Articles Tagged With: Maryland Ensemble Theatre

Intimate Apparel at Maryland Ensemble Theatre 📷 MET

Intimate Apparel at Maryland Ensemble Theatre

Lynn Nottage’s Intimate Apparel has local origins; originally a co-production between Baltimore’s Center Stage and California’s South Coast Repertory in 2003, it went on to a 3-month Off-Broadway run starring Viola Davis. The material also has a direct link to Nottage’s family history and was inspired by her great-grandmother’s life as a seamstress in the early 1900’s. Nottage found that the narrative and stories of black women in the early 1900’s were largely absent by researching her great-grandmother’s life.

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Inebriated Holiday at Maryland Ensemble Theatre

Deck the MET with cans and corks! Fa-la-la-la-laa! La-la-la-laaa!

Gather round ye hist’ry dorks! Fa-la-la-la-laa! La-la-la-laa!

Don you now your drunk apparel! Fa-la-la-la! La-la-la! La-la-laaaa!

And hear the tale of A Christmas Carol! Fa-la-la-la-laa! La-la-la— hold-up. Nah. That’s not right. Shoot.

Inebriated Holiday. D’oh! That’s the one this one is about! Good grief, how many Three Kings draft beers did I have at Maryland Ensemble Theatre last night!?

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Angels In America Part II- Perestroika at Maryland Ensemble Theatre

In a follow up to last year’s presentation of Angels in America, Part 1, the Maryland Ensemble Theatre has endeavored to complete the series with Angels in America, Part 2, Perestroika. The production of these two pieces is a monumental undertaking creating almost a seven-hour total theater experience.

It’s hard not to write a comparative review. The cast and design team remain relatively the same.

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Craft Town at The Maryland Ensemble Theatre

They come across my inbox like they always do; a cool drink of water— code for ‘new play’— just asking to be looked over. Not in distress or nothing, see? These ‘new works’ they hold their own. But I wouldn’t be a very good T.I. if I didn’t give it a once over, now would I. T.I.? What’s that? You don’t know? Theatrical Investigator. That’s me— Amanda Gunther, T.I. – and this new one— Craft Town?

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Angels In America Part 1: Millennium Approaches at The Maryland Ensemble Theatre

Tony Kushner’s Pulitzer Prize-winning play Angels in America, was ambitious in 1993, taking on difficult subject matter, and the Maryland Ensemble Theatre is ambitious to take on such a challenging production. ‘Set in the mid-1980s amid the AIDS crisis and the Regan administration, the characters struggle with life and death, love and sex, heaven and hell’*. Originally intended for a season three years ago but sidelined by COVID, Angels now marks the MET’s 150th production overall and falls during its 25th anniversary,

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Miss Bennet Christmas At Pemberley at Maryland Ensemble Theatre. 📷Meech Creative LLC

Miss Bennet Christmas At Pemberley

Is there anything more shocking and wonderful than a true literally classic done up and decked out for Christmas? I jest not; Jane Austen never had the chance to show us the festive holiday season in her romances, but Lauren Gunderson & Margot Melcon have done exactly that! Miss Bennet Christmas at Pemberley, now playing on the main stage of the Maryland Ensemble Theatre, nestles itself in the cozy bosom of three days before Christmas…two years after the conclusion of Pride &

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Sean Byrne (left) as Jim Fingal and Jack Evans (right) as John D'Agata in The Lifespan of a Fact. 📸michaelmasonstudios

The Life Span of a Fact at Maryland Ensemble Theatre

Story is the way organize our lives. Narrative is how we make sense of what’s happening around us; it serves as a way to conceptualize, to frame our existence. But what about truth? What about facts? And where do they fit into our narrative? Our story? Opening their 25th Anniversary season with a play that feels topically relevant to this day and age, with a prescience that is unmistakable given that the essay, book, and play itself predate the concept of ‘fake news’,

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No, Virginia- A Grown-Up Holiday Farce at Maryland Ensemble Theatre

Up on the housetop, reindeer paws— out jumps good ol’ Santa Claus. And Sandy Claws! And Odin!? Why, yes, Virginia! There is— someone on your roof— or something— heck— it could even be— THUNDERSNOW! Put on your believing hat and your holiday hat and wind your way on over to the Maryland Ensemble Theatre this December season for a MET original— No, Virginia— A Grown-Up Holiday Farce. Written by company member J.D.

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Lisa Burl (left) as Olympe de Gouge and Rachel Manu (right) as Marianne Angelle in The Revolutionists. Photo: Madeline Reinhold,

The Revolutionists at The Maryland Ensemble Theatre

Air and ink and make-believe. Isn’t that all theatre is when it comes down to it? But theatre isn’t flourish; it’s fundamental! Or so says the text of Lauren Gunderson’s The Revolutionists now on the main stage of the Maryland Ensemble Theatre. Directed by Gené Fouché, this meta-play within a meta-play of a play is a fundamental exploration of liberté, egalité, and sororité! Deep layers of freedom, equality, and sisterhood enveloped in the flavor of The French Revolution is what’s coming to the stage and it gets a little confusing,

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Three Little Birds at MET’s Fun Company

One love! One heart! Let’s get together and feel alright! Everyone could stand to feel alright right about now. And what better way to do it than by coming out to see the MET Fun Company’s production of Bob Marley’s Three Little Birds? Directed and choregraphed by Ray Hatch, with Musical Direction by Valerie A. Higgs, this six-person ensemble on stage is jammin’! They’re jammin’ and they want you to come jammin’ too!

