You’ve been invited to a marvelous weekend! Aren’t you lucky to all be at Third Wall Productions’ Something’s Afoot? You’re stimulated by the music in the air, there’s murderous mayhem everywhere! Some dazzling costumes with flash and flare! And watch out you don’t get grabbed on your derrière! It’s a remarkably humorous and uplifting production, despite the fact that the bodies are piling up in the library by the dozen! Directed by Mea Holloway with Musical Direction by W.
Christopher Columbus! It’s astonishing! Little Women playing now through May 21, 2017 at Third Wall Productions in the Hamilton neighborhood of Baltimore City. Directed by Christine Thomas with Musical Direction by Eliza Van Kan and Orchestra Conduction by Andrew Zile, this American classic story, based on the novel by Louisa May Alcott, will have a fire burning inside your soul for the bond of sisterhood! An exceptionally performed community theatre production with talent that rivals touring companies that visit Charm City,
Come on and— ease on down, ease on down the road! Pick up your left foot when your right foot’s down, and head to the Mt. Vernon side of Charm City Town. You’ve got to— ease on down, ease on down the road! It’s time to ease on down, ease on down the road! Pick up your tickets— for this show that is— come on down to Spots and see their show of The Wiz!
Donuts are not your life. Donuts are nobody’s life. Your life is your life. A life with a theatre. A life with a theatre and a production of Tracy Letts’ Superior Donuts. Third Wall Productions has got something special on their hands, and it ain’t horse fat! Directed by Grant Myers, this evocative drama with uplifting heart is remarkably well executed by the company and showcases the heart of human compassion at its finest.
Tale as old as time. Executing a Disney stage musical is always a tricky endeavor because one is competing with decades of iconic memories perfected and preserved in flawless animation. Even the best of the Disney stage shows suffer from the same stock problems: primarily easy to animate but difficult to stage scenes, added music significantly less stellar than the original scores, and inflated books from stretching the perfectly tailored 97-minute movie to two and a half hours of stage time.
Che pazzo! Che buffo! Che divertente! Dio mio, che spettacolo! A-wha? You no speak-a de Italiano? That’s-a okay. Neither do they. Not in Ken Ludwig’s Lend Me a Tenor now appearing at Third Wall Productions, anyhow. This madcap farce filled to the brim of mocking stereotypes will have you choking on-a your spaghetti before the evening is through! Directed by Mea Holloway, this zany runaround comedy is fortified with door-slamming, bed-breaking action that will keep you chuckling from start to finish.
Scandal. Lust. Mind games. Les Liaisons Dangereuses at The Audrey Herman Spotlighters Theatre has it all. And so does area actor Nathan Parry. In a TheatreBloom exclusive interview, we take a moment to sit down with Nathan and talk shop about what it’s like to play vile villain Vicomte de Valmont, and find out just what makes it so dangerous.
Thanks for sitting with us! Would you give us the brief introduction and tell us what you’ve done that we might recognize of your work in the area?
Love is something you use, not something you fall into. Though should you choose to use your love of theatre to fall into one of the 68 seats inside The Audrey Herman Spotlighters Theatre between now and the 19th of June you may just fall in love with what’s on the stage. Swordplay— of two distinctive varieties, once of which includes actual rapiers— scandal, sin; all of these delicious morsels are yours for the taking if you dare the three-hour theatrical endeavor that is Les Liaisons Dangereuses.