Articles Tagged With: Dale Wasserman

One Flew Over the Cuckoo's Nest at Showcase On Main. Photo: Lee Lewis.

One Flew Over The Cuckoo’s Nest at Showcase On Main

There are a lot of things that are true, even if they never happened. If you’re ready to spend an evening with the self-proclaimed ‘psycho-ceramics; the crackpots of humanity’ then you should head out to Showcase on Main in Elkton, MD for a harrowing and evocative production of Dale Wasserman’s One Flew Over the Cuckoo’s Nest. Directed by Lee Lewis, the production is tragically relevant to the way mental health issues in our country are handled today.

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Review: Man of La Mancha at St. Gabriel’s Miracle Players

Come errant knights and ladies! For it is time to sally forth toward the windmill—er, castle—and into the grand and touching tale of Don Quixote de La Mancha! Man of La Mancha, Directed by Heidi Toll, with a Book by Dale Wasserman and Music and Lyrics by Mitch Leigh and Joe Darion respectively, is now playing at Saint Gabriel Miracle Players and boy is it a fun time! Performed as a “play within a play” this slightly pared-down version of the musical flourishes in its simple staging and still packs a wallop for theatre-goers of all ages.

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Review: One Flew Over the Cuckoo’s Nest at Spotlighters Theatre

The more insane a man is, the more powerful he becomes. To experience the ultimate theatrical power in action join the Psychoceramics— humanity’s crackpots— at The Audrey Herman Spotlighters Theatre for their production of Dale Wasserman’s One Flew Over the Cuckoo’s Nest. Directed by Greg Bell, this gripping off-kilter psycho drama, adapted from the novel by Ken Kesey, delves deep into the human psyche and confronts the inner pollutions of the minds of society’s outcasts: the insane.

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Review: Man of La Mancha at Shakespeare Theatre Company

There aren’t enough superlatives in the English language to describe the Shakespeare Theatre Company’s spectacular production of Man of La Mancha, which opened on Monday to a packed house at Sidney Harman Hall.There is simply no need to travel all the way to Manhattan to take in Broadway-caliber theatre. It’s right here, with all the fire, passion, and intensity of any show on the Great White Way.

We bear witness to the opening as the prisoners in Allen Moyer’s steel cage of a set mill about,

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