All’s fair in love and war. Shakespeare said it. Well, he didn’t actually. In fact, he wrote a whole bunch of plays that seemed to prove the opposite of fairness in war and especially in love. Much Ado About Nothing, one of the less-troubled comedies, is one such that is now making its way to outdoor (and temporarily indoor) stages by way of Gypsy Wagon Theatre Company this summer. Directed by Bill Soucy,
Can you remember what you had for breakfast this morning? Do you recall what pair of shoes you wore out last Friday night? Or what you were doing three years ago on a Saturday afternoon? Most of us can’t. But on the morning of September 11, 2001— a Tuesday morning not quite 17 years in America’s past, everyone can remember exactly where they were and what they were doing when the news broke that planes had crashed into the twin towers.
Once upon a time at a theatre just outside Baltimore a director had a wish, to bring to life a production featuring some of the most beloved fairytale characters of our childhoods. His tale is one full of magic, woe, and cows. Does he succeed or is this just a moment better left in the woods? Well you will just have to read on as I share with you my journey at The Heritage Player’s performance of Stephen Sondheim and James Lapines’ Into the Woods Directed by TJ Lukacsina.
Tis the bloody business which informs thus to mine eyes: a theatre company hath sprung up afresh in Reisterstown. But not just any theatre company, nay, but The Gypsy Wagon Theatre Company, whose full intention is to be mobile. At first appearing to be little more than a tin can on wheels, do not be deceived, this collapsible trailer-esque stage is purporting a tall order of theatrical design— when it comes to lighting especially— and currently presenting a mighty solid production of Shakespeare’s very own Macbeth.
The epic quest for epic theatre in Baltimore City has been going for as long as theatergoers have been seeking it out: since the dawn of theatrical time! The holy grail of theatrical mother-loads has landed at The Audrey Herman Spotlighters Theatre and it’s slaying— literally! She Kills Monsters by Qui Nguyen and Directed by Stephanie Miller, is exactly what thespians of Charm City have been seeking! Under-produced and rarely seen productions?
Pride is a luxury a woman in love cannot afford. And the devilish lengths a woman in love will go to in order to maintain that love is unseemly and unsightly to the modern feminist. But in the world of Clare Booth Luce’s The Women, where the utmost priority for the women of society was maintaining a marriage and quashing scandals before they could rise, it’s quite a different story. Directed by Fuzz Roark,
The line forms, on the right, babe— now that Macheath is back in town! The Audrey Herman Spotlighters Theatre is sending scarlet billowing all over the stage, kicking off 2017 with a flash of those pearly white sharks teeth as they bring the iconic Bertolt Brecht adaptation, The Three Penny Opera to the stage. Directed (with new editing, adapting, and translating) by Michael Blum with Musical Direction by Erica Rome,
There’s a ring of gold in Texas that hitched a tumbleweed coach to Baltimore and is kicking up more dust than a dozen road-runners aiming to outrun a pack of coyotes. Yeehaw, you dun heard right if what you heard was Das Barbecü, the musical that spins Wagner’s Ring Cycle as a witty Texas fable, coming to the stage of The Audrey Herman Spotlighters Theatre! Sure ‘nuff it done been Directed by Greg Bell with that there Musical Direction by Michael Tan and the result is a dead ringer for comedic performance of the year.
Mirror, mirror, on the wall, who’s the fairest of them all? Would that be The Heritage Players because they’re currently presenting a family-family production of Snow White? Dramatized by J. Michael Straczynski and Directed by Kathy McCrory, the well-loved fairytale is the perfect end-of-summer treat for young audiences and audiences’ young at heart. With just one over a dozen performers featured in the classic story, the show is all but perfect,
Take me out to the ballgame! Take me out to the crowd! Buy me some peanuts and crackerjacks! I don’t care if I ever come back! And it’s root— root! Root for The Heritage Players as they pitch a wild one onto their stage at the Rice Auditorium with their production of Damn Yankees. Directed by Michael Hartsfield with Musical Direction by Stephen Michael Deininger, this classic musical with a time stamp of fond nostalgia slides into home plate under these two dedicated men and the company they plant onto the stage.
To have a dark task isn’t the worst fate, even death does not hold that honor. The gods will not be plagued if you do not call after them, but they may lay a pox upon you if you don’t call after Glass Mind Theatre and their current production of The Pretties. Inspired by The Oresteia and Adapted by Ann Turiano, The Pretties unfolds in a new performance space for GMT under the Direction of Lynn Morton.
The Go-Go’s may have had their lips sealed, but The Heritage Players are letting theirs loose in their latest production of Neil Simon’s “Rumors.” Directed by Damien Gibbons, with Assistant Director Katie Sheldon, “Rumors” tells the story of a group of wealthy socialites who gather for the anniversary party of their good friend Charlie Brock, Deputy Mayor of New York, and his wife Myra. Unfortunately, the poor guests show up to find that Charlie has attempted suicide and Myra has gone missing.