In the beginning we were one. There was no right and no wrong. But then someone invented right and wrong, where right is for all of us and wrong is just for you. Go to the Maryland Ensemble Theatre to see Hand to God…RIGHT. Skip out on seeing Maryland Ensemble Theatre’s Hand to God…WRONG. And you do not want to be in the wrong when it comes to this darkened,
They are not throwing away their shot! Maryland Ensemble Theatre may not be producing Hamilton for their 2018/2019 season (though they are raffling off a pair of tickets to see the highly sought-after show through August 4, 2018— click here to not throw away your shot!) but they are certainly bringing a fantastical new line-up to their stage for the coming season. With three regional premieres and a little something for everybody from classics to new and edgy,
Most people ain’t people. Because people strive to treat each other with dignity and respect. Of course, that was the point Arthur Miller might have been trying to make when he scribbled down A View From the Bridge. Horrifically relevant and strikingly topical in today’s political climate, this intense family-driven drama is an exacting fit for the style of ensemble performance work which the Maryland Ensemble Theatre prides themselves on and does exceedingly well.
I want an Official Red Ryder Carbine-Action Two-Hundred-Shot Range Model Air Rifle with a compass in the stock and this thing that tells time! NO WAY, KID! YOU’LL SHOOT YOUR EYE OUT! So instead Santa’s going to bring you tickets to see A Christmas Story at The Maryland Ensemble Theatre this year! Hey, it beats Lincoln Logs or Tinker Toys! Directed by Gené Fouché this non-musical stage adaptation of the classic Turner Entertainment Co.,
In the early 70’s, an out of work British actor, Richard O’Brien, amused himself during his hiatus by writing a campy ode to indulge the passions of his youth— science fiction, B horror movies, Steve Reeves muscle flicks, and 50’s rock and roll. Accentuating the unintentional humor and over-the-top dialogue of the so-bad-they’re-good movies he was saluting, he paired it with a catchy pop/rock score and wrapped it in layer after layer of camp to create The Rocky Horror Show.
It’s that time of year when all the theatres start making their big announcements for what’s coming to their stages in future seasons! After a roaring successful season of new works, fun shows, area premieres, and much, much more, the Maryland Ensemble Theatre is ready to roll straight into their 2016-2017 season. In a TheatreBloom exclusive interview, we’ve sat down with Artistic Director Tad Janes to talk about the company’s rich history, how they continue to fight the good fight of professional theatre in Frederick and what’s next for them as the new season gets underway.
Donut cannot change. Donut will always be donut. But the Maryland Ensemble Theatre can change up what’s on their mainstage menu as they close out the 2015/2016 season with Tracy Letts’ Superior Donuts. A shockingly different production from the original company-written rock musical seen just a month ago upon the boards, Superior Donuts, directed by company member Gené Fouché, is a stellar and touching dramedy that lives up to its titular adjectival description in talent,
Oedipus! TheatreBloom knows something you don’t know! And here in this exclusive interview with Co-Creators Thom Huenger and Sarah Shulman, we’re going to tell you anyway! We’re going to tell you all about how this electrifying rock opera musical came to exist on the stages of the Maryland Ensemble Theatre and what drove the Greek Tragedy to bleed its veins into the world of musical theatre.
Thank you Thom and Sarah for giving us your time to talk about this exciting project!
Oedipus! They know something you don’t know! But they’re going to tell you anyway! A stellar new revolutionary musical is seizing the stage at Maryland Ensemble Theatre this spring, shaking the walls and shocking the soul with one of history’s most brutally revolting Greek tragedies. Oedipus Rox! a new MET original musical production, with Music and Lyrics by Thom Huenger and Book and Lyrics by Sarah Shulman, brings the well-told tale of Oedipus Rex to crackling sizzling life.
It’s alive! And rising up from the creative minds of Maryland Ensemble Theatre! Frankenstein, newly adapted for the stage as a part of the 2015/2016 season, the Mary Shelley classic finds its footing in an innovative new approach this autumn. In a TheatreBloom exclusive interview, we sit down with Director Julie Herber to discuss the good doctor and his creature, learning and discover just who the monster is.
If you’d give us a brief introduction of who you are and what of your work the readers might recognize,
Tricky and thick and none too quick, in the brains department that is, a servant of two masters finds humor and hilarity in his daily task. The critically acclaimed and highly humorous production of One Man, Two Guvnors has only a few weekend performances left at the Maryland Ensemble Theatre! If the rave reviews weren’t enough reason to go investigate, TheatreBloom has sat down with leading player Thomas Scholtes to hear out a few more hilarious reasons as to why people should come enjoy the production.
Sometimes being a liar works, and with the Maryland Ensemble Theatre there’s bound to be some fireworks! In their season opener, that is. Kicking off the 2015/2015 season with a big comedic bang, MET presents Richard Bean’s One Man, Two Guvnors. Based on The Servant of Two Masters by Carlo Goldoni, this physically intensive farcical slapstick endeavor is Directed by the company’s Artistic Director, Tad Janes, with Musical Direction by Thom Huenger and will leave you rolling in the aisles with gut-bursting laughter.
Maryland Ensemble Theatre picks up in the back half of their 2014/201g season with a fiery smart and dark comedy. The Arsonists is Max Frisch’s satirical look at the banality of evil. Directed by Gerard Stropnicky, the new translation by Alistair Beaton is sure to light a fuse of laughter through the audience with its twisted elements of absurdism. Intent on proving how simple it is for human beings to be manipulated into bringing about their own destruction,