All posts by Mike Zellhofer

Breaking The Code at How Do You Like Me Now Productions

Ed Higgins, as Alan Turing says in one scene, “It’s about right and wrong.” How Do You Like Me Now Productions (HDYLMNP) understands this and gets it right again with Hugh Whitemore’s Breaking the Code.  If there is one thing that we have learned about HDYLMNP throughout the years, it’s that they will take an issue, put it in your face, and make you aware of something that you needed to be made aware.

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Lucky Stiff at Colonial Players

“Well, I suppose there are two ways to look at this I mean, true I am here in a foreign country with a dead man in a wheelchair, trying to pretend that nothing is wrong, and having to do all sorts of things I don’t even want to think about. On the other hand, this is a chance to earn a great deal of money in a very short time. So, for once in my life I shall think positive I will think positive.” – Harry Witherspoon

I’m positive that you will have a wonderful time at Colonial Players’ Lucky Stiff,

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Shrek at Charm City Players

I thought that love was only true in fairytales…. Then I saw Shrek, directed by Stephen Napp, at Charm City Players and now I’m a believer! The Charm City Players are in residence at the Harry and Jeanette Weinberg Auditorium at Mercy High School.

If it were possible to capture the very definition of “collaborative theatre”, then there would have to be a reference to Charm City Players. From the moment that you walk into the theatre,

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The Graduate at Dundalk Community Theatre

Dundalk Community Theatre brings to stage the classic coming of age story, “The Graduate”, Directed by Todd Starkey, with scene/lighting/sound design by Marc W. Smith, and costumer Eva Grove. As I am a fan of Mr. Starkey’s work, I was very much looking forward to this production. Having seen his phenomenal direction of Assassins, and his brilliant portrayal of Professor Callahan, perhaps I set the bar too high for this one.

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Trouble in Tahiti at Stillpointe Theatre

Sometimes what we long for is staring us right in the face. This could not be a truer example than in Leonard Bernstein’s Trouble In Tahiti, Directed by David Schweitzer, with Musical Direction by Benjamin Shaver, now playing at Stillpointe Theatre. 

From the moment that you enter the venue, you are captivated by Scenic/Properties Designer Ryan Haase’s transformation of an upper church room into a 1950’s “supper club”. The covered tables,

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