Articles Tagged With: Jason Randolph

The Game’s Afoot at Cockpit In Court

Reviews June 13, 2023 Amanda N. Gunther

Everyone wants publicity, daaahlings. Even the bad kind is the good kind, because any kind beats no kind, right? Lucky for Thomas “Toby” Hessenauer and the company of Ken Ludwig’s The Game’s Afoot it’s the good kind. Mostly. I’m no Daria Chase, daaahlings, but for God’s sake, I am a theatre critic. Launching the ‘upstairs’ half of the upstairs-downstairs-summertime-palooza that we all know to be Cockpit in Court, this zany little Baskerville-wannabe is two parts mystery,

Something Rotten at Cockpit in Court

Reviews June 13, 2023 Jimi Kinstle

BAWDY-LICIOUS! Something Rotten Brings Down the House.

Cockpit In Court opens its summer season with the ribald musical, Something Rotten, by Karey Kirkpatrick and John O’Farrell with music and lyrics by Karey and Wayne Kirkpatrick, in the F. Scott Black Theater. The show runs Fridays, Saturdays, and Sundays till June 25th and from the response of the audience at the Sunday matinee I attended, I would suggest purchasing your tickets in advance.

DOT at Cockpit in Court

Reviews July 25, 2022 Cybele Pomeroy

A Black family at Christmas finds love and humor dealing with Mother’s cognitive issues.

Cockpit In Court at CCBC Essex (formerly Essex Community College) presents DOT at the Cabaret Theatre in the Robert and Eleanor Romadka College Center. DOT, a relatively new play, (2016), describes itself as ‘twisted and hilarious’ but that’s not entirely accurate. Let me get through this intro and I’ll explain. It’s a family show that isn’t remotely family-appropriate,

Cheryl Campo (center) as Mama Euralie and The Storytellers📸Trent Haines-Hopper/THsquared Photography

Once On This Island at Cockpit In Court

Reviews June 15, 2022 Amanda N. Gunther

Two different worlds on one island. (Not unlike Cockpit in Court with two different productions in one theatre…one above and one below…) If you’re ready to be swept up in the most astonishing production to wash ashore on Cockpit In Court’s stages since the times of the before, then Once On This Island is the show for you. Directed and Choreographed by Tom Wyatt, with Musical Direction by Elizabeth Fink, the uplifting and joyous music of this stirring tale of love fighting to survive in the face of death is an astonishing experience all its own.

Disaster! at Cockpit in Court

Reviews June 21, 2019 Mike Zellhofer

This
review can practically write itself. Let’s face it, there is nothing disastrous
about Cockpit in Court’s current production. Of course, I am talking about Disaster! the 70’s disaster movie
musical written by Seth Rudetsky and Jack Plotnick and directed by Todd
Pearthree. Pearthree and his production team (Music Director Michael DeVito,
Technical Director Jason Randolph, Set Designer Michael Rasinski, Lighting
Designer Thomas Gardner, Costumer Designer Will Crowther, Sound Designer Corey
Sekulow, and Stage Manager John Chrzanowski) have put together THE smash hit of
the summer.

Avenue Q at Cockpit in Court

Reviews June 23, 2018 Lindsey Litka & Matt Wetzel

“You work real hard and the pays real low… and every hour goes oh so slow… and at the end of the day there’s nowhere to go…” but to Cockpit in Court’s production of Avenue Q! This raunchy and hilarious musical by Robert Lopez and Jeff Marx is a modern adult take on the classic Sesame Street formula: adorable puppets living their day-to-day lives… It just so happens that these puppets live in the real world,

Samsara at Single Carrot Theatre

Reviews January 20, 2017 Amanda N. Gunther

We’re born.

We live.

We die.

We come back as something else.

That is the cycle death and rebirth to which life in the material world is bound.

Samsara.

The Hindu and Buddhist belief of the above cycle, now readily incarnate in the thespian belief of performance by way of playwright Lauren Yee. Now appearing on the Single Carrot Theatre mainstage as a part of Season X: A Love Letter to Baltimore.

Review: Godspell at Cockpit in Court

Reviews June 13, 2016 Amanda N. Gunther

Prepare ye the way of the Lord as it paves its path up the aisles of the main stage in the Theatre Building of the Community College of Baltimore County Essex Campus with Cockpit in Court’s production of Godspell. Celebrating its 44th season, the Stephen Schwartz musical kicks off the summer for the community theatre and preaches a message that is poignant now more so than ever in today’s world where hatred seems to be common place and violence is overlooked as a part of the daily routine.

Review: Year of the Rooster at Single Carrot Theatre

Reviews December 10, 2015 Amanda N. Gunther

Nothing can hurt you when you’re a rooster. Except another rooster. A blood-thirsty, hormone-pumped, cock-fighting rooster who has defeated the sun. Fight night is tonight, sun! You bring your little chickadee on down to Single Carrot Theatre to see their regional premiere of Year of the Rooster, written by Eric Dufault. Directed by Dustin C. T. Morris, this provocative drama may be the most straight-forward piece of theatre to be mounted upon STC’s stage in years.

Review: The Zoo Story & Pullman, WA Double Feature at CCBC Academic Theatres

Reviews December 3, 2015 Amanda N. Gunther

Can you believe in something or relive something that never actually happened? Do you know how to live your life? The students involved with the Academic Theaters of CCBC certainly seem intent on proving that you can and that they do, and so too can you if you attend their current double-feature production of Edward Albee’s The Zoo Story and Pullman, WA written by Young Jean Lee. Directed by Julie Lewis,

Review: Phoebe in Winter at Single Carrot Theatre

Reviews September 26, 2015 Amanda N. Gunther

Things must be allowed to occur in their own natural time. In keeping true to that sentiment, the Season 9 opening show at Single Carrot Theatre, a part of the Women’s Voices Theater Festival, moves along in not only its own natural time but its own natural world. A world of chaos and war beyond that of a global perspective, deep in our hearts and homes, Phoebe in Winter brings an evocative examination of the roles we play in our lives,