its debut as the seasonal,
The internet is a glorious thing. You can look up anything at the touch of a button or the tap of your finger. Instantly you can access all sorts of records, all sorts of facts, and all sorts of history. You can read bios, get sports stats, and discover a world of knowledge about people from the past. But you can’t google a spirit. You cannot live and breathe their moments of excitement or feel their triumphs and failures through the internet.Enter live theatre;
Watch and you’ll see— you too can be— part of their world! If you book your tickets quickly, that is, you too can be a part of the irresistible holiday magic happening at Toby’s Dinner Theatre this Christmas. Presenting Disney’s The Little Mermaid, Directed and Choreographed by Mark Minnick with Musical Direction by Ross Scott Rawlings, this epic adventure will bring you under the sea and into the fully animated world of Disney’s cherished coming-of-age tale about a little mermaid and her dreams to be part of the human world.
High above the town, flying down, better catch it quick— it’s better than ole Saint Nick— and it may still be in other locales— but somewhere hovering over Tidewater Players…across the whole opera house stage and straight to you…comes A Christmas Story. That’s right, kids— and kids at heart— after waiting for ages in line at Higbee’s, you’ve asked Santa for that irresistible major-award of a musical, and he’s delivered— because what’s the harm in simply watching Ralphie Parker shoot his eye out with his Official Red Ryder Carbine-Action Two-Hundred-Shot Range Model Air Rifle with a compass in the stock and this thing that tells time?
Come look at the freaks! Come gape at the geeks! Come examine Dundalk Community Theatre’s aberrations, their malformations— grotesque physiques…only pennies* for peeks…come look at the freaks! Come look inside the John E. Ravekes Theatre and have your curiosity satisfied with this gloriously haunting production of Side Show. Directed by Robert W. Oppel with Musical Direction by Rebecca Rossello, and Choreography by Vincent Musgrave, this breathtaking story is a circus marvel that twists and turns your mind and heart inside out and upside down all along its treacherous trail.
You’ll shoot your— wait. No. That’s later. Before you shoot your eye out with your Official Red Ryder Carbine-Action Two-Hundred-Shot Range Model Air Rifle with a compass in the stock and this thing that tells time, have your turkey gobbled up by the Bumpuses hellhound dogs, and do the leg-lamp kick-line for your Major Award, settle into 1968 at the Harper’s Hardware Store annual Christmas Party! And guess what? There’s a wintery surprise— because this year?
You’ll shoot your eye out! You’ll shoot your eye out! You’ll shoot your eye out when you hear just how many different theatres are all doing A Christmas Story this Christmas season!! BUT— fear not! St. Gabriel Miracle Players are the first AND they are the only ones to be doing the non-musical version! So you won’t find any leg-lamp kick-lines at St. Gabriel’s this November, but you will find a talented bunch of youngsters and youngsters at heart doing their seasonal magic on the Miracle Players’ stage to bring you that timeless— since 1983— tale of little Ralphie,
A little scratch gives you character, unless you’re a 45-vinyl, in which case it just causes you to skip a lot. The Strand Theatre has a whole lot of character and more importantly they have the message. They have the message of love with their production of Dominique Morisseau’s Detroit ’67, directed by Erin Riley. Powerful, evocative, visceral— this stunning drama set in the heart of the “colored district in downtown Detroit in the midst of the race riots” is poignant and disturbing in its relevance to the modern day.
A new world calls across Charm City! A new world calls across street. A new world whispers through Mt. Vernon— time to see— time to see…it is time to see Songs For a New World at The Audrey Herman Spotlighters Theatre. Co-Directed by Andrea Bush and Michael Tan, and Musical Direction by Michael Tan, four talented voices come together on the stage to sing songs of love and hope. Fitting well into the Season57 theme of ‘Strong Voices’,
God, that’s good! Yum…is that a pie fit for a king? A wondrous sweet— a most delectable thing! Well, I am no king (nor have I shaved the faces of any) but the pies in Kensington Arts Theatre’s production of Sweeney Todd: The Demon Barber of Fleet Street are to die for. Sit yourself at one of the rustically ill-sanded picnic tables just at the foot of the stage and if you dare (and are very lucky) you might just sneak a snack during the opening of Act II!
First— there are such thing as vampires.
Second— this is the third performance in the three-show The Horror Rep with We Happy Few in residence at the Capitol Hill Arts Workshop. This is Dracula, directed by Robert Pike, adapted from Bram Stoker’s novel, and devised to the stage by Grant Cloyd, Keith Hock, Meg Lowey, Kerry McGee, Robert Pike, and Jon Reynolds. This is fierce.
