You’ll shoot your— wait. No. That’s later. Before you shoot your eye out with your Official Red Ryder Carbine-Action Two-Hundred-Shot Range Model Air Rifle with a compass in the stock and this thing that tells time, have your turkey gobbled up by the Bumpuses hellhound dogs, and do the leg-lamp kick-line for your Major Award, settle into 1968 at the Harper’s Hardware Store annual Christmas Party! And guess what? There’s a wintery surprise— because this year?
Are you where you want to be and who you want to be and doing what you always said you would? Tidewater Players, the resident theatre company of Havre de Grace, is where they want to be and who they want to be and doing what they always said they would! Making a bold move by opening their 2018/2019 season with a politically charged production of Chess (the musical in concert), Tidewater Players stands to set the tone for their season with this shocking opening gambit.
There’s a brand new sound goin’ ‘round the world and it’s going to ‘altar’ your mind! It’s the Altar Boyz live in living color at the Annapolis Summer Garden Theatre and they’re going ‘altar’ your mind for sure! Directed by Mark Briner with Musical Direction by Ken Kimble and Choreography by Becca Vourvoulas, this poppy, enthusiastic musical will spin your head right round, get your feet stomping on the ground,
I say this with humility in this— online open space! They’re your responsibility in— good ol’ Havre de Grace! If you want to see their show and all the feelings that they spill, in Havre de Grace Opera House that’s halfway down the hill, then for God sakes get thee to it! For Congress never will! Yes, yes, it’s not even July and the Tidewater Players are calling to order the second continental congress of America with their production of 1776.
It was the butler, in the drawing room, with the candlestick! Only, of course, it couldn’t be the butler because he never had a suspect card. In this zany original comedy, Without a Clue written by Mark Briner, six unsuspecting suspects are brought together for an evening of merriment, which quickly maligns itself to be an evening of mayhem and murder! It’s the usual suspects and a few wild cards getting the game underway,
Aha! Oui, oui, mah friends! The day we have waited for may be at hand! The Tidewater Players are producing Disney’s Beauty and The Beast. Ah…Beauty and The Beast. Think what that means! They’ll be singing again! They’ll be dancing again! They’ll be dressing up in glitter galore! They’ll be acting again! They’ll be living again! They’ll be entertaining audiences by the score! And The Tidewater Players,
If you trust in your soul, keep your eyes on the goal, then the prize you won’t fail— you’ll find your grail at Cockpit in Court this summer with their second mainstage production, Monty Python’s Spamalot. Directed by Laurie Sentman Starkey with Musical Direction by R. Christopher Rose, this instance of comedic musical theatre has a little something for everybody. Be you a Monty Python fan, a musical theatre fan,
The year is 1985! The hair is big. The greed is good. The collars are up. And love is in the air. Actually, it’s 2016 and the hair is pretty flat, all things considered, greed is grody, and the collars are thankfully back down where they belong. Love is, however, STILL in the air and more potent than ever as Annapolis Summer Garden Theatre kicks off their 50th season with a production of the 80’s-themed The Wedding Singer.
Oh what a circus! Oh what a show! It’s quite a sunset, but don’t cry for the Argentinians just yet, Charm City! Not until you’ve read this riveting TheatreBloom exclusive interview with the actors in the lead roles at the upcoming production of Evita The Audrey Herman Spotlighters Theatre. With a wealth of knowledge on their characters, and great opinions on how this “old school” musical is surging with relevance today’s audiences,
Everything’s tickety-boo at the Dundalk Community Theatre this February as they bring a thrilling production of Alfred Hitchcock’s The 39 Steps to the stage. This thrilling farcical adaptation (thusly adapted by Patrick Barlow) arrives by rail on the mainstage of the John E. Ravekes Theatre in Building K at the College of Baltimore County Dundalk just in time to shake off the winter blues. Directed by Todd Starkey, this racy Hitchcock Masterpiece will have your side-splitting with laughter and the only mystery you’ll need to solve is how to see it again before it’s curtains on the production!
Somewhere over the beltway, way out east— there’s a church called St. Demetrios, serving up a big Greek feast. Somewhere over in Carny, The Suburban Players know, they are producing a stage dream for the 41st season show. With Director Mark Briner, and Musical Director Patricia DeLisle, go beyond the rainbow for a true community theatre experience with The Wizard of Oz. Classic and charming, this delightful performance lives up to the standards that The Suburban Players have set over the last four decades of performing quality theatre as a community effort.
People only know what you tell them. And this person is telling you that the best musical experience you’re going to have this summer is at the Annapolis Summer Garden Theatre. Directed by Mark Briner with Musical Direction by Julie Ann Hawk, the area premier of Broadway’s Catch Me If You Can is live in living color under the stars for a limited engagement and it is nothing short of a stupendous dance-musical sensation.
How do you document real life when real life’s getting more like fiction each day? The Phoenix Festival Theatre is documenting the musical that captures that essential message with spectacular brilliance in their current production of Jonathan Larson’s Rent. Directed by Laurie Starkey with Musical Direction by Terri Mathews, this timeless musical of life, love, and humanity comes roaring to life straight off the stage in Harford County with punch,