Ken Ludwig’sMoon Over Buffalo is the second installment from Spotlighters
Theatre’s 58th season. If you are looking for some gut chuckling, tears
down your cheeks humor, then you won’t want to miss this show. Director Brandon
Richards has mentored his cast through door slamming, side splitting hysterics that
will keep you laughing all the way home.
Shealyn Jae Photography Moon Over Buffalo at Spotlighters Theatre. Photo: Shealyn Jae Photography
The first thing you notice upon
entering the theatre is the very cozy and well-designed set of Sam Martin.
Is the universe actually infinite? Or is infinite a generic designation
we apply to whatever it is that we don’t understand? Ponderous thoughts, deeply
vexing, and entirely not my own. They spring from the pen-eternal of playwright
Rajiv Joseph in his work Mr. Wolf, now an immersive theatrical
experience with Single Carrot Theatre. Directed by Genevieve de Mahy and Lauren
Erica Jackson, Mr. Wolf is taking on an infinite life of its own inside
The Rectory of St.
ancient Greek mythology, the shy artist Pygmalion expressed no interest in
women, but when he created a statue of Galatea so fair he fell in love with it,
he made sacrifices to the goddess Aphrodite to give him a woman as beautiful as
his sculpture. She does him one better by bringing the marble Galatea to life
as his reward. In 1912, master Irish playwright George Bernard Shaw used that metaphor
of taking the basest elements of the earth and sculpting them into a real lady
in a very literal sense in his masterpiece Pygmalion.
“I ain’t on oith and I ain’t in Heaven, get me? I’m in de middel tryin’ to seperate em, takin all de woist punches from bot’ of ’em. Maybe dat’s whay dey call Hell, huh?”
On a weekend packed with frightening diversions the most terrifying of all is surely Eugene O’Neill’s nearly century old expressionist drama, The Hairy Ape running through 19 November at Spotlighters Theatre. I was at opening night on Friday and I have been haunted ever since by the themes,
Is there anything more outrageous than an honest critic? It might be the way that The Audrey Herman Spotlighters Theatre is kicking off their 55th season with Howard Zinn’s Marx in Soho. Directed by Sherrionne Brown, with Phil Gallagher in the titular role, this evening of socialist banter is an engaging theatrical endeavor that will grip the audience and give them pause to think about whether or not society is going in any direction at all,
If you trust in your soul, keep your eyes on the goal, then the prize you won’t fail— you’ll find your grail at Cockpit in Court this summer with their second mainstage production, Monty Python’s Spamalot. Directed by Laurie Sentman Starkey with Musical Direction by R. Christopher Rose, this instance of comedic musical theatre has a little something for everybody. Be you a Monty Python fan, a musical theatre fan,