I’ve got this feeling— that nothing’s holding them down;
they’re hitting the ceiling— they’re tearing up the east side of town— with
their production of Footloose! Footloose! They’re kicking off their weekday
blues! With the hottest production of the dated 80’s classic this side of Charm
City, The St. Demetrios’ Suburban Players are giving audiences all over Carney,
Parkville, and Baltimore a thrilling joyride through Bomont! They’re cutting
Footloose! And you won’t want to miss it!
I’ve got this feeling— that nothing’s holding them down;
century poet Francis Quarles wrote, “Judge not the play before the play is
done.” Great advice for anyone seeing their umpteenth version of Joseph and the Amazing Technicolor Dreamcoat,
especially if you are seeing Just Off Broadway’s latest offering. I don’t care how many times you’ve seen Joseph…, Director Tammy Oppel will show
you that you don’t know Joe! Oppel brings us a delightfully staged version of
the show unlike any that I have seen.
Tweet, tweet! Let’s greet the spring! So what if it’s only
the end of February? Spring is almost here! You know how you can tell? Because A Year with Frog and Toad is on the
stage at Dundalk Community Theatre! Directed by Tom Colonna, with Musical
Direction by Michael Clark, and Choreography by Angelique “Gigi” Cause, this
delightful family-friendly show is perfect for young audiences and audiences
young at heart!
Come look at the freaks! Come gape at the geeks! Come examine Dundalk Community Theatre’s aberrations, their malformations— grotesque physiques…only pennies* for peeks…come look at the freaks! Come look inside the John E. Ravekes Theatre and have your curiosity satisfied with this gloriously haunting production of Side Show. Directed by Robert W. Oppel with Musical Direction by Rebecca Rossello, and Choreography by Vincent Musgrave, this breathtaking story is a circus marvel that twists and turns your mind and heart inside out and upside down all along its treacherous trail.
In what ways have we cloaked, and even hidden from ourselves, the secret bargains we have made with our own devils? Don’t we all have our own junk? Isn’t it all just the bitch of living? Stillpointe Theatre understands all too well these concepts of self-discovery, these moralistic masquerades that stifle the expression youth as they blossom into adults. Preparing to round out their seventh season, Stillpointe Theatre presents Spring Awakening,
Look at their set; isn’t it neat? Wouldn’t you think their set design is so sweet? Wouldn’t you think Michael Rasinski’s the guy— the guy who’s designed everything? Look at those lights— colors so bold! How many wonders can Lighting Designer Thomas Gardner behold? Looking around the stage you’d think— the creative team’s done everything! They’ve got James Hunnicutt designing the properties. They’ve got Brent Tomchik making splashes with sound. You want Choreography? That’s Karli Burnham.
“You work real hard and the pays real low… and every hour goes oh so slow… and at the end of the day there’s nowhere to go…” but to Cockpit in Court’s production of Avenue Q! This raunchy and hilarious musical by Robert Lopez and Jeff Marx is a modern adult take on the classic Sesame Street formula: adorable puppets living their day-to-day lives… It just so happens that these puppets live in the real world,
Territory folks should stick together! Territory folks should all be pals! The cowboys dance with the farmer’s daughters; the farmers dance with the rancher’s gals! Now I’d like to say a word ‘bout Artistic Synergy…they set up in the church basement and that’s fine! They do shows to make us smile, and they’re dancing’s real in style, and they’re doing Oklahoma! by Rogers & Hammerstein! Oh— territory folks should stick together— territory folks should all be friends,
In a time where our students are facing issues with identity, popularity, socializing, and acceptance on an almost minute-by-minute basis, a show like Heathers, where each character openly discusses their role in the social environment of high school, is poignant, relevant, and necessary. Street Lamp Productions’ brilliant performance of the musical hits all of the right notes, both literally and metaphorically.
Based on the 1980’s cult-movie of the same name,
Once upon a time at a theatre just outside Baltimore a director had a wish, to bring to life a production featuring some of the most beloved fairytale characters of our childhoods. His tale is one full of magic, woe, and cows. Does he succeed or is this just a moment better left in the woods? Well you will just have to read on as I share with you my journey at The Heritage Player’s performance of Stephen Sondheim and James Lapines’ Into the Woods Directed by TJ Lukacsina.
They’ve got the spirit (you’ve got to hear it) under the sea! Disney’s The Little Mermaid, part of Phoenix Festival Theater’s 2017-2018 season, is a coming of age story that is bursting with talented performances throughout. Along with Music Director Chris Rose and Choreographer Amanda Poxon, Director Laurie Starkey has assembled a talented cast that truly breathes life into the Disney classic.
Upon entering the theater, the audience member is immediately transported to an underwater world due to thoughtful decorations,
Funny Foursome Performs Fabulously: Forever Plaid pleases crowd at Cockpit in Court
If you should have the urge for an evening of happily cheesy doo-wop Pennsylvania white bread happiness, you’ll enjoy Forever Plaid at Cockpit in Court on the Essex campus of CCBC, (Community College of Baltimore County), part of Cockpit in Court’s Summer Theatre lineup. The lyrics are crisp, the personalities fresh but familiar,
Story of my life! Another Shrekin’ show! Seen ‘em all before— but this one you should know— they’re brought the makin’ the story of their life, oh yeah! You should go out and see Shrek, yes sir! That’s— the story— of this— taaaaale. Shrek! If you’ve seen one then you’ve seen them all, you may have even seen this exact Shrek & Donkey combo before, but Dundalk Community Theatre already knew that and really stepped up their game to reimagine,
Prepare ye the way of the Lord as it paves its path up the aisles of the main stage in the Theatre Building of the Community College of Baltimore County Essex Campus with Cockpit in Court’s production of Godspell. Celebrating its 44th season, the Stephen Schwartz musical kicks off the summer for the community theatre and preaches a message that is poignant now more so than ever in today’s world where hatred seems to be common place and violence is overlooked as a part of the daily routine.
Here’s a picture of a neighborhood, there’s the corner where they all stood. The neighborhood is Rosedale, in the basement of the Prince of Peace Lutheran Church to be exact, and the corner? That’s Artistic Synergy, a staple of a community theatre in that corner of Baltimore. Presenting Smokey Joe’s Café: The Songs of Leiber and Stoller as their spring musical, the company puts forth an enthusiastic effort that is well met with strong vocal talent to the less than cohesive musical revue.
There is life outside your apartment, I know it’s hard to conceive. But there is life outside your apartment! And you’re only gonna see it if you leave! There is cool shit to do, but it can’t come to you, and who knows, dude, you might even score— tickets to Phoenix Festival Theater Company’s production of Avenue Q if you’re lucky! For a limited two-weekend engagement, the zany Off-Broadway musical sensation is eking out a home on Thomas Run Road and is providing barrels full of laughter for everyone in attendance.