Articles Tagged With: Michael Mayer

Katerina McCrimmon as Fanny Brice in Funny Girl. 📸 Evan Zimmerman

Funny Girl at The Hippodrome

She must shine in every detail! And we ain’t just talking about the perfect showgirl, no sir! We’re talking about the costumes, the lights, the choreography, the singing, the movement, the atmosphere— if you want to impress as a major Broadway musical these days— you’ve got to tick all the boxes! And with 36 expressions, Funny Girl has all the pip and pizazz! It’s a dazzling revival musical harkening back to the golden days of Broadway and the audiences of Baltimore are here for it!

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Visions of Nowness: An Interview with James Magruder on Head Over Heels

Are you having visions of nowness? (If you are, they’re probably filled with haunted Christmas ghosts, dancing leg-lamps, and all the other recurring Christmas characters who pop up on stages everywhere this time of year.) Do you feel like vacation’s all you ever wanted? Then join Iron Crow Theatre for a refreshing Christmas alternative this holiday season. They’re producing the regional premiere of The Go-Go’s Head Over Heels and in a TheaterBloom exclusive interview with stage-adapter and Broadway playwright,

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Chess at The Kennedy Center

2018: the entire world— of Washington DC— is on high alert. No one can deny these are difficult times, especially if you’re trying to snag a ticket into the pre-Broadway trial engagement of Chess now appearing at The Kennedy Center for its limited five-day run. With a new book by Danny Strong, the musical— originally conceived by Tim Rice, Benny Andersson, and Björn Ulvaeus— is more potent than ever in its political charge,

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Hedwig and The Angry Inch at The Kennedy Center

To walk away you have to leave something behind. Be prepared to leave your judgements behind as you walk away from mainstream life and step into the glory, the glamour and pure wonderment that is Hedwig and The Angry Inch now appearing in the Eisenhower Theatre of The John F. Kennedy Center for Performing Arts this summer of 2017. Directed by Michael Mayer, with Musical Staging by Spencer Liff and Musical Direction by Justin Craig,

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