Do you ever stop and think about your life in reverse? Pause a moment and find that one moment where your life is exactly as it could be and allow that moment to wash over you and fill the gulf of emptiness and restlessness that occupies all human beings on one level or another. In an evocative new dramedy, award-winning playwright Audrey Cefaly delivers her latest work, The Gulf to Signature Theatre.
They were just four guys under a neighborhood street lamp singing someone else’s number one hits. If you ask those four guys how it all happened, you’ll get four different stories, but the truth of the matter is when those four guys found their sound? The Jersey Boys were born. For a one-week only limited engagement, the smash-hit musical Jersey Boys (with Book by Marshall Brickman & Rick Elice, Music by Bob Gaudio,
Good evening, Charm City. It’s 9:00 o’clock. Do you know where your children are? If they’re good little children, then they’ve settled into The Wind-Up Space for an evening of radio broadcast that is the strangest, most bizarre thing ever heard, at least this side of millennial temporal rift! Broadcasting live from W-IND studios, Horatio Dark’s Between the Lines is here and it’s a doozy. Featuring just one recurring serial and three new non sequiturs,
There’s nothing like a pet in the house! They keep you safe! They keep you warm! They drain your vegetables of all their color because they’re juice thirst vampires! Wait— what?!? Well, only that last bit if you accidentally sit on a rabbit in a movie theatre while seeing Dracula and decide to take it home. This may be exactly what happens to the Monroe family in the childhood classic story of Bunnicula,
The world may change but people stay the same, at least they do in Newfoundland. This is a sobering discovery for rock-legend Oran Tobin when he returns home for the first time since childhood. Coping with the loss of a father he never knew, his declining career, and rocky relationship, the rock star vocalist finds himself drowning in a tidal wave of nostalgia and memories that are not quite his own as he encounters for the first time the legend that was the father he never knew.
The broad specter-spectrum when it comes to ghosts is limited to the dichotomy of baddies and goodies. There are the spook-you-till-you-scream, chain-rattling, malevolent haunts that will get you. And there are the friendly kind— the happy haunts who materialize for a midnight spree with the vocalizing and harmonizing and socializing. But what if neither of those categories were true? What if ghosts just were? They exist; they drift clueless in the woods while listening to music and have no intention of helping or hurting you.
Mary Burnett is clad in the scarlet of fire and blood as Medea. Britches and Hose Theater Company’s new production of the Greek tragedy by Euripides both boils with anger and freezes with cold calculation. It opens with Arielle Seidman as the Nurse, skillfully relating how Medea has been wronged: her husband Jason has picked a younger wife, the daughter of the king, so Medea and her two children are to be banished.
Frame your face for all occasions! What is more miserable than discontent? For now is the winter of our discontent, though it be but the first day of autumn, and Analog Players will trade its kingdom for your horse if your horse be but, in fact, a butt in a seat inside the Yellow Sign Theatre as you attend His Majestic Lump of Foul Deformity. Written and Directed by Alex Hacker,
Theatre at its most basic is storytelling. The root of all good performance comes from the inherent ability to tell the story in its simplest form. All the whizzbangery and whistles of spectacle that accompany theatrical endeavors are an added bonus, but if you can’t tell a story at its core, you’re wasting everyone’s time including your own. Proving her prowess as an engaging storyteller, performance artist Ritija Gupta has taken a moment to sit with TheatreBloom for an exclusive interview to talk about her current show— Charming the Destroyer: Questionable Choices in the Search for the Sublime— now running as a part of the Mead Theatre Lab Program at Cultural DC.
Willkommen, bienvenue, welcome!
Fremde, etranger, stranger.
Gluklich zu sehen, je suis enchante,
Happy to see you, bleibe, reste, stay.
Willkommen, bienvenue, welcome
Im Cabaret, au Cabaret, to Cabaret!
