Baltimore is full of theatre shows; some comedies, some with
duels, but I prefer a company that produces flashy jewels! A show on your stage
might be quite continental— but “in concerts” are your new best friend! At
least, they are for The Heritage Players this winter. On their third annual “musical
in concert” The Heritage Players breathes new life into a golden oldie— Gentlemen
Prefer Blondes. Directed and Choreographed by Tommy Malek (with Lori
Baltimore is full of theatre shows; some comedies, some with
Talent. Either you’ve got it. Or you don’t. Luck for you,
The Heritage Players production of Ruthless! has got it. And they’ve got
it pouring out of their wazoos in spades. Directed & Choreographed by
Ashley Gerhardt with Musical Direction by Michael Clark, this zany and
uproarious musical send-up will have your gut aching with laughs. Nobody’s in
the mud, nobody’s in distress in this production— except the characters
themselves— and it’s a madcap scream from simple start to diabolical finish.
Are you a drape? Or are you a square? Nobody is too square
to come on out and see the drapes & the squares facing off in this summer’s
STAR Ltd. musical performance of Cry Baby! Directed by Mike Juba with
Musical Direction by Scott AuCoin and Choreography by Lauren Lowell, the iconic
John Waters film finds new life on the stage. With adapted book by Mark O’Donnell
and Thomas Meehan, and Songs by David Javerbaum and Adam Schlesinger,
It’s all about the time tables! You’ve got to get yourself a
time table! Check your time tables and you’ll see that they’re telling you it’s
time to board Flight-519 on Heritage Airlines and enjoy their in-flight
entertainment: Boeing Boeing by Marc
Camoletti. Directed by Ryan Geiger, this flight-based French farce will whisk
audiences away to Paris, France circa 1962 and give them an inside look at an
American bachelor in Paris who has landed himself a fiancée.
Ladies and gentlemen! Boys and girls! Children of all ages! Step right up to The Heritage Players and see The Greatest Show on Earth! Why it’s a miracle! Of course, miracle is a pretty fancy word for humbug, or so Mrs. Barnum will tell you. But a bit of brass and humbug is just as good as silver and gold, Mr. P.T. Barnum will tell you than himself! Barnum,
Close your eyes and try to conceive, the most outrageous story to ever be believed! If you can just believe, it’s beautifully bizarre, a story about a boy— and a giant peach, and that’s just the way things are! Right before your eyes— James and The Giant Peach is now appearing on stage at The Heritage Players as their summer engagement. Directed by Elizabeth Tane Kanner with Musical Direction by Emily Taylor &
Hey Big Spender! Spend a little time… with Heritage Player’s latest production, Sweet Charity! Based on Federico Fellini’s screenplay Nights of Cabiria, with music by Cy Coleman, lyrics by Dorothy Fields, and book by Neil Simon, Sweet Charity is the 1966 musical about a starry-eyed young woman who’s looking for love in all the wrong places. The show revolves around the ever hopeful and aptly named Charity Hope Valentine,
Sail on! Sail on…great ship. Godspeed, Titanic. (in concert!) In a bold and ambitious move, and an unprecedented trend in the area’s community theatre scene, The Heritage Players launch the first “in-concert” musical production on their stage of the 2018 season with their floating city Titanic: In Concert. Directed by David Jennings with Musical Direction by David Zajic, this “concert-plus” experience is the ship of dreams for any community theatre.
“Our task was to dream upon and then create— a floating city!” The ship of dreams, so she’s called, in her finest element— the musical— Titanic sails for Heritage Players this winter! Debuting upon the stage of the Rice Auditorium at the Spring Grove Hospital Campus, Heritage Players is performing Titanic in Concert as their winter production offering. Exploring this ship of dreams, TheatreBloom sits down with Director David Jennings and Musical Director David Zajic to discuss the living dream of this massive musical.
Once upon a time at a theatre just outside Baltimore a director had a wish, to bring to life a production featuring some of the most beloved fairytale characters of our childhoods. His tale is one full of magic, woe, and cows. Does he succeed or is this just a moment better left in the woods? Well you will just have to read on as I share with you my journey at The Heritage Player’s performance of Stephen Sondheim and James Lapines’ Into the Woods Directed by TJ Lukacsina.
By now you think you have everything you need to know about How to Succeed in Business Without Really Trying at STAR Ltd. But this little book has a surprise for you. This little book is designed to tell you all about the other principal performers who have taken up the leading roles during week two of the summer production! The show’s directors and creatives haven’t changed— see the original “little book notes” about them here— but we’ve swapped out the key players to showcase just how many talented young performers are in and around the local area this summer.
This little review is designed to tell you everything you need to know about How to Succeed in Business Without Really Trying currently appearing at STAR Ltd. Now let us assume that you are enthusiastic, passionate, clear-eyed and eager to get out and see quality teen theatre in the Baltimore County area, anxious to arrive at a solid production created by talented youth— you can! If you have education,
It’s most certainly definitely a sweltering summer!
But please, oh please, don’t let the weather be a bummer!
Because there are so many things you can think if you try!
Like a production of Seussical that you shouldn’t pass by!
Why, it’s The Heritage Players offering up their zany summer show!
And it’s a pretty darn good one, take it from me— I should know!
Wouldn’t you rather have 30 minutes of wonderful than a lifetime full of nothing special? Well, you’re in luck because Truvy’s beauty shop, where the gossip’s going non-stop in Chinquapin Parish, has more than just 30 minutes of wonderful. They have almost five times that tucked away for an evening’s escape in a heartfelt, inspirational, and truly touching coming of age tale that the masses knows well. Co-Directed by Kevin James Logan and Katie Sheldon,
Ready or not, kids, the Bee is back in town—and this is one laugh riot you do not want to miss! Directed by Ryan Geiger, with Musical Direction by TJ Lukacsina & Robin Trenner, this production is a journey back to our awkward adolescence with quite a few stand-out moments and a solid cast of dynamic characters. Geiger leads the group to victory with his attention to scene-work and Lukacsina aides in finding a beautiful harmony across this vocally awesome cast.
Mirror, mirror, on the wall, who’s the fairest of them all? Would that be The Heritage Players because they’re currently presenting a family-family production of Snow White? Dramatized by J. Michael Straczynski and Directed by Kathy McCrory, the well-loved fairytale is the perfect end-of-summer treat for young audiences and audiences’ young at heart. With just one over a dozen performers featured in the classic story, the show is all but perfect,
Isn’t it delightful when a musical does what it ought to do? When it takes you away and gives you a few tunes to carry with you when you go? A feel good, honest fun, good comedic romp with some catchy numbers that lets you disappear for a while into the decadent world of the 1920’s, why that could only be The Drowsy Chaperone now appearing on stage in the Rice Auditorium with STAR Ltd!
Catonsville’s Heritage Players have created a joyful jazz-age romp in their production of Thoroughly Modern Millie now appearing through April 24th at the Rice Auditorium on the campus of Spring Grove Hospital Center. Directed by TJ Lukacsina with Musical Direction by Carolyn Freel, this musical will bring you some feel good music to tap your toes to all throughout the evening. Based on the 1967 film, Millie is a delightful song-and-dance melodrama by Dick Morris and Richard Scanlan which unapologetically demolishes the boundaries of political correctness in its depiction of Chinese white-slavery.