Have you ever taken one of those intro to acting classes
where nobody’s really sure they want to be there but they all desperately want
to learn all the secrets behind good acting? Then this show might be for you.
Have you ever taken one of those acting classes where all of the exercises that
are supposed to be revealing all the secrets to good acting feel a bit like the
instructor is trying to unload some of their own personal garbage from
childhood onto the students?
Have you ever taken one of those intro to acting classes
Skilled labor isn’t cheap; cheap labor isn’t skilled. An innocuous
enough statement of truth that might just ruffle the feathers of the pleasantly
situated. But isn’t that art and theater at its core? Comfort the disturbed and
disturb the comfortable? No surprises that politically charged, prescient and
topically relevant drama by two-time Pulitzer Prize-winning playwright Lynn Nottage
is being produced upon the Maryland Ensemble Theatre stage. Directed by Gené
Fouché, this ensemble-driven drama is laced with humor around the visceral edges
of political upheaval in the town of Reading,
Amanda N. Gunther | TheatreBloom
There is so much light in the world. Light from the sun,
light from inside that glows out from the human spirit, there’s all kinds of
light. But what about artificial light that’s natural? The disturbing glow the
illuminates from a diabolically dangerous substance? Radium. Playwright D.W.
Gregory historically fantasizes a dark spot on American history, shining an
incandescent beam of harrowing truth, with dramatic flair, onto historical
events of the shadowy 20th century.
Amanda N. Gunther | TheatreBloom
A real family helps each other when they stumble, not kick
each other when they’ve fallen; a paraphrase of just one of the profound
insights found inside Andrea Moon’s El
Viaje de Beatriz or Beatrice’s
Journey, now appearing at the MET FUN Company as a part of their 2018-2019
season. Maryland Ensemble Theatre and its familial branches— like the FUN Company—
uplift this message with great consistency in their work.
While the autumn breezes finally rush in, bringing all the productions of Rocky Horror Show and Deathtrap along with them, The Maryland Ensemble Theatre defies the more conventional approach to the spooky season and instead invites a uniquely chilling entity onto its stage for the month of Halloween and beyond. Let the Right One In, a stage adaptation by Jack Thorne from the Swedish novel &
Sardines! You won’t forget the sardines! Or the boxes. Or the bags. Or the words by the time you get finished with Noises Off at The Cumberland Theatre this summer. Directed by Matt Bannister, this zany, maniacal, and marvelous farce will have you rolling in the aisles with gut-bursting laughter from start to finish. Better than Waiting for Guffman, with twice as much hilarity as any backstage antics that cook up as they do during any theatrical engagement,
There is a show running in Frederick.
WHAT SHOW. YOU MUST BE PRECISE.
There is a production of George Orwell’s 1984 as adapted to the stage by Michael Gene Sullivan running at a theatre in Frederick.
WHERE. YOU MUST BE PRECISE.
There is a production of George Orwell’s 1984 as adapted to the stage by Michael Gene Sullivan running at The Maryland Ensemble Theatre.
What ho, Horatio! It is the east— west— Frederick! It is the MET! Alas, poor Shakespeare, I knew him, readers! And you thought you did too, until you ventured to Maryland Ensemble Theatre for the opening of their 2017/2018 season! With preeminence in stage chicanery, the MET invites you to sit back, unplug your brains, and enjoy three ridiculous men attempting to cover 38 plays, 1,122 roles, and 154 sonnets all in about two hours,
Happiness comes only in moments. And to ensure those moments, sometimes drastic action is necessary. Closing out their 2016/2017 mainstage season, the Maryland Ensemble Theatre brings to the stage a rarely produced darkly-driven British comedy. Fred’s Diner, by Penelope Skinner, takes place in an American 1950’s themed diner in present-day Britain just off the major motorway. Everything looks hunky-dory, as the Yanks might say, but upon closer examination, things aren’t always what they seem.
