Three blind mice. Three blind mice. See how they— wait. No. That’s not quite right. That’s a different Christie. This is the one with the creepy little poem about how people get plucked off one by one…And Then There Were None. Currently appearing on Just Off-Broadway’s main stage, as a kickoff to their ‘return-to-live-in-person-theatre’ and the start of their 2022 season, JOB is presenting Agatha Christie’s And Then There Were None,
Tale as old as— wait. No. That’s not right. The seaweed is always greener— no. That’s not it either. The cow as white as milk, the slipper as pure as— oh. Definitely not. With the flurry of various and sundry fairytale musicals being done here, there, and everywhere, who can keep them all straight? What about a lesser known fairytale? Or at least a lesser produced one? Artistic Synergy swoops in to save the day in that department,
Andrea Rudai
What’s the buzz? Tell me what’s a-happening! What’s the buzz? Tell me what’s a-happening? Jesus Christ Superstar! That’s what’s a-happening! At Third Wall Productions— in temporary residence at St. Thomas’ Episcopal Church in Towson— and it’s shaking down the bricks of the temple— well, the church, at any rate. Directed by Mike Zellhofer with Musical Direction by Daniel Plante, this iconic story of the man of the bible is existing in its finest and purest essence: a story told through song with Third Wall Productions.
Hey, pal! Feeling blue? Don’t know what to do? Hey, pal— I mean you! Come on and shoot a president! Pretty darn appealing prospect, isn’t it? Especially when you listen to their stories and hear it in their songs; you learn that angry men don’t make the rules and guns don’t write the wrongs! Everybody’s got a right to their dreams! So come on, and shoot a president! But if you’d rather not take the rap sheet and fry up in the hoosegow,
I say there is no darkness but ignorance, and to remain ignorant of the truly sensational production of Twelfth Night that is gracing itself upon the stage of the Annapolis Shakespeare Company’s studio stage would be to remain steeped in the depths of an aphotic gloom of indescribable proportions. Directed by the company’s Artistic Director— Sally Boyett— this reimagined, innovative approach pays homage to the glistening golden era of Hollywood’s silver screen,
I’m reviewing the situation; can Baltimore sustain one more community theatre that popped-up overnight? The answer is yes, as Third Wall Productions makes their inaugural production of Oliver! snap jauntily to life in the found-space stage of the Episcopal Church of the Messiah in Hamilton. Produced by Jerry Gietka (who has commemorated producing the show in loving memory of his late sister Bernie) and Directed by Ed Higgins, with Kathryn Weaver as Musical Director,