Artistic Synergy of Baltimore (ASoB) presents a splendid rendition of Much Ado About Nothing, one of Shakespeare’s most well-known classic comedies. Most are probably familiar with the material already through literature class, seeing it performed elsewhere, or from the various movie versions (most notably the 1993 version directed by Kenneth Branagh), but for those who are not familiar, it can be summed up briefly as two love stories intertwining with misdirection,
Let’s not talk about anything else but love! It’s worth repeating, let’s not talk about anything else but love? Why? Life is fleeting, because pleasures come, pleasures go, love can come and go in one throw! Let’s not talk about anything else but love! Love that launched a thousand ships! Love that causes war and famine! Love is love is love is love is love. Love of the theatre— is certainly what The Audrey Herman Spotlighters Theatre has going on with their unexpected production of I Love You,
It’s most certainly definitely a sweltering summer!
But please, oh please, don’t let the weather be a bummer!
Because there are so many things you can think if you try!
Like a production of Seussical that you shouldn’t pass by!
Why, it’s The Heritage Players offering up their zany summer show!
And it’s a pretty darn good one, take it from me— I should know!
Pride is a luxury a woman in love cannot afford. And the devilish lengths a woman in love will go to in order to maintain that love is unseemly and unsightly to the modern feminist. But in the world of Clare Booth Luce’s The Women, where the utmost priority for the women of society was maintaining a marriage and quashing scandals before they could rise, it’s quite a different story. Directed by Fuzz Roark,
There’s a ring of gold in Texas that hitched a tumbleweed coach to Baltimore and is kicking up more dust than a dozen road-runners aiming to outrun a pack of coyotes. Yeehaw, you dun heard right if what you heard was Das Barbecü, the musical that spins Wagner’s Ring Cycle as a witty Texas fable, coming to the stage of The Audrey Herman Spotlighters Theatre! Sure ‘nuff it done been Directed by Greg Bell with that there Musical Direction by Michael Tan and the result is a dead ringer for comedic performance of the year.
The more insane a man is, the more powerful he becomes. To experience the ultimate theatrical power in action join the Psychoceramics— humanity’s crackpots— at The Audrey Herman Spotlighters Theatre for their production of Dale Wasserman’s One Flew Over the Cuckoo’s Nest. Directed by Greg Bell, this gripping off-kilter psycho drama, adapted from the novel by Ken Kesey, delves deep into the human psyche and confronts the inner pollutions of the minds of society’s outcasts: the insane.