Have you heard? There’s a rumor that St. Petersburg— is coming straight to Washington D.C.! No longer far away or long ago, glowing brighter than an ember, it’s here to see, a breathtaking show, one you will always remember… Anastasia— a wintery wondrous fairytale arriving in time for the Thanksgiving season now on the Eisenhower stage of The John F. Kennedy Center for the Performing Arts. Commissioned by Dmitry Bogachev,
Hear the loud theatrical bells— brazen bells! What tale of terror now, their turbulency tells! In the startled ear of night— amid a Horror Rep of fright— how they scream out with delight— of We Happy Few’s A Midnight Dreary. They clearly keep on ringing, much do the praises that I’m singing, of their Horror Rep’s production of Edgar Allan Poe and his various death knells, and storms that quell,
A couple of minutes is all it takes; your life can change just like that. In these unsettling and disturbing times of political unrest and social unease with humanity caught dangling in the balance between civility and annihilation, it is no surprise that Everyman Theatre is once more producing two time Pulitzer Prize-winning dramatist Lynn Nottage. This time it’s her core-shaking production of Sweat, Directed by the company’s Artistic Director,
Oh, God! I Hate Shakespeare! That’s right! I said it! I do! I really hate Shakespeare! I just don’t get it! How a mediocre actor from a measly little town is suddenly the brightest jewel in England’s royal crown! Oh, God, I HATE SHAKESPEARE! His plays are wordy— ooh. Wait. Maybe I shouldn’t sing all about it. Something is rotten in the state of— Essex!? Actually that’s sort of funny (Essex is in Shakespeare somewhere…isn’t it?) No,
Ladies and gentlemen! Boys and girls! Children of all ages! Step right up to The Heritage Players and see The Greatest Show on Earth! Why it’s a miracle! Of course, miracle is a pretty fancy word for humbug, or so Mrs. Barnum will tell you. But a bit of brass and humbug is just as good as silver and gold, Mr. P.T. Barnum will tell you than himself! Barnum, the musical of the circus legend tumblesaults its way up the aisles of the Thomas Rice Auditorium at the Spring Grove Hospital Campus and onto the stage of The Heritage Players,
Haute Patooties! Bless my soul! Haute Patooties! They’ve got rock-n-roll! The Haute Patooties— your very own Baltimore-based Guerilla Theatre Group— are rocking-and-rolling with their very own Rocky Horror Show and its wild, simply put. Think you know Rocky Horror? Think again; come rediscover it, see it in a new light, and experience the collaborative effort that is a cult-classic musical done up right-n-different with Haute Patooties this Halloween season.
This is usually the part where you get the “directed by—” line and you’ll note its conspicuous absence here.
While the autumn breezes finally rush in, bringing all the productions of Rocky Horror Show and Deathtrap along with them, The Maryland Ensemble Theatre defies the more conventional approach to the spooky season and instead invites a uniquely chilling entity onto its stage for the month of Halloween and beyond. Let the Right One In, a stage adaptation by Jack Thorne from the Swedish novel &
Believe only half of what you see and nothing of what you hear…unless of course you’re coming to see Poe’s Last Stanza with Do or Die Productions this ominous October month. Set forth as Do or Die Productions’ annual Halloween tradition, writer and director Ceej Crowe lays down her own thrilling and chilling take on the master of the macabre, bringing him to life with more than just his morose melancholy. This particular performance was hosted at the Elkridge Furnace Inn,
All that I should say seems inadequate and feeble in regards to this glorious production of Frankenstein that We Happy Few have set down to kick-start their Horror Rep in this 2018/2019 season. With spirited ensemble nature driving the life-force of the performance, this hour-long bulleted intensive of Mary Shelley’s masterwork is an engaging thriller that submerges you right in the midst of Dr. Frankenstein’s crisis. Directed by Robert Pike &
Every story, new or ancient, bagatelle or work of art…all are tales of human failing…all are tales of love at heart. The Gods love Constellation Theatre Company for spinning their storyteller’s thread into a musical theatre masterpiece production of Elton John & Tim Rice’s Aida. A staggeringly powerful and stunningly beautiful production Directed by Michael J. Bobbitt with Musical Direction by Walter “Bobby” McCoy and Choreography by Tony Thomas II, Constellation’s Aida possesses the grandeur and potency of Broadway’s timeless love story and the daring familiarity of telling such a tremendous story in such an intimate space.