Articles Tagged With: The Folger

1 Henry IV at The Folger Theatre

“The heavens were all on fire, the earth did tremble.”

Shakespeare’s tale of the roles and
duties of fathers and sons is brought to life with energy and thoughtfulness in
director Rosa Joshi’s 1 Henry IV at the Folger Theater. The second
installment of the Henriad tetralogy, the play deftly balances the personal and
political consequences of the deposition of Richard II.

The cast of Folger Theatre's 1 Henry IV (Peter Crook as King Henry IV at center) C. Stanley PhotographyC. Stanley Photography The cast of Folger Theatre’s 1 Henry IV (Peter Crook as King Henry IV at center) C.

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Love’s Labors Lost at The Folger Theater

For fans of Shakespeare’s comedies, Love’s
Labour’s Lost
should not be overlooked. Often brushed off as a draft for
Shakespeare’s later hits, there is joy and humor in this play that would be
criminal to dismiss. The performers in the Folger Theatre’s current production,
directed by Vivienne Benesch, rise to the challenge at every turn and carry the
audience along for a raucous and heartfelt ride.

The men of Navarre (l to r: Matt Dallal, Jack Schmitt, Joshua David Robinson, Zachary Fine) celebrate a momentous decision in Folger Theatre’s Love’s Labor’s Lost. On stage April 30 – June 9, 2019. Photo by Brittany Diliberto.Amanda N.

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King John at Folger Theatre

The real King John of England has a murky reputation. We know him for the Magna Carta. We know him as a villain from the tales of Robin Hood. And, at a stretch, we know him as Shakespeare’s earliest monarch, chronologically. Folger Theatre capitalizes on a chance to tell the rarely-told tale of this questionable king in its current production of Shakespeare’s King John, directed by Aaron Posner.

As the Folger describes,

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Macbeth at Folger Theatre

Macbeth at the Folger Theatre is unlike any production you will have seen before. That’s a guarantee the Folger can make as they stage for the first time since its origination Macbeth by William Davenant, a Restoration-era adaptation of Shakespeare’s text. Director Robert Richmond, in a collaboration with scholars and the Folger Consort musicians, presents a production that is the result of years of research and work to present something unseen by a modern audience.

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