Articles Tagged With: Sarah Pfanz

The Merchant of Venice at The Rude Mechanicals

Neither a borrower nor a lender be. While The Rude Mechanicals aren’t currently producing Hamlet, there’s logic in that quote that could and should be readily applied to The Merchant of Venice, which The Rude Mechanicals are currently producing. Said advice would go far for both Antonio and Shylock and save everyone the trouble of their various plights fraught with woe and unfortunate circumstances.

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She Stoops to Conquer at Britches and Hose


She Stoops to Conquer 
lives halfway between the comedies of Shakespeare and Oscar Wilde. Its mistaken identity plotlines bring to mind As You Like It and Comedy of Errors, while the class conflicts mirror both the contrasts of The Merry Wives of Windsor and The Importance of Being Earnest. It’s a bit like a Jane Austen novel, if Jane wrote comic plays rather than satirical novels.

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The Life and Death of Richard II at The Rude Mechanicals

Discomfort guides this servant’s tongue, you see

When first to speak on the venue known as the DCAC

But fear not, playgoers, for I share with you

Good news of The Rude Mechanicals and their show of Richard II

Laboriously titled The Life and Death Of

They present to you from one floor above

A judiciously rendered version that moves quite free

Of this early and poetic tale of history

Directed by Michael F.

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Review: Medea at Britches and Hose Theater Company

Mary Burnett is clad in the scarlet of fire and blood as Medea. Britches and Hose Theater Company’s new production of the Greek tragedy by Euripides both boils with anger and freezes with cold calculation. It opens with Arielle Seidman as the Nurse, skillfully relating how Medea has been wronged: her husband Jason has picked a younger wife, the daughter of the king, so Medea and her two children are to be banished.

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Review: Henry V at The Rude Mechanicals

Suppose within the girdles of the Greenbelt Arts Center’s walls are now confined two mighty forces— The Rude Mechanicals: a community theatre troupe that delivers judiciously trimmed and readily accessible Shakespearean plays— and Henry V: Shakespeare’s middle Henry history play. Directed by Rebecca Speas, this muse of fire finds its place among the Bard’s canon in true Rude Mechanicals style and delivers swiftly the plot, the point,

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