Articles Tagged With: Compass Rose Theater

(L-R) Omar A. Said (Panch), Beth Amann (Rona Lisa), B.J. Robertson (Mitch), Taylor Litofsky (Logainne), Cera Baker (Marcy), Preston Grover (Chip), Sam Slottow (Leaf), Lila Cooper (Olive), and Stephen Emery (Barfée) in The 25th Annual Putnam County Spelling Bee, presented by Compass Rose Theater 📷

The 25th Annual Putnam County Spelling Bee at Compass Rose Theater

Charming— (adjective) ‘Extremely pleasing or delightful.’ Compass Rose Theater is now producing the most charming production of The 25th Annual Putnam County Spelling Bee I think I can ever recall seeing— and that’s saying something as I’ve covered it over a dozen times in as many years, including just a month ago elsewhere! C-H-A-R-M-I-N-G. Directed & Choreographed by Tommy Malek with Musical Direction by Rachel Sandler, this feel-good, upbeat, absolutely adorable musical is perfectly parsed in the intimate staging space that Compass Rose Theater has at Maryland Hall;

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Review: Hamlet at Compass Rose Theater

There is nothing either good or bad, but thinking makes it so. Thinking on the whole that Compass Rose Theater is delivering a good production of Shakespeare’s Hamlet is not a bad thought to have. Directed by Lucinda Merry-Browne, one of the Bard’s most iconic tragedies treads the boards in its most simplistic form. A harkening back to basic Shakespeare in the intimate black-box theatre, the production plants itself on solid ground and delivers a curious approach to madness as a central focus of these time-tested characters.

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Review: The Roar of the Greasepaint, The Smell of the Crowd at Compass Rose Theater

Wish upon a wishbone! Pluck a four-leaf clover! That you’ll snag tickets and understanding before this production run is over. Closing out the 2015/2016 season at Compass Rose Theater, Leslie Bricusse and Anthony Newley’s The Roar of the Greasepaint, The Smell of the Crowd takes to the stage with its beautiful music and curious political statement that burbles just beneath the surface of the overarching allegory of the tale in total. Directed by Lucinda Merry-Browne with Musical Direction by Anita O’Connor,

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Review: If I Hold My Tongue at Compass Rose Theater

Desperation breeds desperation. The women of If I Hold My Tongue find themselves trapped, both from the outside and the inside, and struggle to break the patterns that hold them. Now playing in rotating repertory with Eleanor: Her Secret Journey at Compass Rose Theatre, this play written by Patricia Henley, is part of The Rose Play Festival in conjunction with the TheatreWashington’s Women’s Voice Festival.

The play is set in a halfway house in Baltimore,

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Review: Eleanor: Her Secret Journey at Compass Rose Theatre

Google Eleanor Roosevelt, if you look at the Wikipedia page, or the White House history page or even your history book in school, you will learn quickly that she was the longest-serving First Lady. She served as First Lady during her husband President Franklin D. Roosevelt’s four terms as president (1933-1945). Yet there is so much more to Eleanor than the history books and articles will tell you, even today as historians begin to reexamine the role Eleanor played in the White House and politics most people do not realize what an effect she had on women in the U.S.

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