Sometimes what we long for is staring us right in the face. This could not be a truer example than in Leonard Bernstein’s Trouble In Tahiti, Directed by David Schweitzer, with Musical Direction by Benjamin Shaver, now playing at Stillpointe Theatre.
From the moment that you enter the venue, you are captivated by Scenic/Properties Designer Ryan Haase’s transformation of an upper church room into a 1950’s “supper club”. The covered tables,
“I was somebody once.”
“We were all somebody once.”
“I thought I was somebody now.”
What do you do when your life doesn’t pan out the way you thought it would? Do you mourn? Rage? Retreat to memory (at least, as long as your memory holds)? Or do you find the humor and accept life on life’s terms? Set in the solarium of an English country house turned home for the aging,
Rapid Lemon Production’s production of Love is a Blue Tick Hound found a beautiful way to touch and create an intimate environment for the audience to grow a connection with each character on stage. Audrey Cefaly wrote four different plays that are displayed long enough to grow a bond with each character, whether that would be a waitress laying on the floor of an Italian restaurant or a man on his second date receiving an ear piercing with a potato in his hand.
According to the Oxford Living Dictionary the meaning of Cancer is “A disease caused by an uncontrolled division of abnormal cells in a part of the body”. Sounds so simple right? A nicely put definition for a disease that is anything but nice and simple. This is the backbone for Margaret Edson’s Wit, a dark comedy that won her the Pulitzer Prize for Drama in 1999, which is currently playing at Silver Spring Stage under the direction of Jeff Mikoni.
Be it Christmas, Thanksgiving, Passover, or Festivus, the family convening for an annual anticipated holiday ritual that begins with good intentions, love, and thanks for all those gathering, but will inevitably devolve into a miserable airing of deeply-buried, lifelong grievances is one of the most tired and overused tropes in the cannon of American theatrical comedy or drama. When creativity comes to a halt, have a family dinner to force the blowup. Steven Karam’s 2016 Tony Award and Pulitzer Prize winning The Humans,
Cold winter blues got you down? Feeling the urge to “shake it” but don’t have a good beat? Would you like to experience a range of emotions, but ultimately leave happy and dancing your way to your car? Wonderful! The John F. Kennedy Center for the Performing Arts has just the cure for you! Right now in their Opera House you can go feel the rhythm of On Your Feet! The Emilio and Gloria Estefan Broadway Musical.
The Tempest should always open with a bang. It often brings out the high tech and the special effects. Baltimore Shakespeare Factory brings The Tempest back to its roots. Their space, inspired by Elizabethan theaters, holds what it needs to bring a storm inside: the imagination of the actors and the audience. It’s a high-energy opening to a high-energy show. It’s a great workout for the cast… and a bit for the audience.
“Men’s evils manners live in brass; their virtues we write in water.” And we shall now ascribe the virtues of The Rude Mechanicals production of Henry VIII in ink. Well, digital ink. Directed and Choreographed by Liana Olear, this ‘lost history’ (the most boring of the boring and banal of banal Shakespearean histories) is revitalized and given a new lease on life. Olear’s strategic placement of the historical recounting of the eighth Henry in the mid 1910’s lends itself to her dancer’s passion,
Abracadabra! Alakazam! With a wave of a wind and a flick of the hand you’ve got— MAGIC. And not just any magic but Champions of Magic coming live to The Hippodrome Theatre this February! In a TheatreBloom exclusive interview, we took a quick across-the-pond call with illusionist and magician Sam Strange— of Young & Strange, one of the featured magic acts appearing with Champions of Magic— to chat about the craft and what has him so fascinated with magic and illusion enough to want to perform it world-wide.
Are you ready to witness the next generation of magic? Forget card tricks as you know them, and illusions as you’ve come to see them…or not see them…as the case may be. Returning to The John F. Kennedy Center for the Performing Arts, direct from Broadway with a whole new routine and series of new magicians, The Illusionists will razzle you, dazzle you, and perform mind-blowing defeats of magic that simply must be seen to be believed!
Ding dong merrily on high! The murder bells are ringing!
I saw three bodies come sailing in— at Christmas time! At Christmas time!
Deck the halls with bowels and bodies— fa-la-la-la-la! La-la-la-la!!!
