Just another boring upscale dinner party-alcohol flowing freely, chatter, strong opinions, heated debates, and an almost Stepford hostess fluttering around her guests. Right? Well, if you consider helicopter noises, explosions, and fiery lighting boring and normal then absolutely! You will want to make your way to Silver Spring Stage right now to see their latest production led by Director Bill Hurlbut, Omnium Gatherum by Alexandra Gersten-Vassilaros and Theresa Rebeck. It is a production that will make you laugh one moment,
Seminar by Theresa Rebeck, now playing at Landless Theatre Company, is a witty, revealing look at the realities of being a young aspiring artist today. The story follows four New York twenty-somethings as they begin to navigate a graduate writing seminar led by a bold and caustic instructor. As he breaks them down one-by-one, the students start to question their willingness to bend for their craft. Do they have what it takes?
Fiction is fiction. The type of truth that fiction is sets a bomb off in your soul and Fells Point Corner Theatre is busy setting off emotionally and comically charged bombs galore in their production of Theresa Rebeck’s Seminar. Directed by Steve Goldklang, the biting wit of Rebeck’s esoteric literary comedy lands with grand aplomb just in time to shake up the scene for the holiday season. Not your typical Santaland story or in any way,
Just like the tides that crash into Annapolis harbor, the Bay Theatre Company is on its way back into town. Alive and kicking, though currently not producing, the company is endeavoring to raise a fund to get back up on their feet and wants the public to be aware. After a successful, albeit brief, run of Theresa Rebeck’s Bad Dates back in January, the company hosted a one-evening-only staged reading of an uproarious comedy Four Weddings and an Elvis,
Silence is not beautiful. Understudies are not bitter. Silence is a failure of words; silence is defeat. And understudies are real actors that are failed to be recognized in light of a big name draw to a Broadway show. This riveting and uproarious concept, albeit completely true, is wrapped up in Everyman Theatre’s production of Theresa Rebeck’s The Understudy. Directed by Joseph W. Ritsch, this exciting dramadey is more than just a metaplay about real life actors and Kafka.