Continuing their quest! Following that star— no matter how
hopeless— no matter how far! Third Wall Productions opens their production of Man
of La Mancha in just a few weeks. With tech week just around the corner,
much like a windmill giant that must be slain, Part 3 of The Impossible Dream
interview series comes to you now.
Here we are, four more in the cast of Man of La Mancha,
If you long for a simpler time, you’re not alone. In that
simpler time— in those days— you just spoke to people. Nowadays it’s all
digital, no one really knows how to connect. If you’re longing to connect with
nostalgia, or traipse lazily down memory lane— not your own, of course, but one
perhaps like it? Then Quotidian Theatre Company offers up a fine ghost of a
different past for this haunting autumnal season. Putting Conor McPherson’s Port
Authority on their stage as the final production of the 2019 calendar year,
I am standing here with poison in my pocket…one eye on the
target, one eye on the clock— which is running out— only three more chances to fancify
your theatrical endeavors with this refined production of gruesome murder and
grisly mayhem. Why, it’s A Gentleman’s Guide to Love and Murder, a
serious undertaking for Dundalk Community Theatre this autumnal season. Directed
and Choreographed by Todd Pearthree with Musical Direction by Catina McLagan,
Talent. Either you’ve got it. Or you don’t. Luck for you,
The Heritage Players production of Ruthless! has got it. And they’ve got
it pouring out of their wazoos in spades. Directed & Choreographed by
Ashley Gerhardt with Musical Direction by Michael Clark, this zany and
uproarious musical send-up will have your gut aching with laughs. Nobody’s in
the mud, nobody’s in distress in this production— except the characters
themselves— and it’s a madcap scream from simple start to diabolical finish.
This is the moment! This is the time! When their momentum
and their moment is in rhyme. Free Range Humans is bringing you a deliciously
devious rendering of Jekyll & Hyde, unlike you’ve ever seen, felt,
heard, or experienced it before. Remarkably transcendent into the emotional
core of Leslie Bricusse (book & lyrics) and Frank Wildhorn (music)’s staged
conceptualization (with Steve Cuden) based on the gothic novella— Strange
Case of Dr.
“Who is the colored man? Is he a king or is he a slave?” Profound
question contained within Kennan Scott II’s Thoughts of a Colored Man,
now playing at Baltimore Center Stage in the Pearlstone Theatre. Directed by
Steve H. Broadnax III (as a co-production with Syracuse Stage in association
with Brian Moreland and Ron Simons), this evocative dramatic theatrical
experience presents the inner monologues of men of color to the audience in a
series of loosely interconnected vignettes,
To beat the unbeatable foe! To bear with unbearable sorrow!
To run where the brave dare not go— this is dream! This is Part 2— continuing
on in a multi-part interview series with the company of Third Wall Productions’
Man of La Mancha, we explore the impossible dreams of three more
individuals involved with the production.
Thank you all for continuing to donate precious rehearsal
time to us so that the denizens of the greater Baltimore area can be privy to
your impossible dreams!
Right is right and right don’t wrong nobody. A strong decry
of truth and justice in a time when its sorely needed; to think such words
originated from August Wilson just 14 years ago (taking place a mere decade
before that) in Radio Golf, the last in Wilson’s Century Cycle play
series. Now appearing on the main stage of Everyman Theatre as the second dramatic
offering in their 2019/2020 season,
Do you ever feel like what makes you a person is what keeps
you from being a person? Poignant question from Wendy Wasserstein’s s The Heidi
Chronicles, which just so happens to be on the stage of The Salem Players
this fall under the direction of Kate Leisner. What if what makes you who you
are is what keeps you from being who you are? The show itself, while a Pulitzer
Prize-winning piece of theatrical drama from the late 80’s,
Thank you, Madam (and gents and everyone), do come again, do
come again— to Silhouette Stages to see a rather invigorating production of She
Loves Me, Directed by Stephan Foreman with Musical Direction by Andrew
Zile. The dated and somewhat stale musical finds a vivacious new life under
Foreman’s magical direction; his attention to detail, precision casting choices,
and overall approach to the performance gives it a bubbly exuberance that makes
for a thoroughly enjoyable evening of musical theatre (even if they are
tricking you into your first Christmas show of the 2019 calendar season— in
Well Ali Babba had them had them 40 thieves!