To have faith is to have wings. Have faith that you’ll absolutely love what’s happening on the Maryland Ensemble Theatre’s main stage this spring and you’ll find yourself sprouting wings that will fly you right into downtown historic Frederick for their outstanding production of Peter and The Star Catcher. Based on the novel by Dave Barry and Ridley Pearson, written by Rick Elice with Music by Wayne Barker, this marvelously mesmerizing tale is the official beginning of how the boy who wouldn’t grow up,
If you could sit down to dinner, or better yet a dinner party, with any five influential women in history, who would you choose? Well-behaved women seldom make history, as Laurel Thatcher Ulrich says. Wouldn’t you want to choose radical women, the movers and shakers of their time? Those that simply refused to live the life of a lady and broke through the gender barrier that so often held them in place, wouldn’t those be your choice invitees to a dinner party in a completely absurdist and fictitious dream sequence?
There’s nothing like a pet in the house! They keep you safe! They keep you warm! They drain your vegetables of all their color because they’re juice thirst vampires! Wait— what?!? Well, only that last bit if you accidentally sit on a rabbit in a movie theatre while seeing Dracula and decide to take it home. This may be exactly what happens to the Monroe family in the childhood classic story of Bunnicula,
It’s that time of year when all the theatres start making their big announcements for what’s coming to their stages in future seasons! After a roaring successful season of new works, fun shows, area premieres, and much, much more, the Maryland Ensemble Theatre is ready to roll straight into their 2016-2017 season. In a TheatreBloom exclusive interview, we’ve sat down with Artistic Director Tad Janes to talk about the company’s rich history, how they continue to fight the good fight of professional theatre in Frederick and what’s next for them as the new season gets underway.
Donut cannot change. Donut will always be donut. But the Maryland Ensemble Theatre can change up what’s on their mainstage menu as they close out the 2015/2016 season with Tracy Letts’ Superior Donuts. A shockingly different production from the original company-written rock musical seen just a month ago upon the boards, Superior Donuts, directed by company member Gené Fouché, is a stellar and touching dramedy that lives up to its titular adjectival description in talent,
Oedipus! TheatreBloom knows something you don’t know! And here in this exclusive interview with Co-Creators Thom Huenger and Sarah Shulman, we’re going to tell you anyway! We’re going to tell you all about how this electrifying rock opera musical came to exist on the stages of the Maryland Ensemble Theatre and what drove the Greek Tragedy to bleed its veins into the world of musical theatre.
Thank you Thom and Sarah for giving us your time to talk about this exciting project!
True love can be recognized without sight or sound, but you simply must come see and hear the Maryland Ensemble Theatre’s Fun Company production of Cinderella to experience one of the loveliest non-Disney retellings of the classic fairytale. Adapted by Theatricks Music and Meryl Cullom and Directed by Julie Herber with Musical Direction by Jennie Huntoon, this charming performance is spellbinding with its magical characters, dazzling with its vivacious costumes,
Oedipus! They know something you don’t know! But they’re going to tell you anyway! A stellar new revolutionary musical is seizing the stage at Maryland Ensemble Theatre this spring, shaking the walls and shocking the soul with one of history’s most brutally revolting Greek tragedies. Oedipus Rox! a new MET original musical production, with Music and Lyrics by Thom Huenger and Book and Lyrics by Sarah Shulman, brings the well-told tale of Oedipus Rex to crackling sizzling life.
Do you know what passes for theatre these days? Honestly? How many of you get out of your comfortable living rooms— with your live-streaming Broadway channels on Netflix or the “new musical of the month” live on NBC— and go to the theatre, sit through two to three hours of live performance, and actually take in what you’ve just seen? The Maryland Ensemble Theatre seems to know what’s passing for live theatre and has challenged the standard,
Marvelous things! Amazing, incredible, flabbergasting, marvelous things await theatergoers of all ages on the Maryland Ensemble Theatre’s Stage2 Performance Space as their Fun Company proudly presents James and The Giant Peach. Adapted to the stage by David Wood from the imaginative novel by Roald Dahl, this twisty and highly chimerical tale spins a story of a young lad called James and the marvelous things that await him once he encounters the giant peach.
