What happens when you mix love and science fiction? You get Weird Romance, a show described as two one-act musicals of Speculative Fiction, which is now being performed by the Music and Drama Club (a.k.a., MAD) at NASA’s Goddard Space Flight Center in Glenn Dale, MD. The production, Directed by Randy Barth and Produced by Eliot Malumuth, is based on a book by Alan Brennert, with music by Alan Menken and lyrics by David Spencer.
Now, here is a riddle to guess, if you can— hear the bells of Notre Dame! What makes a monster and what makes a man? Sing the bells…bells…bells…of Notre Dame! You’ll only discover the answer to this mystifying riddle in the stunning, stirring, brilliant, and breathtaking production of Disney’s The Hunchback of Notre Dame at Columbia Center for Theatrical Arts’ Teen Professional Theatre this summer. Directed by Stephen Fleming with Musical Direction by Ross Scott Rawlings and Choreography by Mark Minnick,
Hallelujah for Sister Act at Cockpit In Court! CCBC Essex presents a family musical with sincerely praise-worthy voices and a lot of spirit in the F. Scott Black Mainstage Theatre. The stage musical of Sister Act is based on the Whoopi Goldberg movie of the same name, but while audiences loved hearing familiar Motown tunes used innovatively in the context of a cloister, the stage production got Alan Menken— you remember Alan Menken?
Tale as old as time. Executing a Disney stage musical is always a tricky endeavor because one is competing with decades of iconic memories perfected and preserved in flawless animation. Even the best of the Disney stage shows suffer from the same stock problems: primarily easy to animate but difficult to stage scenes, added music significantly less stellar than the original scores, and inflated books from stretching the perfectly tailored 97-minute movie to two and a half hours of stage time.