It’s that time of year when the murder mysteries start, it’s that time, I fear, when we say “Deadly Christmas!” And nobody does death better than Do or Die Productions! Revealing a brand-spanking new murder mystery for the 2017 Christmas season,
How does it start? With a meet-cute little musical number featuring the cast of seven. How does it last? Those same seven sing and dance and talk and laugh and cry for 100 minutes every Friday night, Saturday night, and Sunday afternoon* so that audiences all over Charm City can have an adorable feel-good alternative to the Christmas season’s traditional musical theatre offerings. Despite an unsuccessful run Off-Broadway, the current cast of the Spotlighters Theatre production of First Date is finding second life,
Welcome, Monsieur, sit yourself down, and meet the best touring production in town! As for the rest, well none of them is— quite as impressive as this show of Les Mis. The National Theatre has the distinguished honor of hosting the current touring production of the infamous and iconic Broadway musical Les Misérables this festive holiday season and there’s none better a show to welcome to the stage at this season of year,
When you think of Paris, what comes to mind? Is it the irresistible city of lights? Parisian art? The people? All of those miraculous, wondrous, lively attributes that radiate from the cultural capital of France are what vividly and readily come to mind. But what about when the city of light was darkened by the days of war? When Nazi occupation dimmed even the brightest bulbs of creativity? In the stellar screen-to-stage adaptation inspired by the motion picture,
What do you want, Baltimore? Do you want the moon? Just say the word and George Bailey will throw a lasso around it and pull it down. Third Wall Productions seems to think that’s a pretty good idea. So they’re going to give you the moon— in the form a musical adaptation of Frank Capra’s Bedford Falls icon, called A Wonderful Life. With Books & Lyrics by Sheldon Harnick and Music by Joe Raposo,
God bless us, everyone!
And in Whoville, they say, the Grinch’s small heart grew three sizes that day.
You’ll shoot your eye out.
Nope, nope, nope. Not at Silver Spring Stage this Christmas. You won’t find Bob Cratchit or Tiny Tim and Mister Scrooge, and you won’t find the Grinch and Cindy Lou Who. And you won’t find Ralphie Parker and his Official Red Ryder Carbine-Action Two-Hundred-Shot Range Model Air Rifle with a compass in the stock and this thing that tells time,
Everybody get up! Everybody jump! Everybody bump everybody in the rump! That’s right, you cavalcade of theatergoing weirdos! Red Branch Theatre Company likes to MOVE IT, MOVE IT! They like to MOVE IT, MOVE IT! They like to MOVE IT, MOVE IT! They like to— MOVE IT! And their production of Madagascar: A Musical Adventure is moving its way right onto the stage as their holiday offering this December. When dozens of other theatres in and around the metropolitan areas of Washington DC and Baltimore are offering up Dickens twisted every which way,
Are you ready to rock the house and make a scene? Because The Students’ Theatre at The Highwood Theatre is— and they’re doing exactly that with the Maryland premiere of School of Rock. Directed by Dylan Kaufman and Kevin Kearney, this roof-roaring production takes the Paramount movie and transposes it to the stage with all you need to stick it to the man, understand rock and roll, and totally expose children of all ages to the powers of rock music.
Outside life is grim, filled with smut and scandal to the brim. But here within these ArtsCentric walls, the cast of Sister Act has the remedy and the cure for all that is wrong with the world. Directed by Kevin S. McAllister with Musical Direction by Cedric D. Lyles and Choreography by Shalyce N. Hemby, this cast is raising their voices and making a joyful noise that will ring all through the Christmas season.
God bless you, theatre patrons of DC. You’ve been blessed that for another year, The Second City’s Twist Your Dickens is bringing tiding of holiday hilarity to The John F. Kennedy Center for the Performing Arts! Appearing now through New Year’s Eve in the Theatre Lab, this uproarious mishmosh of Dickensian tomfoolery and modernity will have you splitting seams as you chuckle with Christmas cheer all through the nonsensical two hours of silliness they traffic across the stage.
