Articles Tagged With: Michael Nash

Sensational! Volume III: An Interview with Director Michael Blum and Musical Director Erica Rome

Something sensational is cooking up over at The Audrey Herman Spotlighters Theatre. Gilbert before Sullivan! Unheard of, right? This fascinating work marks the American premier of A Sensation Novel: A Musical Play in Three Acts, that was previously lost to time. In Volume III of the TheatreBloom exclusive interview series, we sit down with Director Michael Blum and Musical Director Erica Rome, conceptual artists who have worked to reconstruct the missing pieces of Gilbert’s work and get it up on its feet as the opening show of the Spotlighters 2015/2016 season.

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Sensational! Volume II: An Interview with Sensation Novel Composer Michael Nash

Having an American premier musical on the stage of The Audrey Herman Spotlighters Theatre is a fascinating event all on its own. Having music lost from history composed by an Englishman specifically for the project only adds to the sensations that are happening with the current production of A Sensation Novel. In Volume II of the exclusive TheatreBloom interview series, we sit down with British composer Michael Nash to hear how he became involved with the project and what his experience has been like composing original music for the great W.

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Sensational! Volume I: An interview with Sensation Novel Player Jim Knost

To be a sensation novel author is a most fascinating thing indeed. To play a wicked baronet who isn’t all that wicked is also a curious subject. To play both in one show— and not just any show but the American premier of a Gilbert before Sullivan play is a great honor and sensational experience. In an exclusive TheatreBloom Interview series, we’ve sat down with Baltimore area performer Jim Knost to find out just what it’s like to play in and write the sensation novel in the musical performance of A Sensation Novel: A Musical Play in Three Acts,

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Review: A Sensation Novel at Spotlighters Theatre

Piece together, for a moment if you can imagine, all of the fancy finery that floats to mind when you utter the words Victorian London. Let those images of haughty parlors, high cinched collars, and stodgy outfits with miles of lace drift dreamily through your mind along the delectable operetta-style story telling of W. S. Gilbert. Add the accompaniment of Music by Michael Nash, T. German Reed, and a little hint of Arthur Sullivan.

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