Theme and Variations as defined by Merriam-Webster “a standard form of musical composition consisting of a simple usually harmonized melody presented first in its original unadorned form then repeated several or many times with varied treatment so based on the theme that at least some semblance of its general melodic or harmonic form is evident”. While the definition pertains to music it can also be thought that our lives are a variation on a theme or ideal of what we imagine and hope it will be.
We live in a time in history where it is almost impossible to find a new take or a new viewpoint on anything, especially something as talked about and scrutinized as the Civil War. But this is Shiloh and if you have the opportunity to head to downtown Annapolis this fall that is exactly what you will get and you will even get some laughs along the way! In a small 360° theater just off State Circle,
An actor knows his audience and what it wants. The actors of Colonial Players of Annapolis certainly know that their audiences want comedy. And they do deliver in the finale production of the 2016/2017 season. Directed by Steve Tobin, Colonial Players proudly presents Christopher Durang’s Tony Award-Winning play Vanya and Sonia and Masha and Spike. Beware of presentiments! Beware of Hootie Pie! Be a wild turkey!
Chock full of Chekhov,
Cinema today is in crisis. That’s why we all prefer to go to the theatre for our entertainment. The Colonial Players of Annapolis has wondrous entertainment in their production of Nine. Directed by Ron Giddings with Musical Direction by Andrew Gordon, this edgy and strikingly beautiful piece of musical theatre is brilliantly performed, smartly directed, and overall a thrilling engagement for an afternoon or evening of entertainment!
Credited as the show’s Choreographer,
Do people learn nothing from history? Not that there is nothing to learn but that people actively learn nothing, for surely somewhere in the annals of recorded time there are couples who engage in dark play, where not everyone in the game knows the rules. That’s exactly the mechanism that snaps to life in Edward Albee’s Who’s Afraid of Virginia Woolf? now appearing on stage at Colonial Players as the second selection in their 68th season.
Ireland mustn’t be such a bad place if Colonial Players is willing to do a production that’s set there. Kicking off their 68th season with Martin McDonagh’s dark comedy The Cripple of Inishmaan, Colonial Players of Annapolis invites theatergoers into the world of a small island off the west coast of Ireland in 1934. Directed by Dave Carter, this moving piece of darkly humored theatre is quite the engagement,
Good people are all around us but sometimes, for various reasons, they can be hard to spot. However, you will have no problem spotting them at Colonial Players of Annapolis’ current production of Good People, written by David Lindsay-Abaire and Directed by Edd Miller. You may be familiar with Lindsay-Abaire’s work such as the 2007 Pulitzer Prize winning drama Rabbit Hole and the clever and hilarious book for Shrek,
The year is 1985! The hair is big. The greed is good. The collars are up. And love is in the air. Actually, it’s 2016 and the hair is pretty flat, all things considered, greed is grody, and the collars are thankfully back down where they belong. Love is, however, STILL in the air and more potent than ever as Annapolis Summer Garden Theatre kicks off their 50th season with a production of the 80’s-themed The Wedding Singer.
When I was younger I read the book The Secret Garden. A few years later I watch the movie when it was released so I was very excited to get to see the musical adaptation of the story. Walking into the theatre at The Colonial Players of Annapolis I was transported by the stage decorations, painting, and lighting of their production of The Secret Garden with Book and Lyrics by Marsha Norman and Music by Lucy Simon.
Now boarding flight 1963, international Boeing Boeing departing from gate Colonial Players of Annapolis with layovers in love and humor, and a terminal destination of Parisian happy endings. Your flight’s pilot, Captain Scott Nichols, will bring this zany farce down the runaway for approximately two hours and fifteen minutes with one brief delay midflight to attend to all of your mile-high traveling needs. A fantastically romantic romp through the bumpiest of uproarious turbulences is guaranteed and if you aren’t completely satisfied with your hilarious flight for the afternoon or evening,
In the mood for something sexy, thought-provoking, and fun? Then you need to get yourself down to The Colonial Players in Annapolis for their current production of Venus in Fur by David Ives, Directed by Jim Gallagher. This reviewer likes his shows to be a little fluffy with lots of comedy, some drama, and, usually, a happy ending, but there are exceptions and Venus in Fur was QUITE a PLEASANT surprise to me.
Where am I in life? What’s the meaning of it? In the eyes of the world, what does it mean to grow old? Colonial Players of Annapolis is answering those questions with a heartwarming comedy for the holidays. Paul Osborn’s Mornings at Seven is a delightful little theatrical engagement featuring the grand dames of theatre. A timeless, undiscovered stage treasure Directed by Rick Wade, the show is perfect for a family and friends gathering this festive season.
Sideman: noun – a member of a band or orchestra and especially of a jazz or swing orchestra who is not the leader or a featured soloist.
Side Man written by Warren Leight is a memory play currently in production at The Colonial Players of Annapolis. This memory play is nicely Directed by Jim Reiter and features outstanding performances by Jason Vellon, Mary MacLeod, Ali Vellon,
Matters of life and death are but flotsam and jetsam, but a riveting play packed with shocking twists and daring conclusions that, my dear readers, is a fine evening of theatre. Which, to put a finer point to it, one could call Colonial Players current production of Charles Marowitz’ Sherlock’s Last Case a resplendent recitation of theatrical trickery, mysterious mayhem, and vivacious Victorian debauchery all in one go and still be completely accurate,
Whet your appetite a little further on this curious cuisine of surrealist normalcy in an absurdist reality. In Part 2 of #weirdfrance, TheatreBloom continues its quest to learn about all the crazy things happening in the Cohesion Theatre Company production of 13 Dead Husbands. This time we’ve gathered the three leading men, Thomas Sinn, Bobby Henneburg, and Matthew Payne, to hear their take on #weirdfrance.
If you fellas can give us a quick introduction,