Sometimes you can only shake your
head and ask, “Why?” Why the need to turn everything into a musical? Shows like
Pipe Dream, Kelly, and Via Galactica top Smithsonian.com’s list
of Broadway’s Top Ten Musical Flops; also
making the list, Carrie the Musical. Carrie opened on Broadway in 1988 and
after 16 previews and 5 performances it closed. In 1991, Ken Mendelbaum wrote a
book chronicling the history of Broadway musical flops,
Sometimes you can only shake your
I am assigned to review a show presented by Stand Up For… Theatre, I know for
sure that I am going to be challenged to examine my conscience. For years now SUFT,
the theatrical division of Erase Hate Through Art, has been giving us
productions that challenge us to not only look at the world around us and the
role we play in it, but our perception of the madness that surrounds us.
Every holiday season I search the idiot box for that feel-good show of the year. Little did I know that this year I would find it at the Chesapeake Arts Center, in Stand Up For…Theatre’s La Cage Aux Folles. Like Macy’s, Best Buy, SUFT brings Christmas early; only instead of a big box they use a black box.
Before I dive into the cast, crew, and show itself,
Ed Higgins, as Alan Turing says in one scene, “It’s about right and wrong.” How Do You Like Me Now Productions (HDYLMNP) understands this and gets it right again with Hugh Whitemore’s Breaking the Code. If there is one thing that we have learned about HDYLMNP throughout the years, it’s that they will take an issue, put it in your face, and make you aware of something that you needed to be made aware.
What do you want, Baltimore? Do you want the moon? Just say the word and George Bailey will throw a lasso around it and pull it down. Third Wall Productions seems to think that’s a pretty good idea. So they’re going to give you the moon— in the form a musical adaptation of Frank Capra’s Bedford Falls icon, called A Wonderful Life. With Books & Lyrics by Sheldon Harnick and Music by Joe Raposo,
The extreme always seems to make an impression, so color me impressed that How Do You Like Me Now Productions, as the theatrical producing entity of Erase Hate Through Art, is producing Heathers: The Musical this Halloween season! It’s a real scream! And totally an extreme example of what both HDYLMN and EHTA stand for, when it comes to creating a world that’s free of hate and bullying. Produced by Grant Meyers and Directed by Ed Higgins with Musical Direction by Andrew Zile and Choreography by Kristin Rigsby,
Donuts are not your life. Donuts are nobody’s life. Your life is your life. A life with a theatre. A life with a theatre and a production of Tracy Letts’ Superior Donuts. Third Wall Productions has got something special on their hands, and it ain’t horse fat! Directed by Grant Myers, this evocative drama with uplifting heart is remarkably well executed by the company and showcases the heart of human compassion at its finest.
I dreamed that in the fields one day the corn gave me a sign. It was followed by seven fat cows crossing the Nile and painted on their flanks were more signs that said “go, go, go— to see— Joseph and the Amazing Technicolor Dreamcoat— at Artistic Synergy! Andrew Lloyd Webber’s technicolor wonder is playing just six performances this holiday season and there are some truly bright shining stars in the production that you simply won’t want to miss!
The sword of Damocles is hanging over your head! And you’ve got the feeling someone’s gonna be cutting your thread if you don’t take a jump to the Brooklyn Park and then a step down Hammonds Lane to the black box theatre of the Chesapeake Arts Center to see The Rocky Horror Show. Presented by Erase Hate Through Art and How Do You Like Me Now Productions, the Richard O’Brien cult classic stage musical comes to life under Director Ed Higgins and Musical Director Eliza Van Kan.
Che pazzo! Che buffo! Che divertente! Dio mio, che spettacolo! A-wha? You no speak-a de Italiano? That’s-a okay. Neither do they. Not in Ken Ludwig’s Lend Me a Tenor now appearing at Third Wall Productions, anyhow. This madcap farce filled to the brim of mocking stereotypes will have you choking on-a your spaghetti before the evening is through! Directed by Mea Holloway, this zany runaround comedy is fortified with door-slamming, bed-breaking action that will keep you chuckling from start to finish.
After reviewing the situations— which was the smashingly impressive inaugural production of Oliver— TheatreBloom has taken a moment to sit down with the Executive Director and Founding Member of Third Wall Productions Mike Zellhofer and Company Manager and Founding Member Mea Holloway to talk shop about how the company got underway, what they’re up to, and where they’re going!
Let’s get some introductions going here, tell our readers who you are and what of your work they might recognize so they can familiarize themselves with the driving forces behind Third Wall Productions.
I’m reviewing the situation; can Baltimore sustain one more community theatre that popped-up overnight? The answer is yes, as Third Wall Productions makes their inaugural production of Oliver! snap jauntily to life in the found-space stage of the Episcopal Church of the Messiah in Hamilton. Produced by Jerry Gietka (who has commemorated producing the show in loving memory of his late sister Bernie) and Directed by Ed Higgins, with Kathryn Weaver as Musical Director,
In a world where everyone struggles, bullying is rising to the surface as an alarmingly high cause for youth suicide. Taking to the helm of a new project to help generate awareness about bullying in schools, particularly in the LGBT+ community, Baltimore-based actor and performer Ed Higgins has taken a stand against bullying by using the art form that he knows best. Creating the ongoing project of ‘Erase Hate Through Art’ Higgins and Co-Founder Grant Myers have launched the theatrical branch of their project,
A moment can change your life forever. You go from being the blueberry muffin lady to the lesbian traffic reporter whose girlfriend got beaten into a coma. The powerfully evocative drama Stop Kiss comes to the stages of How Do You Like Me Now? Productions as their second official production since their inception a year ago. Directed by company Co-Founder Ed Higgins, the work is a remarkably astute encapsulation of the company’s mission statement to draw awareness to bullying and erase hate through art.