Things don’t have to be true to talk about them. In fact, that’s why some people like to talk— gossip and fake news, and really anything they can jabber about, just to make noise. People make noise— with their mouths, with their words— because they can’t cope with silence. They can’t deal with quiet. But what if all you want is quiet? What if all you need is silent? In the harrowing Tony Award &
The movie-turned musical has become a prevalent trend in today’s world, but The Bridges of Madison County is unlike most musicals in the same family; it breaks the mold and offers the audience an emotional, rich story filled with phenomenal music. Based on Robert James Waller’s 1992 novel, which was adapted into the 1995 film starring Meryl Streep and Clint Eastwood, The Bridges of Madison County is a rich, profound love story that transcends the page,
When a thing is wick it has life about it— just come to the garden and you’ll see— The Secret Garden now appearing in Shakespeare Theatre Company’s Sidney Harman Hall. Blooming with beauty and bursting with vibrant life, this newly envisioned production of Marsha Norman’s book & lyrics and Lucy Simon’s music based on Frances Hodgson Burnett’s novel, is a sensational and mesmerizing musical experience. Directed by David Armstrong with Musical Direction by Rick Fox,
Striking and inspiring beauty isn’t just in the covered-bridge landscape of Winterset, Iowa. It’s possessed wholeheartedly in the stellar music of Jason Robert Brown’s The Bridges of Madison County musical, now appearing live on stage in the Eisenhower Theatre of The John F. Kennedy Center for Performing Arts. Based on the novel by Robert James Waller with Book by Marsha Norman, Brown’s stunning score of the heart-melting and utterly emotionally mesmerizing love story is populated with bittersweet poignancy and the closest thing to true American Opera the stage has heard since the 80’s.
When I was younger I read the book The Secret Garden. A few years later I watch the movie when it was released so I was very excited to get to see the musical adaptation of the story. Walking into the theatre at The Colonial Players of Annapolis I was transported by the stage decorations, painting, and lighting of their production of The Secret Garden with Book and Lyrics by Marsha Norman and Music by Lucy Simon.
Come to the garden for all that’s good and true. Blossoming and flourishing with spectacular success the first musical of the 2015/2015 season at Centerstage is a rare and wondrous flower blooming up through the floorboards of Centerstage’s Pearlstone Theater. Ripe with vibrant visuals, succulent sounds, and an overall mesmerizing aesthetic, The Secret Garden is a tragically beautiful and hauntingly gorgeous musical that spellbinds the audience from the moment it greets the audience with its tale.
Everyone dies; it is a fact of life. Fortune’s Child, a new work by Baltimore area playwright Mark Scharf has made its debut at the Baltimore Theatre Project this winter season of 2015. In a TheatreBloom exclusive interview, I’ve sat down with the playwright to discuss the work and what it is meant to tell the audiences who see it about living life.
Thank you for taking the time to sit down with the readers of TheatreBloom for this interview,