Everybody has a right to their own troubles; some people ain’t made for small town life. The quintessential all-American play about the daily doings of small town life, Thornton Wilder’s Our Town, marks the inaugural production of Annapolis Shakespeare Company’s new home at 1804 West Street. Directed by Sally Boyett, this theatrical chestnut settles into the turn of the 20th century in Grover’s Corners, New Hampshire with a whole mess of Gibbs’ and Webb’s and other small town folk whose stories are important to no one but themselves.
I say there is no darkness but ignorance, and to remain ignorant of the truly sensational production of Twelfth Night that is gracing itself upon the stage of the Annapolis Shakespeare Company’s studio stage would be to remain steeped in the depths of an aphotic gloom of indescribable proportions. Directed by the company’s Artistic Director— Sally Boyett— this reimagined, innovative approach pays homage to the glistening golden era of Hollywood’s silver screen,
He stands amid the roar of a surf-tormented shore, and all that he sees and seems is but a dream within a dream. Appropriate as the autumnal offering and 2016-2017 season starter at Annapolis Shakespeare Company as they roost in residence at Reynolds Tavern just off the city dock shore on Church Circle for the world premiere of Tony Tsendeas’ POE…and All the Others. Directed by Sally Boyett, this newly imagined take on Baltimore’s master of the macabre is an absurd burlesque of memory,
Lord, what fools these mortals be— thinking that summertime theatre in Annapolis need only involve outdoor musicals! Annapolis Shakespeare Company has set up shop, for a two-weekend limited engagement, in the luxurious Gardens of The Charles Carroll House for their current production of Shakespeare’s A Midsummer Night’s Dream. Directed by Sally Boyett and Donald Hicken, the performance is a tightly trimmed rendition of the whimsical faerie-laden comedy, which showcases mesmerizing costumes,
Dreams are the children of idle brain, but let your mind sit still no longer! It is time for your imagination, your mind, your brain, and every other part of one’s thinker that by any other name reasons just as soundly, to engage with the Bard’s most iconic romantic tragedy. Tightened for core efficiency and pared to its essence, Romeo & Juliet is now the two hours’ traffics upon the Annapolis Shakespeare Company’s stage.
You must be serious about something if you wish to have any fun in life at all, and the thing to be serious about this spring is procuring a ticket to the exceptionally well-performed production of Oscar Wilde’s The Important of Being Earnest. The house is intimate and tickets are likely to be snatched up once word is out at just how resplendent and amusing the current Annapolis Shakespeare Company production is,
“One man in his time plays many parts,” declares Melancholy Jacques, and that definitely describes Richard Pilcher’s magnificent performance(s) in Annapolis Shakespeare Company‘s production of As You Like It. A mere eight actors pull off four pairs of lovers, two courts of lords, and an array of miscellaneous country bumpkins. Pilcher plays four separate roles, each strong, distinct, and imbued with life. His Jacques is pitch perfect: melancholy without being glum,
There are some secrets that do not permit themselves to be told. Arising from the grave ruins of memory, a world premier work takes to the stage with Annapolis Shakespeare Company this autumn. POE, as written by Gregory Thomas Martin and Directed by Sally Boyett, explores the final moments of Edgar Allan Poe before his untimely descent into the permanence of madness and death. Situated inside the charming historic 1747 Pub in the cellars of Reynolds Tavern,
Shakespeare’s Two Gentlemen of Verona is, by turns, hilarious and horrifying, and it’s hard to know which of these is more daunting to a director approaching the play. Annapolis Shakespeare Company‘s Sally Boyett conquers both with flying colors. Her 1920’s-inspired Two Gents is sharp, incisive, fearless, and polished.
Proteus and Valentine (Patrick Truler and Joel Ottenheimer) are young friends on the verge of manhood. Proteus loves Julia (Amy Pastoor),