Scheherezade had a thousand tales!
But Baltimore you in luck ‘cause on your stage— you got a
brand of magic that never fails!
Make way— for Disney’s Aladdin! Hey, clear the way,
on the street downtown, hey you, let us through, and come on down— get your
tickets in your hand and be the first to see this show!
To right the unrightable wrong! To love pure and chaste from
afar! To try when your arms are too weary! To reach— the unreachable star! This
is their goal— Third Wall Productions— with their upcoming production of Man
of La Mancha, directed by Mike Zellhofer. In a TheatreBloom exclusive,
we’ve sat down with the entire cast of the production and gotten an idea of
what it is to dream the impossible dream.
Night time sharpens, heightens each sensation…darkness wakes
and stirs imagination…open up your mind…let your fantasies unwind…because it’s
here— The Phantom of the Opera! The much-awaited, long anticipated
return of Andrew Lloyd Webber’s musical masterpiece, wearing its new-age millennial
skin, The New Production of The Phantom of The Opera tells Broadway’s
most haunting love-adjacent story with much more smoke and whistles for the new
age of theatergoers. Directed by Laurence Connor with Choreography by Scott Ambler,
They say try and remember the good times, or think about the
good memories, when doling out advice for how to cope with the loss of a loved
ones. But good memories get ruined by grief; they make you wish you could
forget entirely. What if there was no more need for forgetting? What if loss
was no longer necessary? Enter Proxy, the last show on the Rapid Lemon stage
for their 2019 calendar season.
You may not know where you’re gonna go when the volcano
blows but three chords is all it takes to find yourself wasting away with a
cheeseburger in paradise. If you want a license to chill, The National Theatre
in Washington DC has just the thing for you (and all your Parrotheads out
there!) Escape to Margaritaville, the Jimmy Buffet Musical, is making a
one-week vacation in the nation’s capital and has 25 different songs on the
Buffet buffet for all your relaxation needs.
Deadites always like to get their freak on! And when they
get together, they do the NECRONOMICON!!! It’s that time of year— that’s right,
fellow S-Mart shoppers! Time to pick up your BOOM Stick, lend good ol’ Ash a
hand, and— what the f*ck was that!? OH. It was Deer in the Spotlight Productions
bringing their sold-out sensational annual production of Evil Dead: The
Musical to Baltimore for just two weekends this October.
In the house of Borden, there’s a lock on every door. And a
story with those 40 whacks— here’s your chance to learn much more! About Lizzie
Borden— more than just the creepy nursery rhyme about the girl who gave her folks
40-ish whacks with an axe to do them in. Guerrilla Theatre Front is putting up Lizzie
as their fall offering to the musical theatre community and it’s a stellar
show. Directed by Greg Bell with Musical Direction by Megann Baldwin,
Lizzie Borden took an axe, and gave her mother 40 whacks;
When she saw what she had done, she gave her father 41.
That’s the Lizzie that most people think of when they hear
the name Lizzie Borden. The axe-murdering disturbed little girl who chopped up
her parents. Only she wasn’t a little girl, she was 32. And technically she was
acquitted of the charges. She didn’t even testify at her own trial.
It’s a shocking revelation when you’re evicted from your own
life. As it turns out the well-traded promise of “a baby won’t change the way
we live” is in fact, as many have suspected for years, a lie. Popping into The
National Theatre of DC for just six performances, Mike Birbiglia’s The New
One is a poignant and hilariously engaging telling of his experience of becoming
a new father. The one-man comic show is a bit like narrative stand-up only with
deeper meandering trails that dance all around the core of the story.
I hope life treats you kind. And I hope you have all you’ve
dreamed of. And I wish to you joy and happiness— but above all this, I wish you—
to go and see the stellar regional premiere production of The Bodyguard at
Toby’s Dinner Theatre of Columbia. Directed by Mark Minnick and Toby Orenstein
with Musical Direction by Ross Scott Rawlings and Choreography by Shalyce
Hemby, the iconic 90’s film turned stage musical finds its footing with a true
focus on the story in the well-seasoned hands of Mark Minnick,
Every new beginning feels so heavy; only the trees know
everything. In life and death, in grief and suffering, we experience things
differently. Regardless of your cultural heritage, your geographical
upbringing, or your placement in life, grief and loss come to each in their
time in their own way. Debuting its 69th women-empowering script,
Venus Theatre is pleased and proud to present the Western Hemisphere and North
American premiere of The Finger,
Are you ready with your watching eyes and your listening ears?
