Have you ever taken one of those intro to acting classes
where nobody’s really sure they want to be there but they all desperately want
to learn all the secrets behind good acting? Then this show might be for you.
Have you ever taken one of those acting classes where all of the exercises that
are supposed to be revealing all the secrets to good acting feel a bit like the
instructor is trying to unload some of their own personal garbage from
childhood onto the students?
Have you ever taken one of those intro to acting classes
Skilled labor isn’t cheap; cheap labor isn’t skilled. An innocuous
enough statement of truth that might just ruffle the feathers of the pleasantly
situated. But isn’t that art and theater at its core? Comfort the disturbed and
disturb the comfortable? No surprises that politically charged, prescient and
topically relevant drama by two-time Pulitzer Prize-winning playwright Lynn Nottage
is being produced upon the Maryland Ensemble Theatre stage. Directed by Gené
Fouché, this ensemble-driven drama is laced with humor around the visceral edges
of political upheaval in the town of Reading,
Every Who out in Frederick liked Christmas a lot
So much that they rented Matthew Lombardo’s new plot
See, now the MET— they LOVE Christmas! The whole Christmas season!
So they’ve picked this irreverent comic gem, I can guess at the reason
To festively light up their holiday stage slot
Who’s Holiday, Directed by Gené Fouché, is the show that they got!
Is the grass really greener on the other side? Ever wonder what life would be like if you chose to take the opposite path? What if you could live whatever life you wanted what would it be, and do you really think that would be the key to eternal bliss or end in eternal sorrow? Rapture, Bliss, Burn written by Gina Gionfriddo, directed by Suzanne Beal and on stage now at the Maryland Ensemble Theatre in Frederick,
I want an Official Red Ryder Carbine-Action Two-Hundred-Shot Range Model Air Rifle with a compass in the stock and this thing that tells time! NO WAY, KID! YOU’LL SHOOT YOUR EYE OUT! So instead Santa’s going to bring you tickets to see A Christmas Story at The Maryland Ensemble Theatre this year! Hey, it beats Lincoln Logs or Tinker Toys! Directed by Gené Fouché this non-musical stage adaptation of the classic Turner Entertainment Co.,
If you could sit down to dinner, or better yet a dinner party, with any five influential women in history, who would you choose? Well-behaved women seldom make history, as Laurel Thatcher Ulrich says. Wouldn’t you want to choose radical women, the movers and shakers of their time? Those that simply refused to live the life of a lady and broke through the gender barrier that so often held them in place, wouldn’t those be your choice invitees to a dinner party in a completely absurdist and fictitious dream sequence?
Oh there’s no place like home for the holidays…except for when home for the holidays comes with a handful of surprises that you just weren’t ready for and a quartet of secrets that you just can’t keep to yourself! Settle into the Maryland Ensemble Theatre this Christmas season and let their zany family be your home as they present the world premiere of DC Cathro’s Family Holiday. Putting the fun in dysfunction with his high-octane farce,
There is some mythical notion that once children grow up and become adults that there is an onus to maintain their familial relationships. Perhaps it’s because it is believed that we are made out of the same stuff as the stars, that very same dust which twinkles billions of light years away from above. Or perhaps it’s more based in the reality that the elders do die and the responsibility of kinship upkeep passes down from generation to generation.
It’s that time of year when all the theatres start making their big announcements for what’s coming to their stages in future seasons! After a roaring successful season of new works, fun shows, area premieres, and much, much more, the Maryland Ensemble Theatre is ready to roll straight into their 2016-2017 season. In a TheatreBloom exclusive interview, we’ve sat down with Artistic Director Tad Janes to talk about the company’s rich history, how they continue to fight the good fight of professional theatre in Frederick and what’s next for them as the new season gets underway.
Donut cannot change. Donut will always be donut. But the Maryland Ensemble Theatre can change up what’s on their mainstage menu as they close out the 2015/2016 season with Tracy Letts’ Superior Donuts. A shockingly different production from the original company-written rock musical seen just a month ago upon the boards, Superior Donuts, directed by company member Gené Fouché, is a stellar and touching dramedy that lives up to its titular adjectival description in talent,
Oedipus! TheatreBloom knows something you don’t know! And here in this exclusive interview with Co-Creators Thom Huenger and Sarah Shulman, we’re going to tell you anyway! We’re going to tell you all about how this electrifying rock opera musical came to exist on the stages of the Maryland Ensemble Theatre and what drove the Greek Tragedy to bleed its veins into the world of musical theatre.
Thank you Thom and Sarah for giving us your time to talk about this exciting project!
Artists make illusions of illusions of heaven and the artists dreaming with the voices loud as thunder in the minds at the Maryland Ensemble Theatre have fabricated an illustriously dark and decadently dark distortion of heaven in their current production of Bernard Pomerance’s The Elephant Man. Directed by visionary and company member Julie Herber, this nightmarish dreamscape of fascination entreats the senses, tugs at the heartstrings and ensnares the soul in a fashion most mesmeric.