Meine Damen und Herren, Mesdames et Messieurs, Ladies and Gentlemen! TheatreBloom is proud to present the Kensington Arts Theatre cast and crew of Cabaret! In an exclusive never-before-attempted live-stream interview (which was streamed live from the theatre during rehearsal on Tuesday September 20,
Men’s eyes were made to look and let them gaze upon the riveting new production of Romeo & Juliet at Shakespeare Theatre Company. Directed by Alan Paul, this revitalized and somewhat modern approach to the Bard’s most woeful tragedy attends the fates gaily and with swift justice for both the poetic nature of the text and the emotional capacity of the plot. Perilously little can be ascribed in complaint,
Folger Theatre would be monstrous glad if you’d take up a cottage— who doesn’t love a good cottage— in town and stay a spell to celebrate their 25th Anniversary season as it gets underway with a treasured classic novel adapted to the stage in this their production of Jane Austen’s Sense & Sensibility. Adapted by Kate Hamill and Directed by Eric Tucker, this charmingly spellbinding production whisks you away from the dreary troubles of the modern world and places you in a world of romance,
They’re the big men in town and they’re coming to town quite soon! The original Jersey Boys all grown up into The Midtown Men are here with TheatreBloom offering up the fourth and final installment in the quartet series featuring Michael Longoria, Christian Hoff, J. Robert Spencer, and as the finale, an exclusive interview with Daniel Reichard.
Thanks for giving us your time! If you’d just give us a quick introduction,
There is some mythical notion that once children grow up and become adults that there is an onus to maintain their familial relationships. Perhaps it’s because it is believed that we are made out of the same stuff as the stars, that very same dust which twinkles billions of light years away from above. Or perhaps it’s more based in the reality that the elders do die and the responsibility of kinship upkeep passes down from generation to generation.
Jessica Lefkow is, indeed, “fire and air” in Brave Spirits Theatre’s brilliant, bold production of Antony and Cleopatra. She is riveting every moment she is on stage, evincing the kind of charisma that the fabled Egyptian queen used to enthrall two great Roman generals. One was Julius Caesar, who died in the eponymous play. The other is Mark Antony, played with passion by Joe Carlson. His spirit draws Cleopatra so powerfully to him,
Be anybody, anyplace, anytime! Truer and more inspirational words would be hard-pressed to come by if they hadn’t been uttered straight from the mouth of Beatrix Potter! In a delightfully imaginative stage production that nestles itself cozily into the opening slot of Pumpkin Theatre’s 49th season, Peter Rabbit and Me, by Aurand Harris, is a fantastical adventure for young audiences and those audience members who are young of heart. Directed by Jeremy Scott Blaustein,
It’s just too good to be true, can’t take our eyes off these Midtown Men! The readers have been waiting for the third installment in the Oh, What a Night interview tetralogy. Featuring Jersey Boys leading man J. Robert Spencer, we go in-depth about The Midtown Men experience.
Thank you so much for a quick second of your time, if you’ll just introduce yourself, we’ll get started!
Boop-boop-be-BLAM! Woolly Mammoth Theatre Company is opening their 2016/2017 season with an honest-to-God firecracker of a play. Delivering the world premiere of Jen Silverman’s Collective Rage: A Play in Five Boops, Woolly sets the bar high for the rest of the conversationally loaded season with this thunderclap of a theatrical experience. In a TheatreBloom exclusive interview we sit down with Beth Hylton, playing Betty Boop 1, and pick her brain on the whole “Boop Experience.”
The “thea-taaah” is so cultural! People come and stare at the feelings that the performers are having and those feelings are art! At least that’s what Woolly Mammoth Theatre Company is presenting with the firecracker opener of their 2016/2017 season with the world-premiere of Jen Silverman’s Collective Rage: A Play in Five Boops. Directed by Mike Donahue, this evocative and explosive exploration of women, relationships, love, and above all— pussy— will rock your world from the time the first of the quintet of Betty Boops are introduced through to the sentimental,
Unable to take our eyes off these Midtown Men, the readers of TheatreBloom are eager to see what Christian Hoff has to say in part 2 of the “Oh, What a Night!” interview series, featuring four of the original Jersey Boys who now tour the country as The Midtown Men.
