You never know how many secrets stay hidden beneath the surface until you start digging. Don’t dig too far down into Virginia or you’ll miss all the sordid secrets that come tangled up in the world premiere of Midwestern Gothic, a new musical with Book by Royce Vavrek, Music by Josh Schmidt, and Lyrics by Vavrek & Schmidt. Appearing now in The Ark Theatre of Signature Theatre, this freeze-frame capture of dystopian life in the American Midwest circa the late 80’s/early 90’s is a questionable venture with a welcomed,
In every age mankind attempts to fabricate great works at once magnificent and impossible. And impossibly magnificent is the success of the maiden voyage of Signature Theatre’s production of Titanic. With Story & Book by Peter Stone and Music & Lyrics by Maury Yeston, this spellbinding production is a floating city of magnificence in the ephemeral way that only theatre can be. Directed by Eric Schaeffer with Musical Direction by James Moore,
Oralene was dead: to begin with. This must be distinctly understood or nothing wonderful can come of the story I am going to relate. Well, jingling Jesus, there ought to be a law that every Christmas musical start out with a coffin in Silver Ridge, Tennessee! Christmas is a gift, it’s true, (it’s the season of presents for a reason, after all) and Signature Theatre is giving you the simplest, most entertaining, down-home musical gift that anyone could ask for at this festive time of year: the world premiere of Silver Belles.
These are the games, the tools and the tricks, of making brilliant theatre with a musical called The Fix. Signature Theatre is revolutionizing political corruption; they’re not accentuating the foul filth of America’s crooked political climate, they’re flaunting it and making it look devilishly delicious. With Book and Lyrics by John Dempsey, and Music by Dana P. Rowe, this rarely produced musical sensation is a riveting and electrifying political scandal that has all the razzle dazzle of Broadway and all the unctuous sleaze of Washington DC.
We cannot escape history; the good, the bad, the beautiful, the ugly. 150 years ago on April 14, 1865 one of the greatest forefathers of our country was assassinated inside of Ford’s Theatre while attending a production of Our American Cousin. Commemorating this national event that helped shaped the nation as we know it today, Ford’s Theatre has commissioned a brand new musical Written by Frank Wildhorn,