A collaborative adaptation of As You Like It by William Shakespeare; this is the marketing tag for The Rude Mechanical’s latest production— Arden Now— which debuted earlier this summer at the 2017 Capital Fringe Festival. Now playing at the Greenbelt Arts Center for a two-weekend engagement, the doors have been opened to those unwilling or unable to attend the chaotic frenzy that is CapFringe, and the stage is a veritable carnival of concepts that don’t quite come together as Director Melissa Schick intends in her director’s note.
Love is merely a madness; there is a madness running rampant through the forest of Arden— strewing its favors hither and thither, mostly in the form of poetic verse all about the stage and the house of The Folger Theatre. As You Like It, the Bard’s great love story among the comedies, comes to the 2017-side of the season under the Direction of Gaye Taylor Upchurch and brings with it a thorough examination of love in many flavorful varieties.
All the world’s a stage, and all the men and women merely players. On the Folger Theatre stage, they have their entrances and their exits, all overseen, given form and structure, and creatively envisioned by Director Gaye Taylor Upchurch. In a TheatreBloom exclusive interview, we sit down with the show’s Director to get her take on what’s up with As You Like It.
Thank you for giving us some time,
“One man in his time plays many parts,” declares Melancholy Jacques, and that definitely describes Richard Pilcher’s magnificent performance(s) in Annapolis Shakespeare Company‘s production of As You Like It. A mere eight actors pull off four pairs of lovers, two courts of lords, and an array of miscellaneous country bumpkins. Pilcher plays four separate roles, each strong, distinct, and imbued with life. His Jacques is pitch perfect: melancholy without being glum,
All the world’s a stage and the men and women of the Shakespeare Theatre Company are divine players in the 2014/2015 season opening production of As You Like It. One of Shakespeare’s more amusingly confusing comedies with romantic subplots twisted hither and thither all throughout, the play entreats theatergoers to delight in the marvels that are love, folly, and foolishness whether ye be man or woman. Directed by the critically acclaimed Michael Attenborough,