Thanks so much for giving us your time today! If you want to give us a quick introduction,
Spread the news! It’s time to rock the pews! Toby’s Dinner Theatre of Columbia has caught Sunday morning fever! And it’s burning wild with happiness as Sister Act, the five-time Tony Award-Nominated musical, flocks with glory into the intimate theatre-in-the-round space under the Direction of Lawrence B. Munsey. With Musical Direction by Ross Scott Rawlings and spectacular Choreography by Helen Hayes Award-Winner Mark Minnick, this soulful feel-good musical will lift your spirits straight up to heaven and create an excitingly memorable theatrical experience for everyone in attendance.
Oh what a night— it will be in Frederick later this month as four former Jersey Boys bring a fantastic show to The Weinberg Center for the Arts! All grown up, these Broadway boys are now presenting The Midtown Men. Starring four of the originating performers from the Tony Award-Winning Jersey Boys, The Midtown Men is bound to dazzle anyone that loves music from that era.
I hate parading my serenading as I’ll probably miss a bar, but if this ditty is not so pretty at least it’ll tell you how great they are— they being the Phoenix Festival Theater and their current production of Anything Goes! One of Cole Porter’s finest musicals— baby it’s the tops— is now setting sail under the Direction of James Hunnicutt and the Musical Direction of Julie Parrish. With Conductor Will Poxon leading the live on-stage orchestra,
Are you ready to rock, theatergoers? Because it’s time to get down to life and live at Venus Theatre as it enters the halfway point of Season16 with Kathleen Warnock’s work Rock the Line. Directed by Founding Artistic Director Deborah Randall, this edgy exploration of sex, love, and rock and roll teaches audiences a valuable lesson or two through the lens of musical fanatic devotion. Like all productions that make their way to the Venus Stage,
At the start of The Last Schwartz, Anne Bowles as Bonnie deftly sets the tone, relating how she saw Siamese twins on Oprah. They strike her as oddly optimistic in hoping to get married. Her cousin, after all, can’t find love, “and she’s pretty and smart and has only one head.” Moments later, she’s weeping for her miscarriage: “… if I could have had him for just one full day…” It’s a dark,
In a world where brunch heals most wounds and Shiva is the fast-acting delivery pray-to God when it comes to finding one’s soulmate, there are most definitely stories to be told. Stories of identity, stories of the struggles when it comes to pursuing one’s identity, stories of experience; these are experiences not our own and yet we can relate to them on a simply human level because they are stories that answer questions that at one time or another in our lives we have all asked ourselves,
Come on, babe, why don’t we paint the town? Paint it red with the blood o’ the Irish, that is. Or perhaps you are more inclined to let those Italians marinate in their own-a special ragout? Whichever side of this roaring 1920’s mafia feud you’re on, you’re in for a deviously delightful good time as Do or Die Mysteries presents their September show, One of the Gang. Appearing in the dining room of The Sunset Restaurant and Lounge on select Monday evenings throughout the month,
When the wind howls do you answer it by building a shelter or by building a kite? Forum Theatre answers by not only building a kite but flying it through an emotionally turbulent storm with their 13th season opener, with the DC-area debut of I Call My Brothers, written by world-renowned playwright Jonas Hassen Khemiri. Translated from Swedish by Rachel Willson-Broyles and Directed by Michael Dove, this gripping and visceral tale explores the narrative experience of Amor,
Ireland mustn’t be such a bad place if Colonial Players is willing to do a production that’s set there. Kicking off their 68th season with Martin McDonagh’s dark comedy The Cripple of Inishmaan, Colonial Players of Annapolis invites theatergoers into the world of a small island off the west coast of Ireland in 1934. Directed by Dave Carter, this moving piece of darkly humored theatre is quite the engagement,
Entering their fourth season as a professional theatre outfit, NextStop Theatre Company is making butter out of cream with their smashing season opener, Catch Me If You Can. Based on the DreamWorks Motion Picture, this snazzy musical— featuring book by Terrence McNally, music by Marc Shaiman, and lyrics by Scott Wittman and Marc Shaiman— will inspire you to hop a Pan Am flight down to Herndon, Virginia so you don’t miss out on all the excitement and entertainment the show has to offer.