Die Bart Die! Probably not exactly what Kelsey Grammer thinks he’ll be remembered for when his time is up. Side Show Bob, that loveable nefarious evil-doer spawned inside the depraved animator’s brain of Matt Groening, father of the indomitable prime time animated series, The Simpsons. Of course, what will any of us really be remembered for once we’re gone? What about once the world as we know it is gone? What becomes important,
Scrooge the Musical at Artistic Synergy of Baltimore hardly needs an introduction to tell you what it’s all about! It’s the timeless classic Christmas story of A Christmas Carol by Charles Dickens, which has seen probably more interpretations and remakes than any other Christmas story in history, set to a wonderful score. While you have probably seen countless interpretations (or even other stage productions) of A Christmas Carol over the years,
A thoughtful retelling of Dickens’ classic, with music.
This is the fourth year of Wolfpack Theatre Company’s A Christmas Carol. Director William Leary has updated the off-told story with modern settings and sentiment. For example, we learn that Robert Cratchit Sr. and Andrew Scrooge had formed a beneficial business partnership that young Ebenezer destroys by merging with Marley. This deliberately joins all of the characters as an extended family with its attendant tensions.
I want an Official Red Ryder Carbine-Action Two-Hundred-Shot Range Model Air Rifle with a compass in the stock and this thing that tells time! NO WAY, KID! YOU’LL SHOOT YOUR EYE OUT! So instead Santa’s going to bring you tickets to see A Christmas Story at The Maryland Ensemble Theatre this year! Hey, it beats Lincoln Logs or Tinker Toys! Directed by Gené Fouché this non-musical stage adaptation of the classic Turner Entertainment Co.,
Tis the season for businesses to capitalize on the holiday season, and the business of show is no exception. Local theatre listings for December are replete with Dickensian tales, miracles on some street or another, and Red Ryder BB guns. And then there are the companies that stage a piece that is a “holiday show” only insofar as it takes place on or around Christmas, thereby giving them an excuse to deck the set with boughs of holly and play carols in the lobby.
Of all the days in all the year that I’m familiar with— there’s several very important ones leading up to— December the 25th! Correct! And those important days are any days between now and December 17, 2017 wherein The Children’s Playhouse of Maryland has a performance of their holiday musical, Scrooge. Directed by Liz Boyer Hunnicutt with Musical Direction by Charlotte Evans and Choreography by Amanda Poxon, this classic and musical spin on Charles Dickens’ A Christmas Carol will put you in the holiday spirit for certain with all of its spry and spirited youngsters skipping and spinning about!
Fah who foraze! Dah who doraze! Welcome, Christmas, come this way! Fa who foraze! Dah who doraze! Welcome Christmas, Christmas day! It’s Pasadena Theatre Company’s turn to trim up the tree with Christmas stuff, like bingle bells and whofoo fluff! Their trimming up the town with their production of Dr. Seuss’ How The Grinch Stole Christmas. Directed by Chuck Dick with Musical Direction by Lindsey Miller, this time-honored animated Christmas classic from 1966,
Are you ready for an adventure? Not your typical fairytale story as Hansel & Gretel wander about through their magically enchanted wood! Synetic Family Theater presents Hansel & Gretel like you’ve never seen it before! Co-Directors Tori Bertocci and Elena Velasco also co-choreograph this fantastical and wondrous holiday spectacular which transplants the classic story of two children lost in the woods into the modern world of Christmas. With a babysitter who is too busy texting away on her smart phone,
Tis the season to stuff your face be it with chestnuts roasting on the open fire, grandma’s pumpkin pie or the Heavy Hors D’Oeuvres that The Interrobang Theatre Company his throwing down this holiday season! In its third incarnation, The Interrobang Theatre Company is proud to present Heavy Hors D’Oeuvres 3: Interrobang’s Holiday Dinner. But don’t be fooled, this isn’t your ordinary Christmas comedy or holiday hilarity,
Bah! Humbug! It’s that time of year when every theatre company goes about with ‘Merry Christmas’ on their lips and a production of A Christmas Carol on their stage! Even The Memorial Players of Bolton Hill have fallen into step with the holiday tradition and are mounting the Dickensian classic this season, but don’t be fooled! They aren’t presenting any old Christmas Carol, they’re adding deep thoughts, spooky edges, and a true reformation that really makes strong parallels to the world we live in today ring true,