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Full Speed Ahead! Maryland Ensemble Theatre launches their 2021-2022 season, back on stage LIVE!

It’s a surreal experience— being in a crowd of enthusiastic, energetic, theatre people after over a year of being isolated from that crazy, amazing, loving bunch of people who have so much to offer to the performing arts community in Frederick. But in minutes of being amid the Maryland Ensemble Theatre 24th season launch gala, it felt as if no time had passed at all, as if just last season this exact thing had happened.

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Karli Cole in Midsummer: A Most Rare Vision

Midsummer: A Most Rare Vision at Maryland Ensemble Theatre

I have had a most rare vision. I have had a dream, past the wit of man to say that indeed dreams— rare visions or not— do come true; live theatre with in-person audiences have returned to us once more. The Maryland Ensemble Theatre is at their finest in bringing a most peculiar, wondrous and intriguing theatrical endeavor to those of us who have waited so long to return to the theatre. Directed by Julie Herber,

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Circle Mirror Transformation at Maryland Ensemble Theatre

Have you ever taken one of those intro to acting classes
where nobody’s really sure they want to be there but they all desperately want
to learn all the secrets behind good acting? Then this show might be for you.
Have you ever taken one of those acting classes where all of the exercises that
are supposed to be revealing all the secrets to good acting feel a bit like the
instructor is trying to unload some of their own personal garbage from
childhood onto the students?

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Sweat at Maryland Ensemble Theatre

Skilled labor isn’t cheap; cheap labor isn’t skilled. An innocuous
enough statement of truth that might just ruffle the feathers of the pleasantly
situated. But isn’t that art and theater at its core? Comfort the disturbed and
disturb the comfortable? No surprises that politically charged, prescient and
topically relevant drama by two-time Pulitzer Prize-winning playwright Lynn Nottage
is being produced upon the Maryland Ensemble Theatre stage. Directed by Gené
Fouché, this ensemble-driven drama is laced with humor around the visceral edges
of political upheaval in the town of Reading,

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Radium Girls at Maryland Ensemble Theatre

Amanda N. Gunther | TheatreBloom

There is so much light in the world. Light from the sun,
light from inside that glows out from the human spirit, there’s all kinds of
light. But what about artificial light that’s natural? The disturbing glow the
illuminates from a diabolically dangerous substance? Radium. Playwright D.W.
Gregory historically fantasizes a dark spot on American history, shining an
incandescent beam of harrowing truth, with dramatic flair, onto historical
events of the shadowy 20th century.

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Really Listening: An Interview with Director Daniel Valentin-Morales about El Viaje de Beatriz at MET’s FUN Company

Amanda N. Gunther | TheatreBloom

A real family helps each other when they stumble, not kick
each other when they’ve fallen; a paraphrase of just one of the profound
insights found inside Andrea Moon’s El
Viaje de Beatriz
or Beatrice’s
Journey
, now appearing at the MET FUN Company as a part of their 2018-2019
season. Maryland Ensemble Theatre and its familial branches— like the FUN Company—
uplift this message with great consistency in their work.

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El Viaje de Beatriz at MET’s FUN Company

Amanda N. Gunther | TheatreBloom

You may not understand every word, but if you listen deeply,
you will understand what they’re trying to see. This is a critical component to
the extraordinary and brilliant piece of children’s theatre being performed on
the Maryland Ensemble Theatre’s FUN Company stage this winter. El Viaje de Beatriz, written by Andrea
Moon, and Directed by Daniel Valentin-Morales, is a bilingual fairytale about
little Beatriz,

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Who’s Holiday at Maryland Ensemble Theatre

Every Who out in Frederick liked Christmas a lot

So much that they rented Matthew Lombardo’s new plot

See, now the MET— they LOVE Christmas! The whole Christmas season!

So they’ve picked this irreverent comic gem, I can guess at the reason

To festively light up their holiday stage slot

Who’s Holiday, Directed by Gené Fouché, is the show that they got!

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Let The Right One In at Maryland Ensemble Theatre

While the autumn breezes finally rush in, bringing all the productions of Rocky Horror Show and Deathtrap along with them, The Maryland Ensemble Theatre defies the more conventional approach to the spooky season and instead invites a uniquely chilling entity onto its stage for the month of Halloween and beyond. Let the Right One In, a stage adaptation by Jack Thorne from the Swedish novel & film by John Ajvide Lindqvist,

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Click, Clack, Moo: Cows That Type at MET’s Fun Company

Old MacDonald had a farm— wait— no…that’s not quite right. Oh! I know! The MET Fun Company had a farm— E-I-E-I-O! And on this farm they had some cows! E-I-E-I-O! While there won’t be any song quite like that one featured in Click, Clack, Moo: Cows That Type at the MET Fun Company production, rest assured there will be plenty of singing and dancing all throughout the production, which is geared toward younger audiences.

