To see or not to see… that is the question! Spotlighters’ latest production in their 56th season is none other than Paul Rudnick’s 1991 comedy-drama I Hate Hamlet, directed by Hillary Glass and Ilene Chalmers. The play revolves around the young and successful television actor Andrew Rally who has just relocated to New York after the recent cancellation of his television show. He finds his agent has booked him a gig as the titular character in Shakespeare’s Hamlet,
“I ain’t on oith and I ain’t in Heaven, get me? I’m in de middel tryin’ to seperate em, takin all de woist punches from bot’ of ’em. Maybe dat’s whay dey call Hell, huh?”
On a weekend packed with frightening diversions the most terrifying of all is surely Eugene O’Neill’s nearly century old expressionist drama, The Hairy Ape running through 19 November at Spotlighters Theatre. I was at opening night on Friday and I have been haunted ever since by the themes,
They’re practically perfect, in every way! Almost practically perfect, that’s what we say! Mary Poppins popping up on the Bowie Playhouse Stage by way of 2nd Star Productions. Directed by Fred Nelson with Musical Direction by Sandy Melson Griese, this charming and quaint little Disney ditty is a lovely offering for the summertime. Anything can happen if you let it and they’re letting anything and everything happen on that stage; well, practically,
Madhouse doesn’t begin to describe the utter shenanigans happening in William Gillette’s New England mansion on Christmas Eve. Scandal! Mystery! Murder! For god’s sake, there are actors present! What else could be expected from Ken Ludwig’s bitingly humorous and boisterously bloody play The Game’s Afoot? Directed by Fuzz Roark, this scintillating madcap comedy with just a dandy drop of blood for the murder mystery enthusiast in us all is the perfect way to ring in the holiday season.
As God is my witness, you shall never be hungry again, at least your comedic appetite will be sated when you turn up to the Audrey Herman Spotlighters Theatre for their first production of 2016, Moonlight & Magnolias. A madcap malady of hilarious proportions Directed by Michael Zemarel, this play is a zany two hour trek across Hollywood’s most manic melodrama, Gone With the Wind. Only in the most truncated and hysterical fashion possible,
An affair. A secret. A confession. A twist. Master classic playwright Harold Pinter holds the original drama in his words but they find an edgy and revitalized life in the new production now appearing on the Sokal Stage of the Fells Point Corner Theatre. Directed by Andrew J. Porter, this vivid incarnation of Betrayal is moved by a timeless verve that resonates the emotional simplicity and poignancy of Pinter’s story.
A breaking or violation of trust of confidence; once a betrayal occurs can life ever be the same? Fells Point Corner Theatre continues its 2015/2016 with a riveting production of Harold Pinter’s Betrayal, directed by the newly appointed president of the board, Andrew Porter. In a TheatreBloom exclusive interview we sit down with Andrew and discuss his intention behind the show.
If you could give us an introduction we’ll get things underway.