A little scratch gives you character, unless you’re a 45-vinyl, in which case it just causes you to skip a lot. The Strand Theatre has a whole lot of character and more importantly they have the message. They have the message of love with their production of Dominique Morisseau’s Detroit ’67, directed by Erin Riley. Powerful, evocative, visceral— this stunning drama set in the heart of the “colored district in downtown Detroit in the midst of the race riots” is poignant and disturbing in its relevance to the modern day.
To thine own self be true. Wrong Shakespeare; right concept. Baltimore Shakespeare Factory is being true to their MO and giving Charm City yet another Shakespearean production in Original Pronunciation, or “OP.” Othello is the latest in BSF’s OP series and handles just as well as those before it. For those vastly versed in Shakespeare think of OP as taking it to the next level or unlocking that bonus round of never-before heard jargon that truly acquaints you with the authenticity of The Bard.
You got love and you got death; it’s all you got. And death will find you, but you’ve gotta find love. And believe you me, you’re going to find it when you fall in love with this stellar production of August Wilson’s Two Trains Running at The Audrey Herman Spotlighters Theatre this fall. Kicking off their 56th season— A Place Where We Belong— this 7th play of the 10-play Pittsburgh Cycle by the renowned and award-winning playwright,