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Hand to God at Maryland Ensemble Theatre

In the beginning we were one. There was no right and no wrong. But then someone invented right and wrong, where right is for all of us and wrong is just for you. Go to the Maryland Ensemble Theatre to see Hand to God…RIGHT. Skip out on seeing Maryland Ensemble Theatre’s Hand to God…WRONG. And you do not want to be in the wrong when it comes to this darkened,

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Maryland Ensemble Theatre Announces 2018/2019 Season

They are not throwing away their shot! Maryland Ensemble Theatre may not be producing Hamilton for their 2018/2019 season (though they are raffling off a pair of tickets to see the highly sought-after show through August 4, 2018— click here to not throw away your shot!) but they are certainly bringing a fantastical new line-up to their stage for the coming season. With three regional premieres and a little something for everybody from classics to new and edgy,

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A View From The Bridge at Maryland Ensemble Theatre

Most people ain’t people. Because people strive to treat each other with dignity and respect. Of course, that was the point Arthur Miller might have been trying to make when he scribbled down A View From the Bridge. Horrifically relevant and strikingly topical in today’s political climate, this intense family-driven drama is an exacting fit for the style of ensemble performance work which the Maryland Ensemble Theatre prides themselves on and does exceedingly well.

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Rapture, Blister, Burn at Maryland Ensemble Theatre

Is the grass really greener on the other side? Ever wonder what life would be like if you chose to take the opposite path? What if you could live whatever life you wanted what would it be, and do you really think that would be the key to eternal bliss or end in eternal sorrow? Rapture, Bliss, Burn written by Gina Gionfriddo, directed by Suzanne Beal and on stage now at the Maryland Ensemble Theatre in Frederick,

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A Christmas Story at The Maryland Ensemble Theatre

I want an Official Red Ryder Carbine-Action Two-Hundred-Shot Range Model Air Rifle with a compass in the stock and this thing that tells time! NO WAY, KID! YOU’LL SHOOT YOUR EYE OUT! So instead Santa’s going to bring you tickets to see A Christmas Story at The Maryland Ensemble Theatre this year! Hey, it beats Lincoln Logs or Tinker Toys! Directed by Gené Fouché this non-musical stage adaptation of the classic Turner Entertainment Co.,

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1984 at Maryland Ensemble Theatre

There is a show running in Frederick.

WHAT SHOW. YOU MUST BE PRECISE.

There is a production of George Orwell’s 1984 as adapted to the stage by Michael Gene Sullivan running at a theatre in Frederick.

WHERE. YOU MUST BE PRECISE.

There is a production of George Orwell’s 1984 as adapted to the stage by Michael Gene Sullivan running at The Maryland Ensemble Theatre.

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The Complete Works of William Shakespeare (Abridged) at Maryland Ensemble Theatre

What ho, Horatio! It is the east— west— Frederick! It is the MET! Alas, poor Shakespeare, I knew him, readers! And you thought you did too, until you ventured to Maryland Ensemble Theatre for the opening of their 2017/2018 season! With preeminence in stage chicanery, the MET invites you to sit back, unplug your brains, and enjoy three ridiculous men attempting to cover 38 plays, 1,122 roles, and 154 sonnets all in about two hours,

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Fred’s Diner at Maryland Ensemble Theatre

Happiness comes only in moments. And to ensure those moments, sometimes drastic action is necessary. Closing out their 2016/2017 mainstage season, the Maryland Ensemble Theatre brings to the stage a rarely produced darkly-driven British comedy. Fred’s Diner, by Penelope Skinner, takes place in an American 1950’s themed diner in present-day Britain just off the major motorway. Everything looks hunky-dory, as the Yanks might say, but upon closer examination, things aren’t always what they seem.

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Peter and The Star Catcher at Maryland Ensemble Theatre

To have faith is to have wings. Have faith that you’ll absolutely love what’s happening on the Maryland Ensemble Theatre’s main stage this spring and you’ll find yourself sprouting wings that will fly you right into downtown historic Frederick for their outstanding production of Peter and The Star Catcher. Based on the novel by Dave Barry and Ridley Pearson, written by Rick Elice with Music by Wayne Barker, this marvelously mesmerizing tale is the official beginning of how the boy who wouldn’t grow up,

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Top Girls at Maryland Ensemble Theatre

If you could sit down to dinner, or better yet a dinner party, with any five influential women in history, who would you choose? Well-behaved women seldom make history, as Laurel Thatcher Ulrich says. Wouldn’t you want to choose radical women, the movers and shakers of their time? Those that simply refused to live the life of a lady and broke through the gender barrier that so often held them in place, wouldn’t those be your choice invitees to a dinner party in a completely absurdist and fictitious dream sequence?

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