You can’t tell Christmas from the Fourth of July without snow! And the snowflakes are falling on the Maryland Ensemble Theatre’s Main Stage with their musical and magical production of The Gifts of the Magi. Directed by Suzanne Beal with Musical Direction by Alison E. Shafer, this charming production is a perfect reminder of what the true spirit of Christmas is meant to feel like for the holiday season.
Great family-friendly entertainment plus your favorite theatre in Frederick equals the Maryland Ensemble Theatre’s Fun Company holiday production of Junie B. Jones in Jingle Bells, Batman Smells. BOOM! You do the math! That’s right, everyone! It’s that time of year when Junie B. Jones starts her holiday shenanigans with jingle-bell hats, Christmas sing-a-longs and— a burp-in-a-bag? Directed by Julie Herber, Adapted by Allison Gregory, and based on the book by Barbara Park,
I saw a figure. Or was it a reflection? A brilliant shimmering glimpse of Mary Shelley’s core essence, captured in theatrical perfection upon the Maryland Ensemble Theatre main stage as autumn brings a new adaptation of Frankenstein into their season. Devised by the ensemble under the riveting Direction of Co-Artistic Director Julie Herber, this new concoction is a striking and tragically beautiful amalgamation of Shelley’s most poignant words of prose.
It’s alive! And rising up from the creative minds of Maryland Ensemble Theatre! Frankenstein, newly adapted for the stage as a part of the 2015/2016 season, the Mary Shelley classic finds its footing in an innovative new approach this autumn. In a TheatreBloom exclusive interview, we sit down with Director Julie Herber to discuss the good doctor and his creature, learning and discover just who the monster is.
If you’d give us a brief introduction of who you are and what of your work the readers might recognize,
Whether it is raining outside or perhaps it is sunny,
The MET’s Fun Company has a show that is funny!
It’s a fanciful jaunt, a chance to let your imagination run loose!
Because they’re mounting a production adapted from Dr. Seuss!
Katie Mitchell, the Adaptor, of this fantastical story
Adapts The Cat in the Hat and all of its glory!
Directed by Julie Herber,
Artists make illusions of illusions of heaven and the artists dreaming with the voices loud as thunder in the minds at the Maryland Ensemble Theatre have fabricated an illustriously dark and decadently dark distortion of heaven in their current production of Bernard Pomerance’s The Elephant Man. Directed by visionary and company member Julie Herber, this nightmarish dreamscape of fascination entreats the senses, tugs at the heartstrings and ensnares the soul in a fashion most mesmeric.
There are some things that have to be said. Baltimore playwright Rich Espey is saying them loudly and clearly with his striking new drama The Revelation of Bobby Pritchard. Receiving its world premier at Iron Crow Theatre, this poignant life-altering play is a reckoning of the times; a true engagement of lifestyles juxtaposed against religious beliefs. Espey’s work will not be done justice in print and must be seen to be fully appreciated,
Maryland Ensemble Theatre picks up in the back half of their 2014/201g season with a fiery smart and dark comedy. The Arsonists is Max Frisch’s satirical look at the banality of evil. Directed by Gerard Stropnicky, the new translation by Alistair Beaton is sure to light a fuse of laughter through the audience with its twisted elements of absurdism. Intent on proving how simple it is for human beings to be manipulated into bringing about their own destruction,
At this festive time of year when everyone is presenting their decorated version of Dickens’ holiday classic (and yes, even MET is doing that in their family series) it comes as a revitalizing surprise to see the Maryland Ensemble Theatre producing a Christmas original on their main stage. Written by company member Reiner Prochaska, this quaint tale is richly populated with local flavor and all the right notions to tug gently at the heartstrings for this spirited time of year.