OH! And the most important thing of all! Your I-MA-GI-NATION! That’s right! You’ll
need all three of those things to really enjoy yourself with InterAct Story
Theatre’s brand new immersive theatrical experience for young audiences, Bobtail
Bong Bong: A Monkey’s Tail Tale, written and directed by Ali
Oliver-Krueger. Inspired by a Japanese folktale, mukashibanashi, this is
a true exploration of the company’s namesake,
When I grow up… I will be smart enough to know that the real
cool place to go is Children’s Playhouse of Maryland to see all these awesome
kids before they grow up! And now’s your chance to change their story— by
coming to support some of Baltimore’s most talented young performers in their current
full-length production of Matilda, the Roald Dahl story turned stage
musical opening the 2019/2020 theatre season for CPM.
Never a dull moment ‘round Helen Wheeler’s house! And that’s
the dag’gum truth, gosh darnit! Making it’s east coast regional premiere, Helen
on Wheels by Cricket Daniel has sprung up at Best Medicine Rep Theatre
under the direction of Kelsey Yudice and it’s a doozy. A real comic gem about
the aging and grieving process, this delightfully light-hearted comedic romp gives
audiences a glimpse into the life of Helen Wheeler, for all intents and
purposes the first lady of Crockett in Wheeler County Oklahoma.
One of the newest companies to grace the DC Theatre Scene—
ExPats Theatre, founded by Karin Rosnizeck— is getting their footing under them
after a performance at the Capital Fringe Festival this past summer. With an
extended version of their production of Surfacing: An Inventory of
Helplessness, ExPats Theatre sets up shop in The Atlas Performing Arts
Center— in Theatre Lab I— for a weeks to test the waters. The piece, written by
Austrian playwright Julya Rabinowich and translated into English by Karin
Is the universe actually infinite? Or is infinite a generic designation
we apply to whatever it is that we don’t understand? Ponderous thoughts, deeply
vexing, and entirely not my own. They spring from the pen-eternal of playwright
Rajiv Joseph in his work Mr. Wolf, now an immersive theatrical
experience with Single Carrot Theatre. Directed by Genevieve de Mahy and Lauren
Erica Jackson, Mr. Wolf is taking on an infinite life of its own inside
The Rectory of St.
Never rouse love. But once love has been awakened, never put
it back to sleep! The chilling and inspiring message behind a new musical now
on stage with Theater J, not only kicking off their 2019/2020 season, but
welcoming the company home to their space in residence at the Edlavitch DC Jewish
Community Center on The Trish Vradenburg Stage inside the Aaron & Cecile
Goldman Theater. Love Sick, an evocative and timeless musical,
It’s here— The Phantom of the Opera! Well, almost! In
just a few short weeks, the newly imagined National Tour of Andrew Lloyd Webber
& Cameron Mackintosh’s critically acclaimed musical success will be landing
in Charm City for just two short weeks! The Phantom of The Opera comes
to Baltimore’s Hippodrome Theatre from October 6, 2019 through October 20, 2019;
the spell-binding masterpiece still has tickets available for sale!
A taste for the mystery of numbers is excessively rare,
especially among those more theatrically inclined. Creatives and cultivators of
art tend to shy away from “the numbers” but don’t let that scare you away from
seeing Everyman Theatre’s 2019/2020 season opener— Proof, by David
Auburn. Directed by Paige Hernandez, there is an evocative warmth that
dominates this play filled with bughouse logic.
DJ Corey Photg (L to R) Bruce Randolph Nelson as Robert,
Two midnights gone. The slotted spoon doesn’t hold much soup
but it can catch— well, in this case, the Phoenix Festival Theatre production
of Stephen Sondheim’s Into The Woods appearing now as a part of LIVE! at
Harford Community College. Directed by Dickie Mahoney and with Musical
Direction by Terri Matthews, the iconic fairytales of happily after plague the
stage in a warped and twisted fashion, craftable only by the depraved mind of Sondheim.