Articles Tagged With: Liana Olear

The Country Wife at The Rude Mechanicals

For my part, I will have only those glorious, womanly
pleasures of being very verbose and very favorable to The Rude Mechanical’s
production of William Wycherley’s The Country Wife. A far cry from very
slovenly, though indeed ‘tis very drunk, this quirky Restoration comedy
(apparently there was humor in the restoration era) under the direction of Alan
Duda, finds its footing not in its original setting but rather in the posh and
swanky New York City of the 1950’s.

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Timon of Athens at The Rude Mechanicals

How goes the world? A loaded question if ever there was one to be asked, especially in this day and age. But set yourself back from this day and age, set your dial of existence back to 1978 in order to prepare yourself to digest The Rude Mechanicals’ latest offering: Timon of Athens. Directed by Joshua Engel, this miscreant play of Williams Shakespeare’s is finding a new lens through which to be viewed in the hands of The Rude Mechanicals.

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Henry VIII at The Rude Mechanicals

“Men’s evils manners live in brass; their virtues we write in water.” And we shall now ascribe the virtues of The Rude Mechanicals production of Henry VIII in ink. Well, digital ink. Directed and Choreographed by Liana Olear, this ‘lost history’ (the most boring of the boring and banal of banal Shakespearean histories) is revitalized and given a new lease on life. Olear’s strategic placement of the historical recounting of the eighth Henry in the mid 1910’s lends itself to her dancer’s passion,

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Leanne Stump (left) as Katherine and Liana Olear (Right) as Alice in Henry V

She Speaks at The Rude Mechanicals

What fire is in my ears? All of Shakespeare’s women in one show? Can it be so? Well, that might be a bit absurd, even for The Rude Mechanicals, but they do come close, featuring a varied assortment of all of the Bard’s leading ladies in just shy of two hours’ stage traffic! Conceived and Directed by Leanne G. Stump, this selection of scenes showcases some of the finer moments of Shakespeare’s female characters,

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The Life and Death of Richard II at The Rude Mechanicals

Discomfort guides this servant’s tongue, you see

When first to speak on the venue known as the DCAC

But fear not, playgoers, for I share with you

Good news of The Rude Mechanicals and their show of Richard II

Laboriously titled The Life and Death Of

They present to you from one floor above

A judiciously rendered version that moves quite free

Of this early and poetic tale of history

Directed by Michael F.

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Review: Henry V at The Rude Mechanicals

Suppose within the girdles of the Greenbelt Arts Center’s walls are now confined two mighty forces— The Rude Mechanicals: a community theatre troupe that delivers judiciously trimmed and readily accessible Shakespearean plays— and Henry V: Shakespeare’s middle Henry history play. Directed by Rebecca Speas, this muse of fire finds its place among the Bard’s canon in true Rude Mechanicals style and delivers swiftly the plot, the point,

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Review: Henry IV Parts I & II at The Rude Mechanicals

Before Luke Skywalker becomes a man, he started out hanging out with an old man and a pack of ne’r do wells in a crap bar while his dad and more useful sibling were out there ruling the universe. George Lucas snagged a page from Shakespeare and made it his own into the form we know and love today.  The Rude Mechanicals have taken this tumultuous two-part history of Henry IV about life,

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Review: All’s Well That Ends Well at The Rude Mechanicals

Girl wants boy. Boy wants different girl. Girl tricks boy into wanting her. And they live happily ever after. Other stuff happens. There’s a fool involved somehow. And a king. And a fistula. That the girl magically cures the king of with her magical powers, or her herbs and whatnot. And then they live happily ever after. Also some love letters and a ring. Maybe some secretive identities, a ten-o’clock kidnapping, and a horse?

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